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Catherine Losada

Biographic Data

ID3861306
NAMECatherine Losada
GIVEN NAMESCatherine
FAMILY NAMELosada
SIGNATURELOSADA C
AFFILIATIONSUniversity of Cincinnati
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS4
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2019
H-INDEX2
  • Middleground Structure in the Cadenza to Boulez's Éclat

    Open Access•C Catherine Losada, Catherine Losada•ARTICLE•Music Theory Online•2019•References: 29

    Through a transformational analysis of Boulez's Éclat, this article extends previous understanding of Boulez's compositional techniques by addressing issues of middleground structure and perception. Presenting a new perspective on this pivotal work, it also sheds light on the development of Boulez's compositional style

  • The Process of Modulation in Musical Collage

    Open Access•Catherine Losada•ARTICLE•Music Analysis•2008•Cited by: 2•References: 9

    By exploiting the multivalent implications attendant on principles of quotation, disjunction and juxtaposition, musical collage works of the 1960s, like their analogues in the visual arts and literature, call into question traditional notions of unity. However, these compositions also incorporate new modes of continuity which lend a distinctive expressive force to music of this kind. The present article outlines organisational precepts which comp…

  • K-nets and Hierarchical Structural Recursion

    Open Access•Catherine Losada•ARTICLE•Music Theory Online•2007•Cited by: 2•References: 18

    By incorporating Lewin's Tj and Ij transformations, K-nets have been used to demonstrate recursion at different hierarchical levels. Michael Buchler has discussed some of the issues surrounding recursive networks with a special focus on the way they have been applied in analysis. The following discussion expands upon his argument, focusing particularly on objectionable features that are intrinsic to the analytical tool itself. It includes an eval…

  • The Process of Modulation in Musical Collage

    Open Access•Catherine Losada•ARTICLE•Music Analysis•2008•Cited by: 2•References: 9

    By exploiting the multivalent implications attendant on principles of quotation, disjunction and juxtaposition, musical collage works of the 1960s, like their analogues in the visual arts and literature, call into question traditional notions of unity. However, these compositions also incorporate new modes of continuity which lend a distinctive expressive force to music of this kind. The present article outlines organisational precepts which comp…

  • K-nets and Hierarchical Structural Recursion

    Open Access•Catherine Losada•ARTICLE•Music Theory Online•2007•Cited by: 2•References: 18

    By incorporating Lewin's Tj and Ij transformations, K-nets have been used to demonstrate recursion at different hierarchical levels. Michael Buchler has discussed some of the issues surrounding recursive networks with a special focus on the way they have been applied in analysis. The following discussion expands upon his argument, focusing particularly on objectionable features that are intrinsic to the analytical tool itself. It includes an eval…

  • K-nets and Hierarchical Structural Recursion

    Open Access•Catherine Losada•ARTICLE•Music Theory Online•2007•Cited by: 2•References: 18

    By incorporating Lewin's Tj and Ij transformations, K-nets have been used to demonstrate recursion at different hierarchical levels. Michael Buchler has discussed some of the issues surrounding recursive networks with a special focus on the way they have been applied in analysis. The following discussion expands upon his argument, focusing particularly on objectionable features that are intrinsic to the analytical tool itself. It includes an eval…

  • The Process of Modulation in Musical Collage

    Open Access•Catherine Losada•ARTICLE•Music Analysis•2008•Cited by: 2•References: 9

    By exploiting the multivalent implications attendant on principles of quotation, disjunction and juxtaposition, musical collage works of the 1960s, like their analogues in the visual arts and literature, call into question traditional notions of unity. However, these compositions also incorporate new modes of continuity which lend a distinctive expressive force to music of this kind. The present article outlines organisational precepts which comp…

  • Middleground Structure in the Cadenza to Boulez's Éclat

    Open Access•C Catherine Losada, Catherine Losada•ARTICLE•Music Theory Online•2019•References: 29

    Through a transformational analysis of Boulez's Éclat, this article extends previous understanding of Boulez's compositional techniques by addressing issues of middleground structure and perception. Presenting a new perspective on this pivotal work, it also sheds light on the development of Boulez's compositional style

Philosophy (3 works) · Art (2 works) · Cognitive science (2 works) · Computer Science (2 works) · Linguistics (2 works) · Literature (2 works) · Musicology and Musical Analysis (2 works) · Psychology (2 works) · Visual arts (2 works) · Advanced Algebra and Logic (1 work)

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