Eleanor Catton's The Rehearsal
Theatrical Fantasy and the Gaze
Bibliographic Data
| ID | 4894963 |
|---|---|
| Authors | Graham Wolfe (0000-0002-1237-382X, corresponding author) |
| Year | 2016 |
| Volume | 49 |
| Issue | 3 |
| Pages | 91-108 |
| Publication date | 2016-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Mosaic (JOURNAL) |
| Journal identifiers | ISSN: 0027-1276 • E-ISSN: 1925-5683 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/mos.2016.a630346 |
| OpenAlex | W2527990609 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
This essay draws on Slavoj Žižek and Jacques Lacan to explore the dynamics of fantasy, desire, and enjoyment in Eleanor Catton’s The Rehearsal, emphasizing the novel’s irreducibility to a postmodernist funhouse
Aesthetics · Art · Dynamics (music) · Fantasy · Gaze · Literature · Psychoanalysis · Contemporary Literature and Criticism · Psychoanalysis, Philosophy, and Politics · Psychology · Themes in Literature Analysis
| Citations per year | 0.11 |
|---|---|
| Citation span | 2017 - 2017 (1) |
| Highly cited | No |