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Photography and Causation

Responding to Scruton's Scepticism

Bibliographic Data

ID4159591
AuthorsDawn M Phillips (University of Warwick, corresponding author)
Year2009
Volume49
Issue4
Pages327-340
Publication date2009-10-01
Open AccessNo
TypeARTICLE
VenueThe British Journal of Aesthetics (JOURNAL)
Journal identifiersISSN: 0007-0904 • E-ISSN: 1468-2842
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/aesthj/ayp036
OpenAlexW2116594992
LanguageEN
Citations received9

According to Roger Scruton, it is not possible for photographs to be representational art. Most responses to Scruton's scepticism are versions of the claim that Scruton disregards the extent to which intentionality features in photography; but these cannot force him to give up his notion of the ideal photograph. My approach is to argue that Scruton has misconstrued the role of causation in his discussion of photography. I claim that although Scruton insists that the ideal photograph is defined by its ‘merely causal’ provenance, in fact he fails to take the causal provenance of photographs seriously enough. To replace Scruton's notion of the ideal photograph, I offer a substantive account of the causal provenance of photographs, centred on the distinctive role of ‘the photographic event’. I conclude that, with a proper understanding of the photographic process, we have good reason to re-open the question of photography as a representational art

Aesthetics · Art · Causation · Epistemology · Ideal (ethics · Intentionality · Photography · Skepticism · Visual arts · Philosophy · Photography and Visual Culture · Visual Culture and Art Theory

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  • Afterword

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Citations per year0.64
Citation span2012 - 2024 (13)
Highly citedNo

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