Guangxu Zhao
Biographic Data
| ID | 3920310 |
|---|---|
| NAME | Guangxu Zhao |
| GIVEN NAMES | Guangxu |
| FAMILY NAME | Zhao |
| SIGNATURE | ZHAO G |
| AFFILIATIONS | University of Ottawa |
| ORCID | 0000-0001-7517-3502 |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Translating the Iconicity of Classical Chinese Poetry
Semiotics East and West: An aesthetic-semiotic approach to translating the iconicity of classical Chinese poetry
For some Western translators before the twentieth century, domestication was their strategy to translate the classical Chinese poetry into English. But the consequence of this strategy was the sacrifice of the ideogrammatic nature of these poems. The translators in the twentieth century, especially the Imagist poets and translators in the 1930s, overcame the problems of their predecessors by developing their translation theory and practice in way…
Translating iconicities of classical Chinese poetry
In the history of translating classical Chinese poetry, there are two kinds of translators. The first kind translate classical Chinese poetry "by way of intellectual, directional devices" (Yip, Wai-lim. 1969. Ezra Pound's Cathay. Princeton, NJ: Princeton University Press: 16). What these translators are concerned with most is the coherence of their translations. They give little attention to the ideogrammic nature of Chinese characters. I call th…
Translating iconicities of classical Chinese poetry
In the history of translating classical Chinese poetry, there are two kinds of translators. The first kind translate classical Chinese poetry "by way of intellectual, directional devices" (Yip, Wai-lim. 1969. Ezra Pound's Cathay. Princeton, NJ: Princeton University Press: 16). What these translators are concerned with most is the coherence of their translations. They give little attention to the ideogrammic nature of Chinese characters. I call th…
Translating iconicities of classical Chinese poetry
In the history of translating classical Chinese poetry, there are two kinds of translators. The first kind translate classical Chinese poetry "by way of intellectual, directional devices" (Yip, Wai-lim. 1969. Ezra Pound's Cathay. Princeton, NJ: Princeton University Press: 16). What these translators are concerned with most is the coherence of their translations. They give little attention to the ideogrammic nature of Chinese characters. I call th…
Semiotics East and West: An aesthetic-semiotic approach to translating the iconicity of classical Chinese poetry
For some Western translators before the twentieth century, domestication was their strategy to translate the classical Chinese poetry into English. But the consequence of this strategy was the sacrifice of the ideogrammatic nature of these poems. The translators in the twentieth century, especially the Imagist poets and translators in the 1930s, overcame the problems of their predecessors by developing their translation theory and practice in way…
Translating the Iconicity of Classical Chinese Poetry
Iconicity (3 works) · Poetry (3 works) · Translation Studies and Practices (3 works) · Art (2 works) · Classical Chinese (2 works) · Classical Chinese poetry (2 works) · History (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works)