Graham Wolfe
Biographic Data
| ID | 3859440 |
|---|---|
| NAME | Graham Wolfe |
| GIVEN NAMES | Graham |
| FAMILY NAME | Wolfe |
| SIGNATURE | WOLFE G |
| ORCID | 0000-0002-1237-382X |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Biopolitical Animation
An obligatory entry on lists of ‘essential pandemic reading’, Emily St John Mandel’s Station Eleven (2014) may have proved especially attractive to locked-down theatre-lovers because it reassures us that the show will ultimately go on. While film, TV and the Internet disappear from the post-pandemic world that Mandel depicts (along with electricity and working technology), an itinerant group called the Travelling Symphony brings Shakespeare from …
Eleanor Catton's The Rehearsal
This essay draws on Slavoj Žižek and Jacques Lacan to explore the dynamics of fantasy, desire, and enjoyment in Eleanor Catton’s The Rehearsal, emphasizing the novel’s irreducibility to a postmodernist funhouse
Making the Real Appear
This essay draws upon the recent work of Alenka Zupančič and Slavoj Žižek to explore Eric-Emmanuel Schmitt’s Enigma Variations. The play gives acute expression to their “Lacanian” mode of comedy, staging a “traversal of the fantasy” that gestures toward new modes of configuring the sublime and confronting the Real
Eleanor Catton's The Rehearsal
This essay draws on Slavoj Žižek and Jacques Lacan to explore the dynamics of fantasy, desire, and enjoyment in Eleanor Catton’s The Rehearsal, emphasizing the novel’s irreducibility to a postmodernist funhouse
Making the Real Appear
This essay draws upon the recent work of Alenka Zupančič and Slavoj Žižek to explore Eric-Emmanuel Schmitt’s Enigma Variations. The play gives acute expression to their “Lacanian” mode of comedy, staging a “traversal of the fantasy” that gestures toward new modes of configuring the sublime and confronting the Real
Eleanor Catton's The Rehearsal
This essay draws on Slavoj Žižek and Jacques Lacan to explore the dynamics of fantasy, desire, and enjoyment in Eleanor Catton’s The Rehearsal, emphasizing the novel’s irreducibility to a postmodernist funhouse
Biopolitical Animation
An obligatory entry on lists of ‘essential pandemic reading’, Emily St John Mandel’s Station Eleven (2014) may have proved especially attractive to locked-down theatre-lovers because it reassures us that the show will ultimately go on. While film, TV and the Internet disappear from the post-pandemic world that Mandel depicts (along with electricity and working technology), an itinerant group called the Travelling Symphony brings Shakespeare from …
Aesthetics (3 works) · Art (3 works) · Fantasy (3 works) · Literature (3 works) · Art history (2 works) · Philosophy (2 works) · Psychoanalysis (2 works) · Psychoanalysis, Philosophy, and Politics (2 works) · Psychology (2 works) · Amateur (1 work)