Excavating Images on the Border
Bibliographic Data
| ID | 12225233 |
|---|---|
| Authors | Hannah Feldman (corresponding author) |
| Year | 2009 |
| Volume | 23 |
| Issue | 3 |
| Pages | 309-322 |
| Publication date | 2009-05-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Third Text (JOURNAL) |
| Journal identifiers | ISSN: 0952-8822 • E-ISSN: 1475-5297 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/09528820902954945 |
| OpenAlex | W1994465959 |
| Language | EN |
This text considers the function of the photographic image, both analogue and digital, in the multimedia interventions of the Beirut‐based artist Akram Zaatari. Instead of reading Zaatari’s work through the commonplace tropes provided by the rhetoric of documentary and archival appropriations, it focuses on generating more spatially and temporally dynamic epistemologies in order to better theorise the complexities of imagistic representation during times of war
Art · Function (biology · Linguistics · Order (exchange · Political science · Politics · Reading (process · Representation (politics · Rhetoric · Visual arts · History · Jewish and Middle Eastern Studies · Law · Memory, Trauma, and Commemoration · Middle East Politics and Society · Philosophy
| Highly cited | No |
|---|