Performa/(Re)Performa

March 01 2006 Performa/(Re)Performa T. Nikki Cesare, T. Nikki Cesare TDR's Critical Acts Editor, dramaturge for the International Contemporary Ensemble, and a PhD candidate in Performance Studies at Tisch School of the Arts/NYU. Search for other works by this author on: This Site Google Scholar Jenn Joy Jenn Joy Managing Editor of TDR and writes for TDR, Dance Theatre Journal, and Contemporary. Search for other works by this author on: This Site Google Scholar Author and Article Information T. Nikki Cesare TDR's Critical Acts Editor, dramaturge for the International Contemporary Ensemble, and a PhD candidate in Performance Studies at Tisch School of the Arts/NYU. Jenn Joy Managing Editor of TDR and writes for TDR, Dance Theatre Journal, and Contemporary. 1She recently wrote the catalog essay for photographer Frank Dituri's upcoming exhibitions in Italy and New York, and has written for TDR, Performance-Research, and NY Arts. 2She directed jennjoygallery in San Francisco from 1997 to 2001 and currently is a PhD candidate in Performance Studies at Tisch School of the Arts/NYU and teaches at the Rhode Island School of Design. Online Issn: 1531-4715 Print Issn: 1054-2043 © 2006 New York University and the Massachusetts Institute of Technology2006 TDR/The Drama Review (2006) 50 (1 (189)): 170–177. https://doi.org/10.1162/dram.2006.50.1.170 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation T. Nikki Cesare, Jenn Joy; Performa/(Re)Performa. TDR/The Drama Review 2006; 50: 1 (189), 170–177. doi: https://doi.org/10.1162/dram.2006.50.1.170 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search nav search search input Search input auto suggest search filter All ContentAll JournalsTDR/The Drama Review Search Advanced Search Abstract Newly commissioned pieces from Performa05 raise questions about shifting modes of transmission and witness in the staging of performance and visual art, also key concerns considered in response to Seven Easy Pieces, 2005, Marina Abramovic's (re)performance of seminal works by Vito Acconci, Bruce Nauman, Joseph Beuys, VALIE EXPORT, and Gina Pane. Issue Section: Critical Acts This content is only available as a PDF. © 2006 New York University and the Massachusetts Institute of Technology2006 You do not currently have access to this content

Art · Art history · Citation · Dance · Exhibition · Icon · Library science · Musical · Performing arts · The arts · Visual arts · Computer Science · History · Theatre and Performance Studies