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Christine Boone

Biographic Data

ID3861442
NAMEChristine Boone
GIVEN NAMESChristine
FAMILY NAMEBoone
SIGNATUREBOONE C
AFFILIATIONSUniversity of North Caroline Asheville
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS4
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Gendered Power Relationships in Mashups

    Open Access•Christine Boone•ARTICLE•Music Theory Online•2018•References: 22

    When evaluating mashups, most authors praise the coupling of unrelated songs. Subversion of meaning depends on bringing disparate songs together so that they can reveal unexpected points of contact. The disparate elements in mashups can, and often do, result because of differently-gendered performers coming together in unexpected and unintended ways. This juxtaposition of masculine and feminine tokens can create a wide variety of meanings. In thi…

  • Mashing

    Open Access•Christine Boone•ARTICLE•Music Theory Online•2013•Cited by: 4•References: 8

    This article locates and defines the mashup as its own genre of music, separate from collage music, hip-hop sampling, and other similar genres. A typology of works made from previously existing music helps to isolate typical characteristics present exclusively in mashups. The mashup genre is then refined into four subcategories: the basic mashup, the cover mashup, the paint palette mashup, and the megamix mashup

  • Mashing

    Open Access•Christine Boone•ARTICLE•Music Theory Online•2013•Cited by: 4•References: 8

    This article locates and defines the mashup as its own genre of music, separate from collage music, hip-hop sampling, and other similar genres. A typology of works made from previously existing music helps to isolate typical characteristics present exclusively in mashups. The mashup genre is then refined into four subcategories: the basic mashup, the cover mashup, the paint palette mashup, and the megamix mashup

  • Mashing

    Open Access•Christine Boone•ARTICLE•Music Theory Online•2013•Cited by: 4•References: 8

    This article locates and defines the mashup as its own genre of music, separate from collage music, hip-hop sampling, and other similar genres. A typology of works made from previously existing music helps to isolate typical characteristics present exclusively in mashups. The mashup genre is then refined into four subcategories: the basic mashup, the cover mashup, the paint palette mashup, and the megamix mashup

  • Gendered Power Relationships in Mashups

    Open Access•Christine Boone•ARTICLE•Music Theory Online•2018•References: 22

    When evaluating mashups, most authors praise the coupling of unrelated songs. Subversion of meaning depends on bringing disparate songs together so that they can reveal unexpected points of contact. The disparate elements in mashups can, and often do, result because of differently-gendered performers coming together in unexpected and unintended ways. This juxtaposition of masculine and feminine tokens can create a wide variety of meanings. In thi…

Art (2 works) · Computer Science (2 works) · Mashup (2 works) · Music History and Culture (2 works) · Web 2.0 (2 works) · World Wide Web (2 works) · Aesthetics (1 work) · Artificial Intelligence (1 work) · Diverse Music Education Insights (1 work) · Music Technology and Sound Studies (1 work)

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