Photography at a crossroads
Studio as genealogy, dispositif, spur
Bibliographic Data
| ID | 4978871 |
|---|---|
| Authors | Shepherd Steiner (University of Manitoba, corresponding author) |
| Year | 2013 |
| Volume | 4 |
| Issue | 2 |
| Pages | 243-260 |
| Publication date | 2013-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Philosophy of Photography (JOURNAL) |
| Journal identifiers | ISSN: 2040-3682 • E-ISSN: 2040-3690 |
| Publisher | Intellect (PUBLISHER • GB) |
| DOI | 10.1386/pop.4.2.243_1 |
| OpenAlex | W2321382881 |
| Language | EN |
| Citations received | 1 |
The article focuses on the work of Ian Wallace, Jeff Wall and Rodney Graham, in particular, a notion of the studio that provides both an anchor and departure for the work of all three. This genealogy turns primarily on Wallace's photo-conceptual work from the 1970s, which establishes the space of the studio as an allegory of painting or the modernist tradition, and as the topological equivalent of the museum and street. Using Wallace's model of post-studio practice as an analytic, the article unpacks the tensions of Wall's notion of cinematography, highlighting his mounting hesitations with photography understood on the model of the studio system, as an inside/outside relationship and as the mimesis of painting. Finally, the article puts the notions of studio as genealogy and dispositif to work in order to understand the logic of Graham's emphasis on the durational art of film
Allegory · Art · Art history · Painting · Photography · Sociology · Studio · Visual arts · Art, Politics, and Modernism · Photography and Visual Culture · Visual Culture and Art Theory
| Citations per year | 0.1 |
|---|---|
| Citation span | 2016 - 2016 (1) |
| Highly cited | No |