Marianne Mcdonald
Biographic Data
| ID | 3871068 |
|---|---|
| NAME | Marianne Mcdonald |
| GIVEN NAMES | Marianne |
| FAMILY NAME | Mcdonald |
| SIGNATURE | MCDONALD M |
| AFFILIATIONS | University of California San Diego |
| VERIFIED | No |
| TOTAL WORKS | 19 |
| TOTAL CITATIONS | 25 |
| AUTHOR COUNT | 18 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1963 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Medea as Politician and Diva
Sophocles Made New
A New Hope
This chapter contains section titled: Introduction: Myth and Film Star Wars: An Oedipal Fantasy The Crying Game: Bacchic Revels Conclusion
The Cambridge Companion to Greek and Roman Theatre
This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part …
Preface to The Abbess
(2006). Preface to The Abbess. South African Theatre Journal: Vol. 20, Directors and Directing in South African Theatre, pp. 334-338
Wearing the third hat
(2006). Wearing the third hat: Athol Fugard as director. South African Theatre Journal: Vol. 20, Directors and Directing in South African Theatre, pp. 206-220
The Living Art of Greek Tragedy
Amid our troubles
New essays on ancient Greek classics from Ireland's greatest living dramatists and academics That so many Irish playwrights should return to the Greek classics can not really be a surprise. Drama in Ireland is still a means of exploring the issues of family and state; of gender, class and race; of the oppressors and the oppressed. It is political in the broad sense in which the Greeks understood the word, involving everyone - immediate but concen…
Medea as Politician and Diva
Medea
Electra in Review
Electra has fascinated generations. The woman has been viewed as freedom fighter, or as vengeful neurotic. The text has been seen as endorsing Electra’s and Orestes’ vengeance, or as a monstrous combination of “matricide and good spirits;” as taking a stand somewhere between these extremes of justice and the dark side of human nature, or as maintaining these opposites in an uneasy equilibrium.1 And the play has been performed in new and varied ve…
Seamus Heaney's "Cure at Troy" Politics and Poetry
Ancient Sun, Modern Light
L'extase de Penthée
Dans Les Bacchantes d'Euripide, Penthée fait la triste expérience de l'ivresse dionysiaque poussée à ses limites. Poison et remède, création et destruction, l'ivresse, née à la fois du vin et du théâtre, est dans Les Bacchantes le lieu qui préside au passage à la reconnaissance tragique. L'ambiguïté de Dionysos, à la fois deinotatos « le très puissant » et epiotatos « le très doux », est celle même de la vérité : la connaissance ne peut naître qu…
The History of al-Tabari. Volume IV, The Ancient Kingdoms
The History of al-Tabari, VI, Muhammad at Mecca
A Semilemmatized Concordance to Euripides' Alcestis
Terms for Happiness in Euripides
The Religious and Social Views Nizami of Ganjeh
Medea
L'extase de Penthée
Dans Les Bacchantes d'Euripide, Penthée fait la triste expérience de l'ivresse dionysiaque poussée à ses limites. Poison et remède, création et destruction, l'ivresse, née à la fois du vin et du théâtre, est dans Les Bacchantes le lieu qui préside au passage à la reconnaissance tragique. L'ambiguïté de Dionysos, à la fois deinotatos « le très puissant » et epiotatos « le très doux », est celle même de la vérité : la connaissance ne peut naître qu…
The Religious and Social Views Nizami of Ganjeh
Terms for Happiness in Euripides
A Semilemmatized Concordance to Euripides' Alcestis
The History of al-Tabari. Volume IV, The Ancient Kingdoms
The History of al-Tabari, VI, Muhammad at Mecca
L'extase de Penthée
Dans Les Bacchantes d'Euripide, Penthée fait la triste expérience de l'ivresse dionysiaque poussée à ses limites. Poison et remède, création et destruction, l'ivresse, née à la fois du vin et du théâtre, est dans Les Bacchantes le lieu qui préside au passage à la reconnaissance tragique. L'ambiguïté de Dionysos, à la fois deinotatos « le très puissant » et epiotatos « le très doux », est celle même de la vérité : la connaissance ne peut naître qu…
Ancient Sun, Modern Light
Electra in Review
Electra has fascinated generations. The woman has been viewed as freedom fighter, or as vengeful neurotic. The text has been seen as endorsing Electra’s and Orestes’ vengeance, or as a monstrous combination of “matricide and good spirits;” as taking a stand somewhere between these extremes of justice and the dark side of human nature, or as maintaining these opposites in an uneasy equilibrium.1 And the play has been performed in new and varied ve…
Seamus Heaney's "Cure at Troy" Politics and Poetry
Medea as Politician and Diva
Medea
Amid our troubles
New essays on ancient Greek classics from Ireland's greatest living dramatists and academics That so many Irish playwrights should return to the Greek classics can not really be a surprise. Drama in Ireland is still a means of exploring the issues of family and state; of gender, class and race; of the oppressors and the oppressed. It is political in the broad sense in which the Greeks understood the word, involving everyone - immediate but concen…
The Living Art of Greek Tragedy
Preface to The Abbess
(2006). Preface to The Abbess. South African Theatre Journal: Vol. 20, Directors and Directing in South African Theatre, pp. 334-338
Wearing the third hat
(2006). Wearing the third hat: Athol Fugard as director. South African Theatre Journal: Vol. 20, Directors and Directing in South African Theatre, pp. 206-220
A New Hope
This chapter contains section titled: Introduction: Myth and Film Star Wars: An Oedipal Fantasy The Crying Game: Bacchic Revels Conclusion
The Cambridge Companion to Greek and Roman Theatre
This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part …
Sophocles Made New
Medea as Politician and Diva
Art (13 works) · History (7 works) · Literature (7 works) · Classical Antiquity Studies (6 works) · Philosophy (6 works) · Computer Science (5 works) · Ancient history (4 works) · History (4 works) · Law (4 works) · Philosophy (4 works)