Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Jane Davidson

Biographic Data

ID3865600
NAMEJane Davidson
GIVEN NAMESJane
FAMILY NAMEDavidson
SIGNATUREDAVIDSON J
AFFILIATIONSThe University of Western Australia
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS3
WORKS AS AUTHOR10
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Understanding the attraction to music containing violent themes

    Open Access•Merrick Powell, Kirk Olsen et al.•ARTICLE•Psychology of Popular Media•2025

    Fans of music containing violent themes can experience positive affective, social, and well-being benefits from engagement with music. However, there is a gap in understanding why people are attracted to such music in the first place, as violently themed music is often considered offensive, disturbing, and repulsive by many nonfans. Recent research has found that morbid curiosity, a fascination with death and threatening situations and phenomena,…

  • Building social connection and inclusion through rock music in the Western Balkans

    Open Access•G Howell, Brydie-Leigh Bartleet et al.•ARTICLE•Research Studies in Music Education•2024

    This article explores community-based rock music education as a site for strengthening social cohesion in a context of postwar, interethnic divisions. Focusing on small and incremental changes, it examines the practices of Music Connects, a project in the Western Balkans, and its goals of revitalizing rock culture in support of a more inclusive social life and greater freedom of movement in the region. The article explores the ways that an organi…

  • FutureGen – Lessons from a Small Country

    Open Access•Jane Davidson, Jane P Davidson•ARTICLE•Revue française de civilisation…•2023

    In 2015 the government in Wales passed into law the Well-being of Future Generations (Wales) Act. This act is the first legislation in the world to enshrine the rights of future generations alongside current ones and requires Welsh Government ministers and the organisations they oversee to embed this commitment into everything they do. The creation of the Act was a brave and wonderful act by the Welsh Government and a vote of confidence by the We…

  • Emotional Regimes Reflected in a Popular Ballad

    Sandra Garrido, Jane W Davidson et al.•ARTICLE•Musicology Australia•2016•Cited by: 3•References: 6

    ‘Emotional regimes’ is a concept defined by William Reddy in 2001 and used in the history of emotions literature to refer to the modes of emotional expression and thought that are dominant in particular time periods and cultural contexts. Popular ballads provide a useful way of exploring emotions in their cultural contexts across different time periods because of their long life-span, and because of the way they are shaped and moulded by social b…

  • Music and the mind

    Irène Deliège, Jane Davidson•EDITOR•BOOK•Music and the mind•2011

  • From “This F***ing life” to “that's better” … in four minutes

    Gary Ansdell, Jane W Davidson et al.•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2010

    This article presents the findings of a preliminary interdisciplinary research project instigated by a group of three music therapists, a music psychologist and a psychiatrist. The group shared a professional and academic interest in music therapy's seeming ability to help patients experiencing severe affect dysregulation as a result of psychotic states to effectively modulate affect in a creative way within a surprisingly short time-span.The stu…

  • A British Academician

    Open Access•Jane W Davidson, Jane Davidson•ARTICLE•Musicae Scientiae•2005

    This short piece is a tribute to Professor John Sloboda to celebrate his election to the British Academy. The British Academy was founded in 1902 and is a self-governing fellowship of scholars, elected for their distinction and achievement in one or more branches of the academic disciplines that make up the humanities and social sciences. During the ten years of our working collaboration, I learned much from John. I learned about writing; John's …

  • Men's Vocal Behaviour and the Construction of Self

    Open Access•Robert Faulkner, Jane W Davidson et al.•ARTICLE•Musicae Scientiae•2004

    The following paper considers the role of vocal behaviour in the construction of Self. It examines evidence from an ongoing research project investigating the nature and function of singing in men's everyday lives. The present article looks at how men create and regulate identity through singing and through the construction of personal narratives about their vocal behaviour. Extensive, informal, vocal-history interviews were carried out with eigh…

  • Witches, Devils, and Doctors in the Renaissance

    Jane W Davidson, Jane Davidson•ARTICLE•Sixteenth Century Journal•1993

  • Witches, Devils, and Doctors in the Renaissance

    Jane W Davidson, Jane Davidson•ARTICLE•Sixteenth Century Journal•1993

  • Teacher-student generated lessons

    Jane W Davidson, Jane Davidson•ARTICLE•Theory Into Practice•1986•References: 1

    1986). Teacher‐student generated lessons: A model for reading instruction. Theory Into Practice: Vol. 25, Building Literacy, pp. 84-90

  • Emotional Regimes Reflected in a Popular Ballad

    Sandra Garrido, Jane W Davidson et al.•ARTICLE•Musicology Australia•2016•Cited by: 3•References: 6

    ‘Emotional regimes’ is a concept defined by William Reddy in 2001 and used in the history of emotions literature to refer to the modes of emotional expression and thought that are dominant in particular time periods and cultural contexts. Popular ballads provide a useful way of exploring emotions in their cultural contexts across different time periods because of their long life-span, and because of the way they are shaped and moulded by social b…

  • Teacher-student generated lessons

    Jane W Davidson, Jane Davidson•ARTICLE•Theory Into Practice•1986•References: 1

    1986). Teacher‐student generated lessons: A model for reading instruction. Theory Into Practice: Vol. 25, Building Literacy, pp. 84-90

  • Witches, Devils, and Doctors in the Renaissance

    Jane W Davidson, Jane Davidson•ARTICLE•Sixteenth Century Journal•1993

  • Witches, Devils, and Doctors in the Renaissance

    Jane W Davidson, Jane Davidson•ARTICLE•Sixteenth Century Journal•1993

  • Men's Vocal Behaviour and the Construction of Self

    Open Access•Robert Faulkner, Jane W Davidson et al.•ARTICLE•Musicae Scientiae•2004

    The following paper considers the role of vocal behaviour in the construction of Self. It examines evidence from an ongoing research project investigating the nature and function of singing in men's everyday lives. The present article looks at how men create and regulate identity through singing and through the construction of personal narratives about their vocal behaviour. Extensive, informal, vocal-history interviews were carried out with eigh…

  • A British Academician

    Open Access•Jane W Davidson, Jane Davidson•ARTICLE•Musicae Scientiae•2005

    This short piece is a tribute to Professor John Sloboda to celebrate his election to the British Academy. The British Academy was founded in 1902 and is a self-governing fellowship of scholars, elected for their distinction and achievement in one or more branches of the academic disciplines that make up the humanities and social sciences. During the ten years of our working collaboration, I learned much from John. I learned about writing; John's …

  • From “This F***ing life” to “that's better” … in four minutes

    Gary Ansdell, Jane W Davidson et al.•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2010

    This article presents the findings of a preliminary interdisciplinary research project instigated by a group of three music therapists, a music psychologist and a psychiatrist. The group shared a professional and academic interest in music therapy's seeming ability to help patients experiencing severe affect dysregulation as a result of psychotic states to effectively modulate affect in a creative way within a surprisingly short time-span.The stu…

  • Music and the mind

    Irène Deliège, Jane Davidson•EDITOR•BOOK•Music and the mind•2011

  • Emotional Regimes Reflected in a Popular Ballad

    Sandra Garrido, Jane W Davidson et al.•ARTICLE•Musicology Australia•2016•Cited by: 3•References: 6

    ‘Emotional regimes’ is a concept defined by William Reddy in 2001 and used in the history of emotions literature to refer to the modes of emotional expression and thought that are dominant in particular time periods and cultural contexts. Popular ballads provide a useful way of exploring emotions in their cultural contexts across different time periods because of their long life-span, and because of the way they are shaped and moulded by social b…

  • FutureGen – Lessons from a Small Country

    Open Access•Jane Davidson, Jane P Davidson•ARTICLE•Revue française de civilisation…•2023

    In 2015 the government in Wales passed into law the Well-being of Future Generations (Wales) Act. This act is the first legislation in the world to enshrine the rights of future generations alongside current ones and requires Welsh Government ministers and the organisations they oversee to embed this commitment into everything they do. The creation of the Act was a brave and wonderful act by the Welsh Government and a vote of confidence by the We…

  • Building social connection and inclusion through rock music in the Western Balkans

    Open Access•G Howell, Brydie-Leigh Bartleet et al.•ARTICLE•Research Studies in Music Education•2024

    This article explores community-based rock music education as a site for strengthening social cohesion in a context of postwar, interethnic divisions. Focusing on small and incremental changes, it examines the practices of Music Connects, a project in the Western Balkans, and its goals of revitalizing rock culture in support of a more inclusive social life and greater freedom of movement in the region. The article explores the ways that an organi…

  • Understanding the attraction to music containing violent themes

    Open Access•Merrick Powell, Kirk Olsen et al.•ARTICLE•Psychology of Popular Media•2025

    Fans of music containing violent themes can experience positive affective, social, and well-being benefits from engagement with music. However, there is a gap in understanding why people are attracted to such music in the first place, as violently themed music is often considered offensive, disturbing, and repulsive by many nonfans. Recent research has found that morbid curiosity, a fascination with death and threatening situations and phenomena,…

Art (7 works) · Psychology (7 works) · Sociology (5 works) · Aesthetics (3 works) · Diverse Music Education Insights (3 works) · Music Therapy and Health (3 works) · Pedagogy (3 works) · Art history (2 works) · History (2 works) · Literature (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae