Judith Mossman
Biographic Data
| ID | 3921089 |
|---|---|
| NAME | Judith Mossman |
| GIVEN NAMES | Judith |
| FAMILY NAME | Mossman |
| SIGNATURE | MOSSMAN J |
| AFFILIATIONS | University of Nottingham |
| ORCID | 0000-0003-0494-8459 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 11 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 3 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 2 |
Fame and infamy: Essays for Christopher Pelling on characterization in Greek and Roman biography and historiography
Holinshed and the Classics
This chapter examines Holinshed's Chronicles' engagement with classical sources. It begins by considering some examples of the uses of antiquity as a repository of knowledge and a device for validating arguments and narratives. The chapter then turns to the account given in the Chronicles of Britain and the Romans, especially the narrative of the revolt of Boudicca (Voadicia).
Women’s Voices in Sophocles
The Limits of Ancient Biography
Brian McGing (Trinity College, Dublin and Judith Mossman (University of Nottingham), Introduction Andrew D. H. Mayes (Trinity College, Dublin), Biography in the Ancient World: the Story of the Rise of David Elizabeth Irwin (Columbia University), The Biographies of Poets: the Case of Solon Richard A. Burridge (King's College, London), Reading the Gospels as Biography: Mark Edwards (Christ Church, Oxford), Gospel and Genre: Some Reservations Sean F…
Taxis Ou Barbaros: Greek and Roman in Plutarch’s Pyrrhus
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Women’s Speech in Greek Tragedy: The Case of Electra and Clytemnestra in Euripides’ Electra
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Plutarch and His Intellectual World
Wild Justice: "A Study of Euripides' "Hecuba
This book, first full-length study of this often undervalued play, argues for a new appreciation of the power of its rhetoric, the subtlety of its characterization, and the beauty of its choral odes. Mossman also traces the powerful influence of Hecuba in the Renaissance, and compares the play with English revenge tragedies of the sixteenth and seventeenth centuries
Chains of imagery in Prometheus Bound
Aeschylus' imagery has for some time now been discussed as a feature of his dramatic technique which does more than merely adorn his work. Lebeck, for example, has described how images articulate the Oresteia : The images of the Oresteia are not isolated units which can be examined separately. Each one is part of a larger whole: a system of kindred imagery. They are connected to one another by verbal similarity rather than verbal duplication. For…
Plutarch's Use of Statues
PLUTARCH'S USE OF STATUES Get access JUDITH MOSSMAN JUDITH MOSSMAN Christ Church, Oxford Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 37, Issue Supplement_58, January 1991, Pages 98–119, https://doi.org/10.1111/j.2041-5370.1991.tb02207.x Published: 22 February 2011
Fame and infamy: Essays for Christopher Pelling on characterization in Greek and Roman biography and historiography
Women’s Speech in Greek Tragedy: The Case of Electra and Clytemnestra in Euripides’ Electra
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Chains of imagery in Prometheus Bound
Aeschylus' imagery has for some time now been discussed as a feature of his dramatic technique which does more than merely adorn his work. Lebeck, for example, has described how images articulate the Oresteia : The images of the Oresteia are not isolated units which can be examined separately. Each one is part of a larger whole: a system of kindred imagery. They are connected to one another by verbal similarity rather than verbal duplication. For…
Plutarch's Use of Statues
PLUTARCH'S USE OF STATUES Get access JUDITH MOSSMAN JUDITH MOSSMAN Christ Church, Oxford Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 37, Issue Supplement_58, January 1991, Pages 98–119, https://doi.org/10.1111/j.2041-5370.1991.tb02207.x Published: 22 February 2011
Chains of imagery in Prometheus Bound
Aeschylus' imagery has for some time now been discussed as a feature of his dramatic technique which does more than merely adorn his work. Lebeck, for example, has described how images articulate the Oresteia : The images of the Oresteia are not isolated units which can be examined separately. Each one is part of a larger whole: a system of kindred imagery. They are connected to one another by verbal similarity rather than verbal duplication. For…
Plutarch and His Intellectual World
Wild Justice: "A Study of Euripides' "Hecuba
This book, first full-length study of this often undervalued play, argues for a new appreciation of the power of its rhetoric, the subtlety of its characterization, and the beauty of its choral odes. Mossman also traces the powerful influence of Hecuba in the Renaissance, and compares the play with English revenge tragedies of the sixteenth and seventeenth centuries
Women’s Speech in Greek Tragedy: The Case of Electra and Clytemnestra in Euripides’ Electra
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Taxis Ou Barbaros: Greek and Roman in Plutarch’s Pyrrhus
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Limits of Ancient Biography
Brian McGing (Trinity College, Dublin and Judith Mossman (University of Nottingham), Introduction Andrew D. H. Mayes (Trinity College, Dublin), Biography in the Ancient World: the Story of the Rise of David Elizabeth Irwin (Columbia University), The Biographies of Poets: the Case of Solon Richard A. Burridge (King's College, London), Reading the Gospels as Biography: Mark Edwards (Christ Church, Oxford), Gospel and Genre: Some Reservations Sean F…
Holinshed and the Classics
This chapter examines Holinshed's Chronicles' engagement with classical sources. It begins by considering some examples of the uses of antiquity as a repository of knowledge and a device for validating arguments and narratives. The chapter then turns to the account given in the Chronicles of Britain and the Romans, especially the narrative of the revolt of Boudicca (Voadicia).
Women’s Voices in Sophocles
Fame and infamy: Essays for Christopher Pelling on characterization in Greek and Roman biography and historiography
Art (8 works) · Classical Antiquity Studies (6 works) · Literature (6 works) · History (5 works) · Classics (3 works) · Mathematics (3 works) · Philosophy (3 works) · Political science (3 works) · Biografieën (2 works) · Biography (2 works)