Middleground Structure in the Cadenza to Boulez's Éclat
Bibliographic Data
| ID | 4390311 |
|---|---|
| Authors | C Catherine Losada (University of Cincinnati), Catherine Losada (University of Cincinnati, corresponding author) |
| Year | 2019 |
| Volume | 25 |
| Issue | 1 |
| Publication date | 2019-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.25.1.4 |
| OpenAlex | W2952627877 |
| Language | EN |
| Citations received | 2 |
| References cited | 29 |
Through a transformational analysis of Boulez's Éclat, this article extends previous understanding of Boulez's compositional techniques by addressing issues of middleground structure and perception. Presenting a new perspective on this pivotal work, it also sheds light on the development of Boulez's compositional style
Art · Linguistics · Literature · Visual arts · Diverse Music Education Insights · Musicology and Musical Analysis · Neuroscience and Music Perception · Philosophy
| Unique citing works | 2 |
|---|---|
| Citations per year | 0.67 |
| Citation span | 2023 - 2024 (2) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |