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Lauren Michele Jackson

Biographic Data

ID3864625
NAMELauren Michele Jackson
GIVEN NAMESLauren Michele
FAMILY NAMEJackson
SIGNATUREJACKSON L M
AFFILIATIONSUniversity of Chicago
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Letting Ourselves Down

    Lauren Michele Jackson•ARTICLE•New Literary History•2024

    Understanding is the crux of the matter with Glyph by Percival Everett. Ralph, a mute infant who reads and writes with the appetite of a philosopher, can't be figured out by the adults who very much want to understand him, much as Glyph , both fluent in and critical of what our intake of twentieth-century French theory hath wrought, won't be figured out by those-critics-who've tasked ourselves with understanding the novel. Glyph therefore breeds …

  • The Cambridge Companion to Contemporary African American Literature

    Open Access•Margo Natalie Crawford, Rolland Murray et al.•BOOK•The Cambridge Companion to…•2023

    African American literature has changed in startling ways since the end of the Black Arts Era. The last five decades have generated new paradigms of racial formation and novel patterns of cultural production, circulation, and reception. This volume takes up the challenge of mapping the varied and changing field of contemporary African American writing. Balancing the demands of historical and political context with attention to aesthetic innovatio…

  • The rapper laughs, herself

    Lauren Michele Jackson•ARTICLE•Feminist Media Studies•2016•References: 6

    Bursting, reckless, and erotic, the laughter of rapper Onika Tanya Maraj—Nicki Minaj—might seem tailor-made to an understanding of laughter as pure presence. Her laughter claims no object, follows

No prominent works on this page.

  • The rapper laughs, herself

    Lauren Michele Jackson•ARTICLE•Feminist Media Studies•2016•References: 6

    Bursting, reckless, and erotic, the laughter of rapper Onika Tanya Maraj—Nicki Minaj—might seem tailor-made to an understanding of laughter as pure presence. Her laughter claims no object, follows

  • The Cambridge Companion to Contemporary African American Literature

    Open Access•Margo Natalie Crawford, Rolland Murray et al.•BOOK•The Cambridge Companion to…•2023

    African American literature has changed in startling ways since the end of the Black Arts Era. The last five decades have generated new paradigms of racial formation and novel patterns of cultural production, circulation, and reception. This volume takes up the challenge of mapping the varied and changing field of contemporary African American writing. Balancing the demands of historical and political context with attention to aesthetic innovatio…

  • Letting Ourselves Down

    Lauren Michele Jackson•ARTICLE•New Literary History•2024

    Understanding is the crux of the matter with Glyph by Percival Everett. Ralph, a mute infant who reads and writes with the appetite of a philosopher, can't be figured out by the adults who very much want to understand him, much as Glyph , both fluent in and critical of what our intake of twentieth-century French theory hath wrought, won't be figured out by those-critics-who've tasked ourselves with understanding the novel. Glyph therefore breeds …

Aesthetics (2 works) · Art (2 works) · Sociology (2 works) · African american (1 work) · Afterlife (1 work) · American literature (1 work) · Archaeology (1 work) · Artificial Intelligence (1 work) · Bursting (1 work) · Computer Science (1 work)

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