Dawn M Phillips
Biographic Data
| ID | 3873379 |
|---|---|
| NAME | Dawn M Phillips |
| GIVEN NAMES | Dawn M |
| FAMILY NAME | Phillips |
| SIGNATURE | PHILLIPS D M |
| AFFILIATIONS | University of Warwick |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 21 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 2 |
Photography and Causation
According to Roger Scruton, it is not possible for photographs to be representational art. Most responses to Scruton's scepticism are versions of the claim that Scruton disregards the extent to which intentionality features in photography; but these cannot force him to give up his notion of the ideal photograph. My approach is to argue that Scruton has misconstrued the role of causation in his discussion of photography. I claim that although Scru…
Automatism, Causality and Realism
This article contains a survey of recent debates in the philosophy of photography, focusing on aesthetic and epistemic issues in particular. Starting from widespread notions about automatism, causality and realism in the theory of photography, the authors ask whether the prima facie tension between the epistemic and aesthetic embodied in oppositions such as automaticism and agency, causality and intentionality, realism and fictional competence is…
Photography and Causation
According to Roger Scruton, it is not possible for photographs to be representational art. Most responses to Scruton's scepticism are versions of the claim that Scruton disregards the extent to which intentionality features in photography; but these cannot force him to give up his notion of the ideal photograph. My approach is to argue that Scruton has misconstrued the role of causation in his discussion of photography. I claim that although Scru…
Automatism, Causality and Realism
This article contains a survey of recent debates in the philosophy of photography, focusing on aesthetic and epistemic issues in particular. Starting from widespread notions about automatism, causality and realism in the theory of photography, the authors ask whether the prima facie tension between the epistemic and aesthetic embodied in oppositions such as automaticism and agency, causality and intentionality, realism and fictional competence is…
Photography and Causation
According to Roger Scruton, it is not possible for photographs to be representational art. Most responses to Scruton's scepticism are versions of the claim that Scruton disregards the extent to which intentionality features in photography; but these cannot force him to give up his notion of the ideal photograph. My approach is to argue that Scruton has misconstrued the role of causation in his discussion of photography. I claim that although Scru…
Automatism, Causality and Realism
This article contains a survey of recent debates in the philosophy of photography, focusing on aesthetic and epistemic issues in particular. Starting from widespread notions about automatism, causality and realism in the theory of photography, the authors ask whether the prima facie tension between the epistemic and aesthetic embodied in oppositions such as automaticism and agency, causality and intentionality, realism and fictional competence is…
Aesthetics (2 works) · Epistemology (2 works) · Philosophy (2 works) · Photography and Visual Culture (2 works) · Skepticism (2 works) · Visual Culture and Art Theory (2 works) · Aesthetic Perception and Analysis (1 work) · Art (1 work) · Causation (1 work) · Depiction (1 work)