Self-Precarization and Structural Poverty

The Case of Finnish Grant-Oriented Visual Artists

Bibliographic Data

ID2634354
AuthorsSari Karttunen (0000-0001-7248-4671, University of the Arts Helsinki, corresponding author)
Year2019
Volume50-2
Issue50-2
Pages27-51
Publication date2019-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRecherches Sociologiques (JOURNAL)
Journal identifiersISSN: 1782-1592 • E-ISSN: 2033-7485
PublisherOpenEdition (PUBLISHER)
DOI10.4000/rsa.3424
OpenAlexW3033075325
LanguageEN
Citations received7
References cited9

This article discusses the situation of Finnish visual artists, taking as its starting point ideas presented by Hans Abbing in his book Why Are Artists Poor (2002). The empirical data derive from a survey on young artists conducted at the end of 2017, including both open and closed questions. The questions chosen for analysis concern the definition of art and artists, the nature of the job of artist, the preferred and actual earnings methods and the role of grants. The article argues that although voicing in many respects pragmatic views concerning their job, many visual artists act upon the mythical conception of artist. Hence, they fall victim of their own ideology, only adding to the precarious situation for their part. In a country where the art market is lagging but the public training and support system is well developed, artists expect the state to provide for their practice and defy attempts to foster entrepreneurship. Obliterating the idea of selling products on the market, visual artists have started to redefine their role as public service providers that should be compensated for organizing exhibitions for the people. Visual artists moreover cherish the idea that art should be open to everybody. In these circumstances, in line with Abbing’s theory, the number of artists keeps on rising and their economy worsening despite increases in government support

Aesthetics · Art · Exhibition · Ideology · Lagging · Political science · Politics · Poverty · Public relations · Sociology · Visual arts · Art History and Market Analysis · Cultural Industries and Urban Development · Law · Social and Cultural Dynamics

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