Listening Otherwise
Relationalities of the Othered
Bibliographic Data
| ID | 22123692 |
|---|---|
| Authors | Mark V Campbell (0000-0002-2120-4534, University of Toronto, corresponding author) |
| Year | 2023 |
| Volume | 9 |
| Issue | 1-2 |
| Pages | 366-368 |
| Publication date | 2023-08-02 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Performance Matters (JOURNAL) |
| Journal identifiers | ISSN: 2369-2537 • E-ISSN: 2369-2537 |
| Publisher | Consortium Erudit (PUBLISHER • CA) |
| DOI | 10.7202/1102408ar |
| OpenAlex | W4385498264 |
| Language | EN |
| References cited | 1 |
In this forum piece, I explore the potential of listening as a performative act by focusing on the experiences and skills essential to the practice of DJing. I find the field of remix studies a fruitful arena to expand and explore the possibilities of music studies beyond the silos of contemporary musical analysis and scholarship
Active listening · Aesthetics · Appreciative listening · Art · Musical · Performative utterance · Political science · Scholarship · Sociology · Visual arts · Communication · Diverse Musicological Studies · Music History and Culture · Music Technology and Sound Studies · Psychology
| Highly cited | No |
|---|