Hannah Feldman
Biographic Data
| ID | 3866999 |
|---|---|
| NAME | Hannah Feldman |
| GIVEN NAMES | Hannah |
| FAMILY NAME | Feldman |
| SIGNATURE | FELDMAN H |
| AFFILIATIONS | Artistic Realization Technologies |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 14 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
On Beirut
This conversation brings together four figures based in Lebanon-two artists (Vartan Avakian and Walid Sadek), a curator and museum director (Reem Shahid), and a visual anthropologist (Kirsten Scheid)-in conversation with the author about the ways in which art in Lebanon is, or has been, at risk as a result of the nation's multiple precarities: social, political, and economic. These precarities are discussed in relation to both the present crises …
Ahlam Shibli's Death and Photography in Arabic
This letter turns to late-nineteenth-century understandings of photography in Arabic as al-taswir al-shamsi-which translates roughly as "solar imaging"-to read a suite of photographs by Ahlam Shibli that depicts the ways in which martyrs of the second intifada are remembered in Nablus. Drawing on connotations embedded in the Arabic term taswir and in a careful study of the way light works in Shibli's photographs, the letter-addressed to you from …
Excavating Images on the Border
This text considers the function of the photographic image, both analogue and digital, in the multimedia interventions of the Beirut‐based artist Akram Zaatari. Instead of reading Zaatari’s work through the commonplace tropes provided by the rhetoric of documentary and archival appropriations, it focuses on generating more spatially and temporally dynamic epistemologies in order to better theorise the complexities of imagistic representation duri…
On Being Significant During War
January 01 2008 On Being Significant During War Hannah Feldman Hannah Feldman Assistant Professor of Modern and Contemporary Art History at Northwestern University. Search for other works by this author on: This Site Google Scholar Author and Article Information Hannah Feldman Assistant Professor of Modern and Contemporary Art History at Northwestern University. Online Issn: 1536-013X Print Issn: 0162-2870 © 2008 October Magazine, Ltd. and Massac…
Of the Public Born
Le peuple constitue ses propres archives. -Michel Foucault, 1974
The Subject of Rape
Remedy for an 8500 year-old plastered human skull from Kfar Hahoresh, Israel
Remedy for an 8500 year-old plastered human skull from Kfar Hahoresh, Israel
On Being Significant During War
January 01 2008 On Being Significant During War Hannah Feldman Hannah Feldman Assistant Professor of Modern and Contemporary Art History at Northwestern University. Search for other works by this author on: This Site Google Scholar Author and Article Information Hannah Feldman Assistant Professor of Modern and Contemporary Art History at Northwestern University. Online Issn: 1536-013X Print Issn: 0162-2870 © 2008 October Magazine, Ltd. and Massac…
Remedy for an 8500 year-old plastered human skull from Kfar Hahoresh, Israel
The Subject of Rape
Of the Public Born
Le peuple constitue ses propres archives. -Michel Foucault, 1974
On Being Significant During War
January 01 2008 On Being Significant During War Hannah Feldman Hannah Feldman Assistant Professor of Modern and Contemporary Art History at Northwestern University. Search for other works by this author on: This Site Google Scholar Author and Article Information Hannah Feldman Assistant Professor of Modern and Contemporary Art History at Northwestern University. Online Issn: 1536-013X Print Issn: 0162-2870 © 2008 October Magazine, Ltd. and Massac…
Excavating Images on the Border
This text considers the function of the photographic image, both analogue and digital, in the multimedia interventions of the Beirut‐based artist Akram Zaatari. Instead of reading Zaatari’s work through the commonplace tropes provided by the rhetoric of documentary and archival appropriations, it focuses on generating more spatially and temporally dynamic epistemologies in order to better theorise the complexities of imagistic representation duri…
Ahlam Shibli's Death and Photography in Arabic
This letter turns to late-nineteenth-century understandings of photography in Arabic as al-taswir al-shamsi-which translates roughly as "solar imaging"-to read a suite of photographs by Ahlam Shibli that depicts the ways in which martyrs of the second intifada are remembered in Nablus. Drawing on connotations embedded in the Arabic term taswir and in a careful study of the way light works in Shibli's photographs, the letter-addressed to you from …
On Beirut
This conversation brings together four figures based in Lebanon-two artists (Vartan Avakian and Walid Sadek), a curator and museum director (Reem Shahid), and a visual anthropologist (Kirsten Scheid)-in conversation with the author about the ways in which art in Lebanon is, or has been, at risk as a result of the nation's multiple precarities: social, political, and economic. These precarities are discussed in relation to both the present crises …
Art (5 works) · Jewish and Middle Eastern Studies (3 works) · Law (3 works) · Middle East Politics and Society (3 works) · Political science (3 works) · Art history (2 works) · Computer Science (2 works) · History (2 works) · History (2 works) · Law (2 works)