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Marianne Mcdonald

Biographic Data

ID3871068
NAMEMarianne Mcdonald
GIVEN NAMESMarianne
FAMILY NAMEMcdonald
SIGNATUREMCDONALD M
AFFILIATIONSUniversity of California San Diego
VERIFIEDNo
TOTAL WORKS19
TOTAL CITATIONS25
AUTHOR COUNT18
EDITOR COUNT1
FIRST PUBLICATION YEAR1963
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Medea as Politician and Diva

    Open Access•Marianne Mcdonald•CHAPTER•Medea•2020

  • Sophocles Made New

    Marianne Mcdonald•CHAPTER•Brill's companion to Sophocles•2012

  • A New Hope

    Open Access•Marianne Mcdonald•OTHER•A Companion to Classical Receptions•2007

    This chapter contains section titled: Introduction: Myth and Film Star Wars: An Oedipal Fantasy The Crying Game: Bacchic Revels Conclusion

  • The Cambridge Companion to Greek and Roman Theatre

    Open Access•J Michael Walton, Mark Griffith et al.•BOOK•The Cambridge companion to Greek…•2007

    This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part …

  • Preface to The Abbess

    Marianne Mcdonald•ARTICLE•South African Theatre Journal•2006

    (2006). Preface to The Abbess. South African Theatre Journal: Vol. 20, Directors and Directing in South African Theatre, pp. 334-338

  • Wearing the third hat

    Marianne Mcdonald•ARTICLE•South African Theatre Journal•2006

    (2006). Wearing the third hat: Athol Fugard as director. South African Theatre Journal: Vol. 20, Directors and Directing in South African Theatre, pp. 206-220

  • The Living Art of Greek Tragedy

    Marianne Mcdonald•BOOK•Living Art of Greek Tragedy•2003

  • Amid our troubles

    Marianne Mcdonald, J Michael Walton et al.•BOOK•Amid our troubles•2002

    New essays on ancient Greek classics from Ireland's greatest living dramatists and academics That so many Irish playwrights should return to the Greek classics can not really be a surprise. Drama in Ireland is still a means of exploring the issues of family and state; of gender, class and race; of the oppressors and the oppressed. It is political in the broad sense in which the Greeks understood the word, involving everyone - immediate but concen…

  • Medea as Politician and Diva

    Open Access•Marianne Mcdonald•CHAPTER•Medea•1997

  • Medea

    Deborah Boedeker, Jan Bremmer et al.•BOOK•Medea•1997•Cited by: 24

  • Electra in Review

    Open Access•Marianne Mcdonald•CHAPTER•Sophocles’ „Electra“ in Performance•1996

    Electra has fascinated generations. The woman has been viewed as freedom fighter, or as vengeful neurotic. The text has been seen as endorsing Electra’s and Orestes’ vengeance, or as a monstrous combination of “matricide and good spirits;” as taking a stand somewhere between these extremes of justice and the dark side of human nature, or as maintaining these opposites in an uneasy equilibrium.1 And the play has been performed in new and varied ve…

  • Seamus Heaney's "Cure at Troy" Politics and Poetry

    Marianne Mcdonald•ARTICLE•Classics Ireland•1996

  • Ancient Sun, Modern Light

    Robert Paul Sonkowsky, Marianne Mcdonald•ARTICLE•The Classical World•1994

  • L'extase de Penthée

    Open Access•Marianne Mcdonald•ARTICLE•Pallas•1992•Cited by: 1•References: 1

    Dans Les Bacchantes d'Euripide, Penthée fait la triste expérience de l'ivresse dionysiaque poussée à ses limites. Poison et remède, création et destruction, l'ivresse, née à la fois du vin et du théâtre, est dans Les Bacchantes le lieu qui préside au passage à la reconnaissance tragique. L'ambiguïté de Dionysos, à la fois deinotatos « le très puissant » et epiotatos « le très doux », est celle même de la vérité : la connaissance ne peut naître qu…

  • The History of al-Tabari. Volume IV, The Ancient Kingdoms

    Claude Gilliot, Moshe Perlmann et al.•ARTICLE•Studia Islamica•1989

  • The History of al-Tabari, VI, Muhammad at Mecca

    Claude Gilliot, W Montgomery Watt et al.•ARTICLE•Studia Islamica•1989

  • A Semilemmatized Concordance to Euripides' Alcestis

    Ryan Hamilton, Richard Hamilton et al.•ARTICLE•The Classical World•1979

  • Terms for Happiness in Euripides

    Marianne Mcdonald•BOOK•Terms for Happiness in Euripides•1978

  • The Religious and Social Views Nizami of Ganjeh

    Marianne Mcdonald, M V McDonald•ARTICLE•Iran•1963

  • Medea

    Deborah Boedeker, Jan Bremmer et al.•BOOK•Medea•1997•Cited by: 24

  • L'extase de Penthée

    Open Access•Marianne Mcdonald•ARTICLE•Pallas•1992•Cited by: 1•References: 1

    Dans Les Bacchantes d'Euripide, Penthée fait la triste expérience de l'ivresse dionysiaque poussée à ses limites. Poison et remède, création et destruction, l'ivresse, née à la fois du vin et du théâtre, est dans Les Bacchantes le lieu qui préside au passage à la reconnaissance tragique. L'ambiguïté de Dionysos, à la fois deinotatos « le très puissant » et epiotatos « le très doux », est celle même de la vérité : la connaissance ne peut naître qu…

  • The Religious and Social Views Nizami of Ganjeh

    Marianne Mcdonald, M V McDonald•ARTICLE•Iran•1963

  • Terms for Happiness in Euripides

    Marianne Mcdonald•BOOK•Terms for Happiness in Euripides•1978

  • A Semilemmatized Concordance to Euripides' Alcestis

    Ryan Hamilton, Richard Hamilton et al.•ARTICLE•The Classical World•1979

  • The History of al-Tabari. Volume IV, The Ancient Kingdoms

    Claude Gilliot, Moshe Perlmann et al.•ARTICLE•Studia Islamica•1989

  • The History of al-Tabari, VI, Muhammad at Mecca

    Claude Gilliot, W Montgomery Watt et al.•ARTICLE•Studia Islamica•1989

  • L'extase de Penthée

    Open Access•Marianne Mcdonald•ARTICLE•Pallas•1992•Cited by: 1•References: 1

    Dans Les Bacchantes d'Euripide, Penthée fait la triste expérience de l'ivresse dionysiaque poussée à ses limites. Poison et remède, création et destruction, l'ivresse, née à la fois du vin et du théâtre, est dans Les Bacchantes le lieu qui préside au passage à la reconnaissance tragique. L'ambiguïté de Dionysos, à la fois deinotatos « le très puissant » et epiotatos « le très doux », est celle même de la vérité : la connaissance ne peut naître qu…

  • Ancient Sun, Modern Light

    Robert Paul Sonkowsky, Marianne Mcdonald•ARTICLE•The Classical World•1994

  • Electra in Review

    Open Access•Marianne Mcdonald•CHAPTER•Sophocles’ „Electra“ in Performance•1996

    Electra has fascinated generations. The woman has been viewed as freedom fighter, or as vengeful neurotic. The text has been seen as endorsing Electra’s and Orestes’ vengeance, or as a monstrous combination of “matricide and good spirits;” as taking a stand somewhere between these extremes of justice and the dark side of human nature, or as maintaining these opposites in an uneasy equilibrium.1 And the play has been performed in new and varied ve…

  • Seamus Heaney's "Cure at Troy" Politics and Poetry

    Marianne Mcdonald•ARTICLE•Classics Ireland•1996

  • Medea as Politician and Diva

    Open Access•Marianne Mcdonald•CHAPTER•Medea•1997

  • Medea

    Deborah Boedeker, Jan Bremmer et al.•BOOK•Medea•1997•Cited by: 24

  • Amid our troubles

    Marianne Mcdonald, J Michael Walton et al.•BOOK•Amid our troubles•2002

    New essays on ancient Greek classics from Ireland's greatest living dramatists and academics That so many Irish playwrights should return to the Greek classics can not really be a surprise. Drama in Ireland is still a means of exploring the issues of family and state; of gender, class and race; of the oppressors and the oppressed. It is political in the broad sense in which the Greeks understood the word, involving everyone - immediate but concen…

  • The Living Art of Greek Tragedy

    Marianne Mcdonald•BOOK•Living Art of Greek Tragedy•2003

  • Preface to The Abbess

    Marianne Mcdonald•ARTICLE•South African Theatre Journal•2006

    (2006). Preface to The Abbess. South African Theatre Journal: Vol. 20, Directors and Directing in South African Theatre, pp. 334-338

  • Wearing the third hat

    Marianne Mcdonald•ARTICLE•South African Theatre Journal•2006

    (2006). Wearing the third hat: Athol Fugard as director. South African Theatre Journal: Vol. 20, Directors and Directing in South African Theatre, pp. 206-220

  • A New Hope

    Open Access•Marianne Mcdonald•OTHER•A Companion to Classical Receptions•2007

    This chapter contains section titled: Introduction: Myth and Film Star Wars: An Oedipal Fantasy The Crying Game: Bacchic Revels Conclusion

  • The Cambridge Companion to Greek and Roman Theatre

    Open Access•J Michael Walton, Mark Griffith et al.•BOOK•The Cambridge companion to Greek…•2007

    This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part …

  • Sophocles Made New

    Marianne Mcdonald•CHAPTER•Brill's companion to Sophocles•2012

  • Medea as Politician and Diva

    Open Access•Marianne Mcdonald•CHAPTER•Medea•2020

Art (13 works) · History (7 works) · Literature (7 works) · Classical Antiquity Studies (6 works) · Philosophy (6 works) · Computer Science (5 works) · Ancient history (4 works) · History (4 works) · Law (4 works) · Philosophy (4 works)

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