Mashing
Toward a Typology of Recycled Music
Bibliographic Data
| ID | 4390264 |
|---|---|
| Authors | Christine Boone (Indiana State University, corresponding author) |
| Year | 2013 |
| Volume | 19 |
| Issue | 3 |
| Publication date | 2013-10-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.19.3.1 |
| OpenAlex | W1737617672 |
| Language | EN |
| Citations received | 10 |
| References cited | 8 |
This article locates and defines the mashup as its own genre of music, separate from collage music, hip-hop sampling, and other similar genres. A typology of works made from previously existing music helps to isolate typical characteristics present exclusively in mashups. The mashup genre is then refined into four subcategories: the basic mashup, the cover mashup, the paint palette mashup, and the megamix mashup
Art · Mashup · Sociology · Typology · Web 2.0 · Web page · World Wide Web · Computer Science · Music History and Culture · Music Technology and Sound Studies · Phonetics and Phonology Research
Blurred Lines in Allegations of Musical Intertextuality
Capturing the Zeitgeist
The role of mashup music in creating Web 2.0’s democratic promise
Mixture Strategies
Writing Wrong Notes
The Techne of YouTube Performance
Gendered Power Relationships in Mashups
I got a bone to pick
What is Musical Meaning? Theorizing Music as Performative Utterance
Playing with Beats and Playing with Cats
| Citations per year | 1 |
|---|---|
| Citation span | 2016 - 2023 (8) |
| Highly cited | No |