How Theorists Relate To Musicians
Bibliographic Data
| ID | 5004181 |
|---|---|
| Authors | Joel Lester (Mannes College of Music, corresponding author) |
| Year | 1998 |
| Volume | 4 |
| Issue | 2 |
| Publication date | 1998-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.4.2.6 |
| OpenAlex | W2185266063 |
| Language | EN |
| Citations received | 3 |
Despite the fact that much music-theoretical research applies directly to the activities of performers, composers, and listeners, many if not most of those musicians do not see theory as being relevant to them. If music theorists are to engage those musicians, theorists must create level playing fields where interactions with other musicians can take place
Aesthetics · Art · Cognitive science · Visual arts · Diverse Music Education Insights · Musicology and Musical Analysis · Neuroscience and Music Perception · Psychology
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,14 |
| Citation span | 2005 - 2021 (17) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |