Remix
Making Art and Commerce Thrive in the Hybrid Economy
Bibliographic Data
| ID | 23399170 |
|---|---|
| Authors | Lawrence Lessig (corresponding author), Beatriz Rando, Carmen Vargas (0000-0001-6166-8897), Carola Felis, Florencio Cabello, Giula Faraguna, Laura Vacas, Lina González, Maryam Itatí Portillo, María García Perulero, María Sorzano, Michael Schmidt (0000-0001-5830-7935), Natalia Gnisci, Nikita Bachmakov |
| Year | 2008 |
| Pages | 327 |
| Publication date | 2008-01-01 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Remix (SOURCE_BOOK) |
| Publisher | Bloomsbury Academic (PUBLISHER) |
| DOI | 10.5040/9781849662505 |
| OpenAlex | W4242911310 |
| Open Library | OL51667581M |
| ISBN | 9781849662505 |
| Language | EN |
| Citations received | 245 |
Lessig highlights the newest cultural war being waged on those who create and consume art. Arguing that we reject a copyright system that criminalizes the value of protecting art, he offers an inspiring vision of the post-war world where opportunities await those who view art as a resource to be shared openly rather than a commodity to be hoarded.
Artistic and Creative Research · Computer Science · Copyright and Intellectual Property · Copyright · Copyright and electronic data processing · Cultural industries · Cultural industry · Data processing · Economic aspects · Economic aspects of Copyright · Economic aspects of Copyright and electronic data processing · Economic conditions · Industrial arts · Industrial laws and legislation · Industries · law and legislation · Neighboring rights · Remix culture · united states
The Ethics of Emergent Creativity
Copyright in the Everyday Practice of Writers
Growth of Sharing Economy in Hungary; Long Distance Car Sharing - A Case Study of Oszkár
Entre criadores e criaturas
Governing digital innovation ecosystems under risk and uncertainty
Digitalization
The Governance of Communication and Culture
Introduction
Technology and Teaching Writing
Intellectual Property Rights
Media and Communications
The Culture of Connectivity
Defining Twenty-First Century Skills
Marketing in the Sharing Economy
The sharing economy
Knowledge Collaboration in Online Communities
Organizing for Innovation in the Digitized World
Instagrammatics and digital methods
A connective ethnography of a file sharing practice
A Revolution in 140 Characters? Reflecting on the Role of Social Networking Technologies in the 2009 Iranian Post‐Election Protests
Small videos, Hu Ge impact
Collaborative Economy and Tourism
Unpacking the extended customer value in sharing accommodation
Language Matters in the Geography of AI
Un impensé fertile
Next Generation Small Urban Manufacturing
Literatura jako mem? Komunikacja kulturowa w epoce produsera na przykładzie Wierszy Mateusza Morawieckiego pisanych w Excelu
Geoeducação e metodologias ativas no ensino médio
Economia colaborativa e destinos turísticos urbanos
Introduction to Special Section on Authenticity as Process
Les métaphores perceptuelles dans la culture du remix
Catching the Ephemeral
Más Allá del Fantasma en la Máquina
Ephemeral income
Sustainable sharing in local communities
The ethical dilemma of modding digital games
Remix in the age of ubiquitous remix
Copyright, Transformativeness, and Protection for Internet Memes
Revisiting Intellectual Property Rights in African Contexts
Le caractère polymorphe de la culture numérique
Memification of Students’ Experiences at South African Universities
A systematic content analysis of innovation in European competition law
Doctoral memes as public pedagogy? Or, heaven knows I’m miserable now
When Breaking the Law Gets You the Job
The “Network Society” moves in mysterious ways
Remixing News
‘Home taping is killing music’
Tales of the tape
A new triadic creative role for advertising industry
‘A Counter-Friction to the Machine’
An Alternative Approach
Tradition-based Modern Creations of a Cultural Community – Some Thoughts on the Copyright Status of Internet Folklore
Information Ownership and Materiality in an Age of Big Data Surveillance
Does cultural appropriation cause harm
A tethered generation
Playing fiction
Penelope Umbrico and Flickr
Children’s Media Culture in a Digital Age
Sharing economy as a field
Translocal assemblage and the practice of alternative media toward racial justice
Whose data? Problematizing the ‘gift’ of social labour
Chloé Delaume After-pop
Restricting digital sites of dissent
Aliens Are Us
Student and Faculty Perceptions of Study Helper Websites
Branded Worlds and Contracting Galaxies
Playing in the Gif(t) Economy
Documentary in a Culture of Clearance
The Piratical Ethos in Streams of Language
Joss Whedon, Dr. Horrible , and the Future of Web Media
Free TV
Emergent Innovation through the Coevolution of Informal and Formal Media Economies
Sound matters
Writing’ oneself into tragedy
Digital Fair
Limits of sharing and materialization of support
Transmedia Strategies in Journalism
Politically incorrect participatory media
Intellectual property law compliance in Europe
Copyright infringement online
Disco edits and their discontents
Share and share unlike
Computer game modders’ motivations and sense of community
You should have been there, man
Sharing and Web 2.0
Deadpan humour, the comic disposition and the interpretation of ironic ambiguity online
Pre-hacked
An anatomy of a YouTube meme
Fair use is legal use”
Rethinking the public/virtual sphere
Remixing environmentalism in Blora, Central Java 2005–10
Expanded places
Don Quixote , intermediality and remix
Cultural netizenship as platformization of popular culture in Nigeria
Copying, copyright and originality
Testing creativity
Community-based environmental monitoring goes to school
The Irony of “Drottningen av Åland”
El cartel de cine en la cultura remix
Narrativas transmedia de ficción
| Unique citing works | 245 |
|---|---|
| Citations per year | 14,41 |
| Citation span | 2009 - 2026 (18) |
| Citation velocity | current |
| Highly cited | Yes |
| Citation types | Neutral: 240 |