Performance and Analysis Today
New Horizons
Bibliographic Data
| ID | 5122928 |
|---|---|
| Authors | Daniel Barolsky (Beloit College), Edward Klorman (Queens College and Graduate Center, CUNY; and The Juilliard School) |
| Year | 2016 |
| Volume | 22 |
| Issue | 2 |
| Publication date | 2016-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.22.2.4 |
| OpenAlex | W2494120169 |
| Language | EN |
| Citations received | 3 |
| References cited | 16 |
At the 2004 joint AMS/SMT national meeting in Seattle, twenty-some theorists and musicologists from around the world convened the inaugural meeting of the SMT's Performance and Analysis Interest Group (PAIG), founded by Daphne Leong "to promote research into relations between performance and analysis, to support and further interests in all topics at the intersection of music theory and performance, to facilitate dialogue between performers and theorists, and to open new avenues for such interaction." (1) The founding of PAIG marked a period of rising interest in the study of musical performance within SMT. The very same conference included a special session (also organized by Daphne Leong) entitled "Performance and Analysis: Views from Theory, Musicology, and Performance," the proceedings of which were subsequently published in Music Theory Online 11.2 (March 2005). ] The present collection originated under similar circumstances at a gathering commemorating the tenth anniversary of PAIG's founding at the 2014 joint SMT/AMS meeting. Entitled "Performance and Analysis Today: New Horizons," the meeting comprised six short position papers by theorists and musicologists-most of them highly accomplished performers -along with responses by John Rink and Janet Schmalfeldt and a lively discussion period with the nearly one hundred attendees. (3) In an effort to assess the current state of studies in performance and analysis, and in the spirit of suggesting new avenues for future research, the invited panelists were selected to represent a broad cross-section of perspectives and backgrounds. This collection's eclecticism is therefore by design and pushes against conventional disciplinary boundaries -indeed, even against conventional understandings of "musical analysis."
Art · History of Computing Technologies · Medical Coding and Health Information · Statistical and numerical algorithms
Keys to Play
Response (to the Special Issue on Performance and Analysis)
How Theorists Relate To Musicians
A Postscript on Process
Prompting Performance
Like Falling off a Log
Introduction (to the Special Issue on Performance and Analysis)
Between Process and Product
Virtuosity in Babbitt's Lonely Flute
Musical Structure and Performance
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,38 |
| Citation span | 2018 - 2024 (7) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |