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Judith Mossman

Biographic Data

ID3921089
NAMEJudith Mossman
GIVEN NAMESJudith
FAMILY NAMEMossman
SIGNATUREMOSSMAN J
AFFILIATIONSUniversity of Nottingham
ORCID0000-0003-0494-8459
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS11
AUTHOR COUNT7
EDITOR COUNT3
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2015
H-INDEX2
  • Fame and infamy: Essays for Christopher Pelling on characterization in Greek and Roman biography and historiography

    Rhiannon Ash, Judith Mossman et al.•BOOK•Fame and Infamy•2015•Cited by: 5

  • Holinshed and the Classics

    Judith Mossman•BOOK•The Oxford Handbook Of Holinsheds…•2012

    This chapter examines Holinshed's Chronicles' engagement with classical sources. It begins by considering some examples of the uses of antiquity as a repository of knowledge and a device for validating arguments and narratives. The chapter then turns to the account given in the Chronicles of Britain and the Romans, especially the narrative of the revolt of Boudicca (Voadicia).

  • Women’s Voices in Sophocles

    Judith Mossman•CHAPTER•Brill's companion to Sophocles•2012

  • The Limits of Ancient Biography

    B C Mcging, Ewen Bowie et al.•BOOK•Limits of Ancient Biography•2006

    Brian McGing (Trinity College, Dublin and Judith Mossman (University of Nottingham), Introduction Andrew D. H. Mayes (Trinity College, Dublin), Biography in the Ancient World: the Story of the Rise of David Elizabeth Irwin (Columbia University), The Biographies of Poets: the Case of Solon Richard A. Burridge (King's College, London), Reading the Gospels as Biography: Mark Edwards (Christ Church, Oxford), Gospel and Genre: Some Reservations Sean F…

  • Taxis Ou Barbaros: Greek and Roman in Plutarch’s Pyrrhus

    Open Access•Judith Mossman•ARTICLE•The Classical Quarterly•2005

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Women’s Speech in Greek Tragedy: The Case of Electra and Clytemnestra in Euripides’ Electra

    Open Access•Judith Mossman•ARTICLE•The Classical Quarterly•2001•Cited by: 5

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Plutarch and His Intellectual World

    Judith Mossman•BOOK•Plutarch and His Intellectual World•1997

  • Wild Justice: "A Study of Euripides' "Hecuba

    Paula Reiner, Judith Mossman•ARTICLE•The Classical World•1997

    This book, first full-length study of this often undervalued play, argues for a new appreciation of the power of its rhetoric, the subtlety of its characterization, and the beauty of its choral odes. Mossman also traces the powerful influence of Hecuba in the Renaissance, and compares the play with English revenge tragedies of the sixteenth and seventeenth centuries

  • Chains of imagery in Prometheus Bound

    Open Access•Judith Mossman, J M Mossman•ARTICLE•The Classical Quarterly•1996•Cited by: 1•References: 10

    Aeschylus' imagery has for some time now been discussed as a feature of his dramatic technique which does more than merely adorn his work. Lebeck, for example, has described how images articulate the Oresteia : The images of the Oresteia are not isolated units which can be examined separately. Each one is part of a larger whole: a system of kindred imagery. They are connected to one another by verbal similarity rather than verbal duplication. For…

  • Plutarch's Use of Statues

    Open Access•Judith Mossman•ARTICLE•Bulletin of the Institute of…•1991

    PLUTARCH'S USE OF STATUES Get access JUDITH MOSSMAN JUDITH MOSSMAN Christ Church, Oxford Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 37, Issue Supplement_58, January 1991, Pages 98–119, https://doi.org/10.1111/j.2041-5370.1991.tb02207.x Published: 22 February 2011

  • Fame and infamy: Essays for Christopher Pelling on characterization in Greek and Roman biography and historiography

    Rhiannon Ash, Judith Mossman et al.•BOOK•Fame and Infamy•2015•Cited by: 5

  • Women’s Speech in Greek Tragedy: The Case of Electra and Clytemnestra in Euripides’ Electra

    Open Access•Judith Mossman•ARTICLE•The Classical Quarterly•2001•Cited by: 5

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Chains of imagery in Prometheus Bound

    Open Access•Judith Mossman, J M Mossman•ARTICLE•The Classical Quarterly•1996•Cited by: 1•References: 10

    Aeschylus' imagery has for some time now been discussed as a feature of his dramatic technique which does more than merely adorn his work. Lebeck, for example, has described how images articulate the Oresteia : The images of the Oresteia are not isolated units which can be examined separately. Each one is part of a larger whole: a system of kindred imagery. They are connected to one another by verbal similarity rather than verbal duplication. For…

  • Plutarch's Use of Statues

    Open Access•Judith Mossman•ARTICLE•Bulletin of the Institute of…•1991

    PLUTARCH'S USE OF STATUES Get access JUDITH MOSSMAN JUDITH MOSSMAN Christ Church, Oxford Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 37, Issue Supplement_58, January 1991, Pages 98–119, https://doi.org/10.1111/j.2041-5370.1991.tb02207.x Published: 22 February 2011

  • Chains of imagery in Prometheus Bound

    Open Access•Judith Mossman, J M Mossman•ARTICLE•The Classical Quarterly•1996•Cited by: 1•References: 10

    Aeschylus' imagery has for some time now been discussed as a feature of his dramatic technique which does more than merely adorn his work. Lebeck, for example, has described how images articulate the Oresteia : The images of the Oresteia are not isolated units which can be examined separately. Each one is part of a larger whole: a system of kindred imagery. They are connected to one another by verbal similarity rather than verbal duplication. For…

  • Plutarch and His Intellectual World

    Judith Mossman•BOOK•Plutarch and His Intellectual World•1997

  • Wild Justice: "A Study of Euripides' "Hecuba

    Paula Reiner, Judith Mossman•ARTICLE•The Classical World•1997

    This book, first full-length study of this often undervalued play, argues for a new appreciation of the power of its rhetoric, the subtlety of its characterization, and the beauty of its choral odes. Mossman also traces the powerful influence of Hecuba in the Renaissance, and compares the play with English revenge tragedies of the sixteenth and seventeenth centuries

  • Women’s Speech in Greek Tragedy: The Case of Electra and Clytemnestra in Euripides’ Electra

    Open Access•Judith Mossman•ARTICLE•The Classical Quarterly•2001•Cited by: 5

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Taxis Ou Barbaros: Greek and Roman in Plutarch’s Pyrrhus

    Open Access•Judith Mossman•ARTICLE•The Classical Quarterly•2005

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Limits of Ancient Biography

    B C Mcging, Ewen Bowie et al.•BOOK•Limits of Ancient Biography•2006

    Brian McGing (Trinity College, Dublin and Judith Mossman (University of Nottingham), Introduction Andrew D. H. Mayes (Trinity College, Dublin), Biography in the Ancient World: the Story of the Rise of David Elizabeth Irwin (Columbia University), The Biographies of Poets: the Case of Solon Richard A. Burridge (King's College, London), Reading the Gospels as Biography: Mark Edwards (Christ Church, Oxford), Gospel and Genre: Some Reservations Sean F…

  • Holinshed and the Classics

    Judith Mossman•BOOK•The Oxford Handbook Of Holinsheds…•2012

    This chapter examines Holinshed's Chronicles' engagement with classical sources. It begins by considering some examples of the uses of antiquity as a repository of knowledge and a device for validating arguments and narratives. The chapter then turns to the account given in the Chronicles of Britain and the Romans, especially the narrative of the revolt of Boudicca (Voadicia).

  • Women’s Voices in Sophocles

    Judith Mossman•CHAPTER•Brill's companion to Sophocles•2012

  • Fame and infamy: Essays for Christopher Pelling on characterization in Greek and Roman biography and historiography

    Rhiannon Ash, Judith Mossman et al.•BOOK•Fame and Infamy•2015•Cited by: 5

Art (8 works) · Classical Antiquity Studies (6 works) · Literature (6 works) · History (5 works) · Classics (3 works) · Mathematics (3 works) · Philosophy (3 works) · Political science (3 works) · Biografieën (2 works) · Biography (2 works)

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