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Adebowale Oluranti Adeogun

Biographic Data

ID3916745
NAMEAdebowale Oluranti Adeogun
GIVEN NAMESAdebowale Oluranti
FAMILY NAMEAdeogun
SIGNATUREADEOGUN A O
AFFILIATIONSUniversity of Nigeria
ORCID0000-0001-8538-4848
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS1
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2024
H-INDEX1
  • A short history of music education at the University of Nigeria, Nsukka and its notable alumni (1961–2024)

    Adebowale Oluranti Adeogun•ARTICLE•Journal of Musical Arts in Africa•2024

    This article chronicles the pioneering work of the University of Nigeria, Nsukka Department of Music (UNNDM), formerly the Fela Sowande College of Music, in meeting Nigeria’s need for academically trained musicians, music scholars and music educators from 1961 to 2024. Relying on a combination of methodological approaches, including interviews, personal observations, archival records, a review of audio-visual data and secondary sources, it examin…

  • Towards decolonising university music education in Nigeria

    Adebowale Oluranti Adeogun•ARTICLE•Music Education Research•2021

    This article argues that coloniality is an ongoing feature of university music education in Nigeria. It uses a multiple colonialisms framework in exploring Nigerian higher music education systems as historical and contemporary sites of colonialism within which Nigerian universities engage in music knowledge generation to reach this conclusion. It relies on information gleaned from scholarly sources. It shows that the dominance of Euro-American cl…

  • Appraising the extent of digital divide between music teachers and students in Anambra state secondary schools, Nigeria

    Open Access•Eyiuche Rita Modeme, Adebowale Oluranti Adeogun et al.•ARTICLE•International Journal of Music…•2021

    The study investigated the extent of existence of digital divide between music teachers and students in selected secondary schools in Anambra state. Two objectives and two research questions guided the study using mixed-research design. Three education zones consisting of nine public secondary schools, 18 music teachers and 270 music students formed the sample for the study. Structured questionnaires and oral interview were developed for teachers…

  • An Assessment of Music Education Needs Among Orthodox and Pentecostal Church Choristers in Abeokuta, Ogun State, Nigeria

    Open Access•Eyitayo Soretire, Adebowale Oluranti Adeogun et al.•ARTICLE•Malaysian Journal of Music•2021

    This study assessed the requirements for music education among Orthodox and Pentecostal churches in Abeokuta, Ogun State, Nigeria. Based on the quantitative research method, multi-stage sampling procedure was used to select 367 choristers from Abeokuta metropolis, Ogun State. Structured questionnaires were used for data collection and subjected to descriptive statistics at 5% level of significance. The results indicate that choristers within the …

  • Victimhood, Health Challenges and Violent Restiveness in Blood and Oil: Music, Characterization and Colours as Metaphors

    Open Access•Adebowale Oluranti Adeogun, Uche-Chinemere Nwaozuzu et al.•ARTICLE•Rupkatha Journal on Interdisciplina…•2021

    This study examines the aesthetics, efficacy, and propriety of the embedded metaphors in characterization, music, and colour application as creative vision in projecting victimhood atmosphere around traumatized Niger-Deltans due to many years of deprivation in Blood and Oil. Thus, this study explains how Blood and Oil represents a credible narrative, subsuming polemics of environmental degradation, health misery, massive unemployment, subjugation…

  • Creative Vision and Creative Arts: Significations and Metaphors of Keys in Alex Idoko’s Symbolist Arts

    Open Access•Ekenechukwu Anazo Anikpe, Adebowale Oluranti Adeogun et al.•ARTICLE•Rupkatha Journal on Interdisciplina…•2021

    Artistic symbols in many ways act as complimentary narrative tools that elevate and define the message from the artist, which can help to generate efficacious consciousness and mood aggregation in the beholders. The purpose of this study is to deepen the appreciation of the embedded significances of keys as symbolic objects in selected symbolist art by Alex Idoko which represents variously, mystical attributions and significations as understood w…

  • The Development of University Music Education in Nigeria: An Outline

    Open Access•Adebowale Oluranti Adeogun•ARTICLE•SAGE Open•2018•Cited by: 1•References: 15

    University music education is a recent phenomenon in Nigeria. The founding of the University of Nigeria, Nsukka, with autonomy to grant degrees for courses in nearly all fields of study, enabled it to initiate music degree along the lines of the Euro-American university music education in 1961. This article, relying on historical analysis with historical evidence derived from primary and secondary documents, delineates some cultural, philosophica…

  • Reconceptualizing the Music Teacher Education Curriculum for the Colleges of Education in Nigeria

    Open Access•Adebowale Oluranti Adeogun•ARTICLE•SAGE Open•2015

    The Federal Government of Nigeria has realized that low educational quality has negative implications for sustainable national development, hence her commitment to develop national policies and national curriculum for teacher education to improve the quality of education (including music education). This article observes improvement in the preparation of musician-teachers as absolutely imperative to move modern music education as a field in the d…

  • The Development of University Music Education in Nigeria: An Outline

    Open Access•Adebowale Oluranti Adeogun•ARTICLE•SAGE Open•2018•Cited by: 1•References: 15

    University music education is a recent phenomenon in Nigeria. The founding of the University of Nigeria, Nsukka, with autonomy to grant degrees for courses in nearly all fields of study, enabled it to initiate music degree along the lines of the Euro-American university music education in 1961. This article, relying on historical analysis with historical evidence derived from primary and secondary documents, delineates some cultural, philosophica…

  • Reconceptualizing the Music Teacher Education Curriculum for the Colleges of Education in Nigeria

    Open Access•Adebowale Oluranti Adeogun•ARTICLE•SAGE Open•2015

    The Federal Government of Nigeria has realized that low educational quality has negative implications for sustainable national development, hence her commitment to develop national policies and national curriculum for teacher education to improve the quality of education (including music education). This article observes improvement in the preparation of musician-teachers as absolutely imperative to move modern music education as a field in the d…

  • The Development of University Music Education in Nigeria: An Outline

    Open Access•Adebowale Oluranti Adeogun•ARTICLE•SAGE Open•2018•Cited by: 1•References: 15

    University music education is a recent phenomenon in Nigeria. The founding of the University of Nigeria, Nsukka, with autonomy to grant degrees for courses in nearly all fields of study, enabled it to initiate music degree along the lines of the Euro-American university music education in 1961. This article, relying on historical analysis with historical evidence derived from primary and secondary documents, delineates some cultural, philosophica…

  • Towards decolonising university music education in Nigeria

    Adebowale Oluranti Adeogun•ARTICLE•Music Education Research•2021

    This article argues that coloniality is an ongoing feature of university music education in Nigeria. It uses a multiple colonialisms framework in exploring Nigerian higher music education systems as historical and contemporary sites of colonialism within which Nigerian universities engage in music knowledge generation to reach this conclusion. It relies on information gleaned from scholarly sources. It shows that the dominance of Euro-American cl…

  • Appraising the extent of digital divide between music teachers and students in Anambra state secondary schools, Nigeria

    Open Access•Eyiuche Rita Modeme, Adebowale Oluranti Adeogun et al.•ARTICLE•International Journal of Music…•2021

    The study investigated the extent of existence of digital divide between music teachers and students in selected secondary schools in Anambra state. Two objectives and two research questions guided the study using mixed-research design. Three education zones consisting of nine public secondary schools, 18 music teachers and 270 music students formed the sample for the study. Structured questionnaires and oral interview were developed for teachers…

  • An Assessment of Music Education Needs Among Orthodox and Pentecostal Church Choristers in Abeokuta, Ogun State, Nigeria

    Open Access•Eyitayo Soretire, Adebowale Oluranti Adeogun et al.•ARTICLE•Malaysian Journal of Music•2021

    This study assessed the requirements for music education among Orthodox and Pentecostal churches in Abeokuta, Ogun State, Nigeria. Based on the quantitative research method, multi-stage sampling procedure was used to select 367 choristers from Abeokuta metropolis, Ogun State. Structured questionnaires were used for data collection and subjected to descriptive statistics at 5% level of significance. The results indicate that choristers within the …

  • Victimhood, Health Challenges and Violent Restiveness in Blood and Oil: Music, Characterization and Colours as Metaphors

    Open Access•Adebowale Oluranti Adeogun, Uche-Chinemere Nwaozuzu et al.•ARTICLE•Rupkatha Journal on Interdisciplina…•2021

    This study examines the aesthetics, efficacy, and propriety of the embedded metaphors in characterization, music, and colour application as creative vision in projecting victimhood atmosphere around traumatized Niger-Deltans due to many years of deprivation in Blood and Oil. Thus, this study explains how Blood and Oil represents a credible narrative, subsuming polemics of environmental degradation, health misery, massive unemployment, subjugation…

  • Creative Vision and Creative Arts: Significations and Metaphors of Keys in Alex Idoko’s Symbolist Arts

    Open Access•Ekenechukwu Anazo Anikpe, Adebowale Oluranti Adeogun et al.•ARTICLE•Rupkatha Journal on Interdisciplina…•2021

    Artistic symbols in many ways act as complimentary narrative tools that elevate and define the message from the artist, which can help to generate efficacious consciousness and mood aggregation in the beholders. The purpose of this study is to deepen the appreciation of the embedded significances of keys as symbolic objects in selected symbolist art by Alex Idoko which represents variously, mystical attributions and significations as understood w…

  • A short history of music education at the University of Nigeria, Nsukka and its notable alumni (1961–2024)

    Adebowale Oluranti Adeogun•ARTICLE•Journal of Musical Arts in Africa•2024

    This article chronicles the pioneering work of the University of Nigeria, Nsukka Department of Music (UNNDM), formerly the Fela Sowande College of Music, in meeting Nigeria’s need for academically trained musicians, music scholars and music educators from 1961 to 2024. Relying on a combination of methodological approaches, including interviews, personal observations, archival records, a review of audio-visual data and secondary sources, it examin…

Music education (6 works) · Sociology (6 works) · Pedagogy (5 works) · Art (4 works) · Aesthetics (3 works) · Curriculum (3 works) · Music Education and Analysis (3 works) · Music History and Culture (3 works) · Political science (3 works) · Psychology (3 works)

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