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Sari Karttunen

Biographic Data

ID388476
NAMESari Karttunen
GIVEN NAMESSari
FAMILY NAMEKarttunen
SIGNATUREKARTTUNEN S
AFFILIATIONSUniversity of the Arts Helsinki
ORCID0000-0001-7248-4671
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS13
AUTHOR COUNT10
EDITOR COUNT1
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Gender-Based Violence in Arts and Culture

    Open Access•Open Book Publishers, Marie Buscatto et al.•BOOK•Gender-based violence in arts and…•2025

    This book offers a groundbreaking exploration of the pervasive issue of gender-based violence (GBV) within the realms of art and cultural production. This collection of essays delves into both the overt and subtle forms of GBV. It spans sexual harassment, assault, and the everyday sexism ingrained in creative workplaces and art schools, in both professional and private dimensions. The book covers a wide array of artistic sectors—opera, visual art…

  • Reclaiming musics, shaping selves and healing moments

    Julián Castro-Cifuentes, Jo Gibson et al.•ARTICLE•International Journal of…•2025•References: 11

    Global growth of participatory music practices has been met by increased scholarly attention. Whilst much research in this area has focused on the participants and impacts of such practices, this article presents practitioner perspectives. It draws on data collected within a three-year international research project that explored practitioners’ contexts, work and beliefs. We offer a qualitative research design via cross-cultural, multidisciplinar…

  • City cultural official as a strategic agent

    Open Access•Sari Karttunen, Katja Koskela•ARTICLE•City Culture and Society•2024

  • The protean music career as a sociopolitical orientation

    Open Access•Heidi Westerlund, Sari Karttunen•ARTICLE•Musicae Scientiae•2024

    Socially engaged, participatory music making is slowly establishing itself as a complement to musicians’ portfolio careers, although it may still be considered of less value than established concert hall practices. To gain a better understanding of the drivers toward socially engaged practice in music field, we analyzed 20 semi-structured interviews with musicians in Finland, using the lenses of work values and career orientations. The abductive,…

  • Self-Precarization and Structural Poverty

    Open Access•Sari Karttunen•ARTICLE•Recherches Sociologiques•2019•References: 9

    This article discusses the situation of Finnish visual artists, taking as its starting point ideas presented by Hans Abbing in his book Why Are Artists Poor (2002). The empirical data derive from a survey on young artists conducted at the end of 2017, including both open and closed questions. The questions chosen for analysis concern the definition of art and artists, the nature of the job of artist, the preferred and actual earnings methods and …

  • Cultural policy, work and identity

    Sari Karttunen•ARTICLE•International Journal of Cultural…•2013

    The compilation of articles edited by Jonathan Paquette is a welcome contribution to the field. It draws our attention to the professional identity of cultural agents and the identity construction

  • Cultural policy indicators

    Sari Karttunen•ARTICLE•Cultural Trends•2012•Cited by: 1•References: 4

    Cultural policy indicators are being constructed in many countries today as a consequence of reforms in public governance aimed at increasing cost-effectiveness and general efficiency as well as transparency and accountability. Drawing upon a project of the Finnish Ministry of Education, the article discusses the responsibilities of official statisticians in regard to the collection and processing of data to be used as “evidence” of the outcomes …

  • How to make use of census data in status-of-the-artist studies

    Open Access•Sari Karttunen•ARTICLE•Poetics•2001•Cited by: 2•References: 3

  • How to identify artists? Defining the population for 'status-of-the-artist' studies

    Open Access•Sari Karttunen•ARTICLE•Poetics•1998•Cited by: 10•References: 6

  • Why and How to Define an Artist

    Ritva Mitchell, Sari Karttunen•CHAPTER•Cultural Economics•1992

  • Opponentindlæg

    Open Access•Sari Karttunen, Raine Koskimaa•ARTICLE•Nordisk Museologi•1970

    Mia Muurimäki’s Ph.D. thesis Nykytaiteen politiikka museokontekstissa [Contemporary Art and Politics in the Museum Context] deals with the politics of encountering contemporary art in the museum context. As a case study, she has chosen The Kiasma Museum of Contemporary Art in Helsinki, which was founded in 1998. The empirical data has been collected in connection with three exhibitions: Landscape (2007), Wind from the East (2007), and ARS11 (2011…

  • How to identify artists? Defining the population for 'status-of-the-artist' studies

    Open Access•Sari Karttunen•ARTICLE•Poetics•1998•Cited by: 10•References: 6

  • How to make use of census data in status-of-the-artist studies

    Open Access•Sari Karttunen•ARTICLE•Poetics•2001•Cited by: 2•References: 3

  • Cultural policy indicators

    Sari Karttunen•ARTICLE•Cultural Trends•2012•Cited by: 1•References: 4

    Cultural policy indicators are being constructed in many countries today as a consequence of reforms in public governance aimed at increasing cost-effectiveness and general efficiency as well as transparency and accountability. Drawing upon a project of the Finnish Ministry of Education, the article discusses the responsibilities of official statisticians in regard to the collection and processing of data to be used as “evidence” of the outcomes …

  • Opponentindlæg

    Open Access•Sari Karttunen, Raine Koskimaa•ARTICLE•Nordisk Museologi•1970

    Mia Muurimäki’s Ph.D. thesis Nykytaiteen politiikka museokontekstissa [Contemporary Art and Politics in the Museum Context] deals with the politics of encountering contemporary art in the museum context. As a case study, she has chosen The Kiasma Museum of Contemporary Art in Helsinki, which was founded in 1998. The empirical data has been collected in connection with three exhibitions: Landscape (2007), Wind from the East (2007), and ARS11 (2011…

  • Why and How to Define an Artist

    Ritva Mitchell, Sari Karttunen•CHAPTER•Cultural Economics•1992

  • How to identify artists? Defining the population for 'status-of-the-artist' studies

    Open Access•Sari Karttunen•ARTICLE•Poetics•1998•Cited by: 10•References: 6

  • How to make use of census data in status-of-the-artist studies

    Open Access•Sari Karttunen•ARTICLE•Poetics•2001•Cited by: 2•References: 3

  • Cultural policy indicators

    Sari Karttunen•ARTICLE•Cultural Trends•2012•Cited by: 1•References: 4

    Cultural policy indicators are being constructed in many countries today as a consequence of reforms in public governance aimed at increasing cost-effectiveness and general efficiency as well as transparency and accountability. Drawing upon a project of the Finnish Ministry of Education, the article discusses the responsibilities of official statisticians in regard to the collection and processing of data to be used as “evidence” of the outcomes …

  • Cultural policy, work and identity

    Sari Karttunen•ARTICLE•International Journal of Cultural…•2013

    The compilation of articles edited by Jonathan Paquette is a welcome contribution to the field. It draws our attention to the professional identity of cultural agents and the identity construction

  • Self-Precarization and Structural Poverty

    Open Access•Sari Karttunen•ARTICLE•Recherches Sociologiques•2019•References: 9

    This article discusses the situation of Finnish visual artists, taking as its starting point ideas presented by Hans Abbing in his book Why Are Artists Poor (2002). The empirical data derive from a survey on young artists conducted at the end of 2017, including both open and closed questions. The questions chosen for analysis concern the definition of art and artists, the nature of the job of artist, the preferred and actual earnings methods and …

  • City cultural official as a strategic agent

    Open Access•Sari Karttunen, Katja Koskela•ARTICLE•City Culture and Society•2024

  • The protean music career as a sociopolitical orientation

    Open Access•Heidi Westerlund, Sari Karttunen•ARTICLE•Musicae Scientiae•2024

    Socially engaged, participatory music making is slowly establishing itself as a complement to musicians’ portfolio careers, although it may still be considered of less value than established concert hall practices. To gain a better understanding of the drivers toward socially engaged practice in music field, we analyzed 20 semi-structured interviews with musicians in Finland, using the lenses of work values and career orientations. The abductive,…

  • Gender-Based Violence in Arts and Culture

    Open Access•Open Book Publishers, Marie Buscatto et al.•BOOK•Gender-based violence in arts and…•2025

    This book offers a groundbreaking exploration of the pervasive issue of gender-based violence (GBV) within the realms of art and cultural production. This collection of essays delves into both the overt and subtle forms of GBV. It spans sexual harassment, assault, and the everyday sexism ingrained in creative workplaces and art schools, in both professional and private dimensions. The book covers a wide array of artistic sectors—opera, visual art…

  • Reclaiming musics, shaping selves and healing moments

    Julián Castro-Cifuentes, Jo Gibson et al.•ARTICLE•International Journal of…•2025•References: 11

    Global growth of participatory music practices has been met by increased scholarly attention. Whilst much research in this area has focused on the participants and impacts of such practices, this article presents practitioner perspectives. It draws on data collected within a three-year international research project that explored practitioners’ contexts, work and beliefs. We offer a qualitative research design via cross-cultural, multidisciplinar…

Sociology (10 works) · Cultural Industries and Urban Development (9 works) · Political science (8 works) · Art (7 works) · Law (6 works) · Visual arts (6 works) · Aesthetics (5 works) · Politics (5 works) · Social and Cultural Dynamics (5 works) · Diverse Music Education Insights (3 works)

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