The Nautch women dancers of the 1880s

Corporeality, US Orientalism, and anti-Asian immigration laws

Bibliographic Data

ID4856318
AuthorsPriya Srinivasan (0000-0001-8426-6532, University of California System, corresponding author)
Year2009
Volume19
Issue1
Pages3-22
Publication date2009-03-01
Open AccessNo
TypeARTICLE
VenueWomen & Performance a journal of feminist theory (JOURNAL)
Journal identifiersISSN: 0740-770X • E-ISSN: 1748-5819
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/07407700802655232
OpenAlexW2030172651
LanguageEN
Citations received5
References cited19

In this essay I suggest that paying attention to nineteenth century transnational Indian women performers as temporary, cultural laborers in the US reveals the ambiguities of immigration law and citizenship. I take the crucial performances and experiences of the 1881 Indian Nautch Dancers who arrived on New York Stages to perform in Augustin Daly's show “Zanina” to examine discrimination, anti-Asian sentiment, and exclusion laws long before the oft-cited 1923 court case that de-naturalized Indians from US citizenship. I argue that attending to Indian women's performances in the nineteenth century offers gendered insight into exclusion laws and demonstrates their ambiguity in ways that focusing on Asian male laborers (as has been the predominant focus of nineteenth and early twentieth century research on Asian labor) alone occludes

Ambiguity · Citizenship · Immigration · Immigration law · Orientalism · Political science · Sociology · Asian American and Pacific Histories · Gender Studies · History · Law · Philippine History and Culture · Race, History, and American Society

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