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Leo Costello

Biographic Data

ID3867085
NAMELeo Costello
GIVEN NAMESLeo
FAMILY NAMECostello
SIGNATURECOSTELLO L
AFFILIATIONSLEO COSTELLO is Associate Professor of Art History at Rice University. He is the author of J.M.W. Turner and the Subject of History (Ashgate, 2012). He is now at work on a manuscript entitled “Pictures of Nothing: Romantic Figurations of the Void.”
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS2
WORKS AS AUTHOR1
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Portraiture and the Ethics of Alterity

    Leo Costello•ARTICLE•October•2015•Cited by: 2•References: 5

    One of the primary critical investigations around the work of Alberto Giacometti has been his experience of a crisis in representation: the anguished realization of his inability to re-create his perceptions. Indeed, while this crisis came to the fore at various times in his life, it forms the hinge on which his career is taken to turn, because it marked his rejection of the principles of Surrealism. As the oft-repeated story goes, when André Bre…

  • Portraiture and the Ethics of Alterity

    Leo Costello•ARTICLE•October•2015•Cited by: 2•References: 5

    One of the primary critical investigations around the work of Alberto Giacometti has been his experience of a crisis in representation: the anguished realization of his inability to re-create his perceptions. Indeed, while this crisis came to the fore at various times in his life, it forms the hinge on which his career is taken to turn, because it marked his rejection of the principles of Surrealism. As the oft-repeated story goes, when André Bre…

  • Portraiture and the Ethics of Alterity

    Leo Costello•ARTICLE•October•2015•Cited by: 2•References: 5

    One of the primary critical investigations around the work of Alberto Giacometti has been his experience of a crisis in representation: the anguished realization of his inability to re-create his perceptions. Indeed, while this crisis came to the fore at various times in his life, it forms the hinge on which his career is taken to turn, because it marked his rejection of the principles of Surrealism. As the oft-repeated story goes, when André Bre…

Aesthetics (1 work) · Alterity (1 work) · Art (1 work) · Epistemology (1 work) · Face (sociological concept (1 work) · Law (1 work) · Law (1 work) · Perception (1 work) · Philosophy (1 work) · Philosophy (1 work)

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