Priya Srinivasan
Biographic Data
| ID | 3940003 |
|---|---|
| NAME | Priya Srinivasan |
| GIVEN NAMES | Priya |
| FAMILY NAME | Srinivasan |
| SIGNATURE | SRINIVASAN P |
| AFFILIATIONS | University of California System |
| ORCID | 0000-0001-8426-6532 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Decolonising moves
In this article, I think through decolonisation from the place of praxis and cultural artistic exchange in Global South-South encounters. I base my thinking on the concepts of ‘neighbouring’ by the Argentine theorist, [Savigliano, M. 2009. “Worlding Dance and Dancing Out there in the World.” In Rethinking World Dance Histories, edited by Susan Foster, 163–191. New York: Palgrave.] and ‘the gift’ by the French sociologist, [Mauss, M. 2011. The Gif…
The Nautch women dancers of the 1880s
In this essay I suggest that paying attention to nineteenth century transnational Indian women performers as temporary, cultural laborers in the US reveals the ambiguities of immigration law and citizenship. I take the crucial performances and experiences of the 1881 Indian Nautch Dancers who arrived on New York Stages to perform in Augustin Daly's show “Zanina” to examine discrimination, anti-Asian sentiment, and exclusion laws long before the o…
The Nautch women dancers of the 1880s
In this essay I suggest that paying attention to nineteenth century transnational Indian women performers as temporary, cultural laborers in the US reveals the ambiguities of immigration law and citizenship. I take the crucial performances and experiences of the 1881 Indian Nautch Dancers who arrived on New York Stages to perform in Augustin Daly's show “Zanina” to examine discrimination, anti-Asian sentiment, and exclusion laws long before the o…
The Nautch women dancers of the 1880s
In this essay I suggest that paying attention to nineteenth century transnational Indian women performers as temporary, cultural laborers in the US reveals the ambiguities of immigration law and citizenship. I take the crucial performances and experiences of the 1881 Indian Nautch Dancers who arrived on New York Stages to perform in Augustin Daly's show “Zanina” to examine discrimination, anti-Asian sentiment, and exclusion laws long before the o…
Decolonising moves
In this article, I think through decolonisation from the place of praxis and cultural artistic exchange in Global South-South encounters. I base my thinking on the concepts of ‘neighbouring’ by the Argentine theorist, [Savigliano, M. 2009. “Worlding Dance and Dancing Out there in the World.” In Rethinking World Dance Histories, edited by Susan Foster, 163–191. New York: Palgrave.] and ‘the gift’ by the French sociologist, [Mauss, M. 2011. The Gif…
Gender Studies (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work) · Ambiguity (1 work) · Anthropology (1 work) · Art (1 work) · Asian American and Pacific Histories (1 work) · Citizenship (1 work) · Dance (1 work)