Jenn Joy
Biographic Data
| ID | 3940967 |
|---|---|
| NAME | Jenn Joy |
| GIVEN NAMES | Jenn |
| FAMILY NAME | Joy |
| SIGNATURE | JOY J |
| AFFILIATIONS | a c/o TDR: The Drama Review, 665 Broadway, 6th floor, New York, NY 10012, USA E-mail |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 0 |
Marlene Dumas
Marlene Dumas's exhibition at the Museum of Modern Art, New York, reveals a complicated economy of seeing as her paintings and drawings reject any easy recognition or simplification of aesthetic, cultural, or political meanings. The multiple series of faces rendered in eerie washes of watercolor and oil seem to suspend representation, projecting a discomforting knowledge of subjectivity as an always tense agitated terrain within which the viewer …
DD Dorvillier'sNo change or 'freedom is a psycho-kinetic skill
Working between the discourses of sculpture, sound, and choreography, I address the breaks and collapses of language precipitated by scattered sounds and objects in No Change or freedom is a psycho-kinetic skill (2005) choreographed and performed by DD Dorvillier. Her work proposes an improvisational choreography structured from relationships with objects-speakers, microphone stands, computers, cords-transposing the audial into a visual register.…
Reflections on Failure
The articles in this first installment of a series on choreography that considers the relationship between philosophy and dance interrogate conceptions of the body, movement, and language. Translated for the first time into English, the selection by José Gil reads the dancing body as paradoxical through the writings of Gilles Deleuze and Félix Guattari; and the chapter by Peter Sloterdijk examines modernity's impulse toward movement and posits a …
Performa/(Re)Performa
Newly commissioned pieces from Performa05 raise questions about shifting modes of transmission and witness in the staging of performance and visual art, also key concerns considered in response to Seven Easy Pieces, 2005, Marina Abramovic's (re)performance of seminal works by Vito Acconci, Bruce Nauman, Joseph Beuys, VALIE EXPORT, and Gina Pane
Performa/(Re)Performa
March 01 2006 Performa/(Re)Performa T. Nikki Cesare, T. Nikki Cesare TDR's Critical Acts Editor, dramaturge for the International Contemporary Ensemble, and a PhD candidate in Performance Studies at Tisch School of the Arts/NYU. Search for other works by this author on: This Site Google Scholar Jenn Joy Jenn Joy Managing Editor of TDR and writes for TDR, Dance Theatre Journal, and Contemporary. Search for other works by this author on: This Site …
Books
December 01 2005 Bruce Nauman: Theaters of Experience; Bruce Nauman—Raw Materials; Bruce Nauman—Raw Materials Bruce Nauman: Theaters of Experience. Essays by CrossSusan and HoffmanChristineBruce Nauman—Raw Materials. Essays by AupingMichael and DexterEmmaBruce Nauman—Raw Materials. NaumanBruce . Produced by BorthwickBen Jenn Joy Jenn Joy PhD candidate in Performance Studies at Tisch School of the Arts/NYU Search for other works by this author on:…
No prominent works on this page.
Books
December 01 2005 Bruce Nauman: Theaters of Experience; Bruce Nauman—Raw Materials; Bruce Nauman—Raw Materials Bruce Nauman: Theaters of Experience. Essays by CrossSusan and HoffmanChristineBruce Nauman—Raw Materials. Essays by AupingMichael and DexterEmmaBruce Nauman—Raw Materials. NaumanBruce . Produced by BorthwickBen Jenn Joy Jenn Joy PhD candidate in Performance Studies at Tisch School of the Arts/NYU Search for other works by this author on:…
Reflections on Failure
The articles in this first installment of a series on choreography that considers the relationship between philosophy and dance interrogate conceptions of the body, movement, and language. Translated for the first time into English, the selection by José Gil reads the dancing body as paradoxical through the writings of Gilles Deleuze and Félix Guattari; and the chapter by Peter Sloterdijk examines modernity's impulse toward movement and posits a …
Performa/(Re)Performa
Newly commissioned pieces from Performa05 raise questions about shifting modes of transmission and witness in the staging of performance and visual art, also key concerns considered in response to Seven Easy Pieces, 2005, Marina Abramovic's (re)performance of seminal works by Vito Acconci, Bruce Nauman, Joseph Beuys, VALIE EXPORT, and Gina Pane
Performa/(Re)Performa
March 01 2006 Performa/(Re)Performa T. Nikki Cesare, T. Nikki Cesare TDR's Critical Acts Editor, dramaturge for the International Contemporary Ensemble, and a PhD candidate in Performance Studies at Tisch School of the Arts/NYU. Search for other works by this author on: This Site Google Scholar Jenn Joy Jenn Joy Managing Editor of TDR and writes for TDR, Dance Theatre Journal, and Contemporary. Search for other works by this author on: This Site …
DD Dorvillier'sNo change or 'freedom is a psycho-kinetic skill
Working between the discourses of sculpture, sound, and choreography, I address the breaks and collapses of language precipitated by scattered sounds and objects in No Change or freedom is a psycho-kinetic skill (2005) choreographed and performed by DD Dorvillier. Her work proposes an improvisational choreography structured from relationships with objects-speakers, microphone stands, computers, cords-transposing the audial into a visual register.…
Marlene Dumas
Marlene Dumas's exhibition at the Museum of Modern Art, New York, reveals a complicated economy of seeing as her paintings and drawings reject any easy recognition or simplification of aesthetic, cultural, or political meanings. The multiple series of faces rendered in eerie washes of watercolor and oil seem to suspend representation, projecting a discomforting knowledge of subjectivity as an always tense agitated terrain within which the viewer …
Art (5 works) · Computer Science (4 works) · Theatre and Performance Studies (4 works) · Visual arts (4 works) · Art history (3 works) · Dance (3 works) · Art, Politics, and Modernism (2 works) · Choreography (2 works) · Diversity and Impact of Dance (2 works) · Epistemology (2 works)