Victoria L Rodner
Biographic Data
| ID | 392154 |
|---|---|
| NAME | Victoria L Rodner |
| GIVEN NAMES | Victoria L |
| FAMILY NAME | Rodner |
| SIGNATURE | RODNER V L |
| AFFILIATIONS | King's College London |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 0 |
Painting the Nation
Politics and art have throughout history, intersected in diverse and complex ways. Ideologies and political systems have used the arts to create a certain image and, depending on the form of government this has varied from clear-cut state propaganda, to patronage, to more indirect arms-length funding procedures. Therefore, artists working within the macro-level socio-political context cannot help but be influenced, inspired and sometimes restrict…
Populism in Venezuela
A Tale of Two Cities
Artistic Lives: A Study of Creativity in Two European Cities, Kirsten Forkert, Farnham, England: Ashgate, 2013, 168 pp. ISBN 9781409450009
The art of branding − lessons from visual artists
Purpose – The purpose of this paper is to highlight the importance of the field of visual arts marketing in the development of wider branding theory and practice. Drawing on examples from visual artists and the art mechanism that connects them, the paper reveals how artists and art professionals foster various types of capital (social, cultural, symbolic) as a way of developing a brand name, ensuring longevity in the field, and gaining financial …
The brand‐wagon
Purpose The purpose of this paper is to investigate whether and how participating in a branded Biennale (Venice) may legitimate and promote selected artists from the emerging markets of Venezuela and Thailand alongside art market leaders. Design/methodology/approach Research was conducted at the 53rd International Art Biennale in Venice, Italy, in June 2009. Underpinned by a constructivist approach, qualitative data were collected via participant…
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The brand‐wagon
Purpose The purpose of this paper is to investigate whether and how participating in a branded Biennale (Venice) may legitimate and promote selected artists from the emerging markets of Venezuela and Thailand alongside art market leaders. Design/methodology/approach Research was conducted at the 53rd International Art Biennale in Venice, Italy, in June 2009. Underpinned by a constructivist approach, qualitative data were collected via participant…
The art of branding − lessons from visual artists
Purpose – The purpose of this paper is to highlight the importance of the field of visual arts marketing in the development of wider branding theory and practice. Drawing on examples from visual artists and the art mechanism that connects them, the paper reveals how artists and art professionals foster various types of capital (social, cultural, symbolic) as a way of developing a brand name, ensuring longevity in the field, and gaining financial …
A Tale of Two Cities
Artistic Lives: A Study of Creativity in Two European Cities, Kirsten Forkert, Farnham, England: Ashgate, 2013, 168 pp. ISBN 9781409450009
Painting the Nation
Politics and art have throughout history, intersected in diverse and complex ways. Ideologies and political systems have used the arts to create a certain image and, depending on the form of government this has varied from clear-cut state propaganda, to patronage, to more indirect arms-length funding procedures. Therefore, artists working within the macro-level socio-political context cannot help but be influenced, inspired and sometimes restrict…
Populism in Venezuela
Sociology (5 works) · Cultural Industries and Urban Development (4 works) · The arts (4 works) · Art (3 works) · Political science (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Business (2 works) · Computer Science (2 works) · Context (archaeology) (2 works)