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Mark V Campbell

Biographic Data

ID3939843
NAMEMark V Campbell
GIVEN NAMESMark V
FAMILY NAMECampbell
SIGNATURECAMPBELL M V
AFFILIATIONSUniversity of Guelph
ORCID0000-0002-2120-4534
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS4
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2023
H-INDEX2
  • Listening Otherwise

    Open Access•Mark V Campbell•ARTICLE•Performance Matters•2023

    In this forum piece, I explore the potential of listening as a performative act by focusing on the experiences and skills essential to the practice of DJing. I find the field of remix studies a fruitful arena to expand and explore the possibilities of music studies beyond the silos of contemporary musical analysis and scholarship

  • The Politics of Making Home

    Mark V Campbell•ARTICLE•Souls•2014•Cited by: 2•References: 6

    Toronto hip hop music from approximately 1986–2000 featured several successful singles that demonstrated a focus on representational patterns, where the city was refashioned aligned with the aesthetics of AfroCaribbean diasporic communities. These tracks can be read as aggressive sonic attempts at fashioning a counterdiscourse to exclusionary local politics with the biopolitics of hip hop music and aesthetics that made “home,” forging nodes of be…

  • "Other/ed" Kinds of Blackness

    Mark V Campbell•ARTICLE•Southern Journal of Canadian…•2012•Cited by: 2•References: 3

    For centuries Canada has been home to several overlapping diasporas partially consisting of African Americans refugees, exiled Maroons, Black Loyalists, and many others migrant groups from various African diasporas. Accordingly, the possibility of 'a' Black Canadian identity remains illusive, due in part to continual influxes of members of the African diaspora into Canada. The rigidity of a single unifying identity and the seemingly porous nature…

  • The Politics of Making Home

    Mark V Campbell•ARTICLE•Souls•2014•Cited by: 2•References: 6

    Toronto hip hop music from approximately 1986–2000 featured several successful singles that demonstrated a focus on representational patterns, where the city was refashioned aligned with the aesthetics of AfroCaribbean diasporic communities. These tracks can be read as aggressive sonic attempts at fashioning a counterdiscourse to exclusionary local politics with the biopolitics of hip hop music and aesthetics that made “home,” forging nodes of be…

  • "Other/ed" Kinds of Blackness

    Mark V Campbell•ARTICLE•Southern Journal of Canadian…•2012•Cited by: 2•References: 3

    For centuries Canada has been home to several overlapping diasporas partially consisting of African Americans refugees, exiled Maroons, Black Loyalists, and many others migrant groups from various African diasporas. Accordingly, the possibility of 'a' Black Canadian identity remains illusive, due in part to continual influxes of members of the African diaspora into Canada. The rigidity of a single unifying identity and the seemingly porous nature…

  • "Other/ed" Kinds of Blackness

    Mark V Campbell•ARTICLE•Southern Journal of Canadian…•2012•Cited by: 2•References: 3

    For centuries Canada has been home to several overlapping diasporas partially consisting of African Americans refugees, exiled Maroons, Black Loyalists, and many others migrant groups from various African diasporas. Accordingly, the possibility of 'a' Black Canadian identity remains illusive, due in part to continual influxes of members of the African diaspora into Canada. The rigidity of a single unifying identity and the seemingly porous nature…

  • The Politics of Making Home

    Mark V Campbell•ARTICLE•Souls•2014•Cited by: 2•References: 6

    Toronto hip hop music from approximately 1986–2000 featured several successful singles that demonstrated a focus on representational patterns, where the city was refashioned aligned with the aesthetics of AfroCaribbean diasporic communities. These tracks can be read as aggressive sonic attempts at fashioning a counterdiscourse to exclusionary local politics with the biopolitics of hip hop music and aesthetics that made “home,” forging nodes of be…

  • Listening Otherwise

    Open Access•Mark V Campbell•ARTICLE•Performance Matters•2023

    In this forum piece, I explore the potential of listening as a performative act by focusing on the experiences and skills essential to the practice of DJing. I find the field of remix studies a fruitful arena to expand and explore the possibilities of music studies beyond the silos of contemporary musical analysis and scholarship

Music History and Culture (3 works) · Political science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · Canadian Identity and History (2 works) · Gender Studies (2 works) · Law (2 works) · Politics (2 works) · Active listening (1 work)

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