Joel Lester
Biographic Data
| ID | 3861335 |
|---|---|
| NAME | Joel Lester |
| GIVEN NAMES | Joel |
| FAMILY NAME | Lester |
| SIGNATURE | LESTER J |
| AFFILIATIONS | Mannes College of Music |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 1 |
Analysis and Performing Mozart
How Theorists Relate To Musicians
Despite the fact that much music-theoretical research applies directly to the activities of performers, composers, and listeners, many if not most of those musicians do not see theory as being relevant to them. If music theorists are to engage those musicians, theorists must create level playing fields where interactions with other musicians can take place
Joel Lester to the Editor
Music and the French Enlightenment
Commentary on Justin London (MTO 0.2)
Between Modes and Keys
This study of music theory examines in detail the persistence of modal thinking in German-speaking areas, which coexisted with major-minor principles, and its impact on German music from the Baroque through the High Classical period
Major-Minor Concepts and Modal Theory in Germany, 1592-1680
Research Article| July 01 1977 Major-Minor Concepts and Modal Theory in Germany, 1592-1680 Joel Lester Joel Lester Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (1977) 30 (2): 208–253. https://doi.org/10.2307/831218 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions…
How Theorists Relate To Musicians
Despite the fact that much music-theoretical research applies directly to the activities of performers, composers, and listeners, many if not most of those musicians do not see theory as being relevant to them. If music theorists are to engage those musicians, theorists must create level playing fields where interactions with other musicians can take place
Between Modes and Keys
This study of music theory examines in detail the persistence of modal thinking in German-speaking areas, which coexisted with major-minor principles, and its impact on German music from the Baroque through the High Classical period
Major-Minor Concepts and Modal Theory in Germany, 1592-1680
Research Article| July 01 1977 Major-Minor Concepts and Modal Theory in Germany, 1592-1680 Joel Lester Joel Lester Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (1977) 30 (2): 208–253. https://doi.org/10.2307/831218 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions…
Between Modes and Keys
This study of music theory examines in detail the persistence of modal thinking in German-speaking areas, which coexisted with major-minor principles, and its impact on German music from the Baroque through the High Classical period
Commentary on Justin London (MTO 0.2)
Music and the French Enlightenment
Joel Lester to the Editor
How Theorists Relate To Musicians
Despite the fact that much music-theoretical research applies directly to the activities of performers, composers, and listeners, many if not most of those musicians do not see theory as being relevant to them. If music theorists are to engage those musicians, theorists must create level playing fields where interactions with other musicians can take place
Analysis and Performing Mozart
Art (4 works) · Musicology and Musical Analysis (3 works) · Art history (2 works) · Computer Science (2 works) · Download (2 works) · History (2 works) · Psychology (2 works) · World Wide Web (2 works) · Aesthetics (1 works) · Citation (1 works)