Musical Structure and Performance
Bibliographic Data
| ID | 4315656 |
|---|---|
| Authors | J Rink (0000-0002-4785-8317), Wallace Berry |
| Year | 1990 |
| Volume | 9 |
| Issue | 3 |
| Pages | 319 |
| Publication date | 1990-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Music Analysis (JOURNAL) |
| Journal identifiers | ISSN: 0262-5245 • E-ISSN: 1468-2249 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/853982 |
| OpenAlex | W4229756463 |
| Language | EN |
| Citations received | 13 |
Art · Musical · Musical form · Visual arts · Communication · Diverse Musicological Studies · Musicology and Musical Analysis · Psychology
“Processo simbiótico” entre análise e performance e a interlocução entre performer e teórico no estudo da Allemande da Partita n. 5, BWV 829, em Sol Maior para teclas, de J. S. Bach
Between Process and Product
Glenn Gould’s “Constant Rhythmic Reference Point
Kõlaluule tekstist ja esitusest
O potencial simbiótico da análise schenkeriana na performance e análise musical do Praeambulum da Partita n. 5 para teclas, de J. S. Bach
The Historiography of the Twentieth-Century Classical Performer
What is your thought process during sight-reading? Advanced sight-readers’ strategies across different tonal environments
Visiting virtuosos’ expressivity across cultures
On Performing Chopin’s Barcarolle
Analysis and Performance of Stockhausen's Klavierstück X
Performance and Analysis Today
Brahmsian Articulation
The Performer's Voice
| Unique citing works | 13 |
|---|---|
| Citations per year | 0,52 |
| Citation span | 2001 - 2023 (23) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 8 |