T Nikki Cesare
Biographic Data
| ID | 2022130 |
|---|---|
| NAME | T Nikki Cesare |
| GIVEN NAMES | T Nikki |
| FAMILY NAME | Cesare |
| SIGNATURE | CESARE T N |
| AFFILIATIONS | T. Nikki Cesare is TDR's Critical Acts Editor, a surfer, and an Instructor of Drama at Tisch School of the Arts/NYU. She has dramaturged experimental music-theatre productions in New York City, Chicago, and Morelia, Mexico, and directed composers Du Yun and Ken Ueno's Gold Ocean in spring 2010. |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 0 |
Comedy, Truth, and, like, Real Shit”
Derek Ahonen, playwright, director, and founding member of the Amoralists, describes the journeys he takes his characters and audiences on in his plays, as well as the journey of the Amoralists themselves—from literally betting on their success in Las Vegas to finding an unlikely but snug niche as the well-made-playmakers on the contemporary avantgarde theatre scene
To Avant or Not to Avant
A flush of new theatre ensembles producing, for the most part, group-devised work prompts questions about the viability of the term avantgarde, the confluence of events behind the activity of this latest “bunch of experimental theatres,” and their relationship to the original “bunch” from the 1970s
Tehching Hsieh
September 01 2010 Tehching Hsieh: One Year Performance: Art Documents 1978–1999 by Tehching Hsieh, with accompanying text by Steven Shaviro T. Nikki Cesare T. Nikki Cesare Search for other works by this author on: This Site Google Scholar Author and Article Information T. Nikki Cesare Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2010 New York University and the Massachusetts Institute of Technology2010 TDR/The Drama Review (2010) 54 (3 (207)): …
Performa/(Re)Performa
Newly commissioned pieces from Performa05 raise questions about shifting modes of transmission and witness in the staging of performance and visual art, also key concerns considered in response to Seven Easy Pieces, 2005, Marina Abramovic's (re)performance of seminal works by Vito Acconci, Bruce Nauman, Joseph Beuys, VALIE EXPORT, and Gina Pane
Performa/(Re)Performa
March 01 2006 Performa/(Re)Performa T. Nikki Cesare, T. Nikki Cesare TDR's Critical Acts Editor, dramaturge for the International Contemporary Ensemble, and a PhD candidate in Performance Studies at Tisch School of the Arts/NYU. Search for other works by this author on: This Site Google Scholar Jenn Joy Jenn Joy Managing Editor of TDR and writes for TDR, Dance Theatre Journal, and Contemporary. Search for other works by this author on: This Site …
Like a chained man's bruise
Through an analysis of two recent productions by the New York-based new-music group the International Contemporary Ensemble, this article considers the means by which the mediated body, technologically and otherwise, enables a reimagination of the relationships between traditional theatre, contemporary music, and music theatre. A new production of Sir Peter Maxwell Davies's 1969 Eight Songs for a Mad King, in which the King's image is projected o…
Never Tell
September 01 2005 Never Tell: Nicole Blackman's The Courtesan Tales T. Nikki Cesare, T. Nikki Cesare Performance Studies, Tisch School of the Arts/NYU Search for other works by this author on: This Site Google Scholar Steve Luber Steve Luber Performance Studies at NYU/Tisch School of the Arts Search for other works by this author on: This Site Google Scholar Author and Article Information T. Nikki Cesare Performance Studies, Tisch School of the A…
Books
December 01 2005 Speak It Louder: Asian Americans Making Music Speak It Louder: Asian Americans Making Music. By WongDeborah T. Nikki Cesare T. Nikki Cesare PhD Candidate in Performance Studies, Tisch School of the Arts/NYU, and Managing Editor of TDR Search for other works by this author on: This Site Google Scholar Author and Article Information T. Nikki Cesare PhD Candidate in Performance Studies, Tisch School of the Arts/NYU, and Managing Edi…
The World after The Bomb
March 01 2003 The World after The Bomb T. Nikki Cesare T. Nikki Cesare T. Nikki Cesare is TDR's Managing Editor and a PhD candidate in the Department of Performance Studies, Tisch School of the Arts/NYU. She is also a performing double bass-ist specializing in contemporary music, and is currently working with the Chicago and New York-based International Contemporary Ensemble. Search for other works by this author on: This Site Google Scholar Auth…
No prominent works on this page.
The World after The Bomb
March 01 2003 The World after The Bomb T. Nikki Cesare T. Nikki Cesare T. Nikki Cesare is TDR's Managing Editor and a PhD candidate in the Department of Performance Studies, Tisch School of the Arts/NYU. She is also a performing double bass-ist specializing in contemporary music, and is currently working with the Chicago and New York-based International Contemporary Ensemble. Search for other works by this author on: This Site Google Scholar Auth…
Never Tell
September 01 2005 Never Tell: Nicole Blackman's The Courtesan Tales T. Nikki Cesare, T. Nikki Cesare Performance Studies, Tisch School of the Arts/NYU Search for other works by this author on: This Site Google Scholar Steve Luber Steve Luber Performance Studies at NYU/Tisch School of the Arts Search for other works by this author on: This Site Google Scholar Author and Article Information T. Nikki Cesare Performance Studies, Tisch School of the A…
Books
December 01 2005 Speak It Louder: Asian Americans Making Music Speak It Louder: Asian Americans Making Music. By WongDeborah T. Nikki Cesare T. Nikki Cesare PhD Candidate in Performance Studies, Tisch School of the Arts/NYU, and Managing Editor of TDR Search for other works by this author on: This Site Google Scholar Author and Article Information T. Nikki Cesare PhD Candidate in Performance Studies, Tisch School of the Arts/NYU, and Managing Edi…
Performa/(Re)Performa
Newly commissioned pieces from Performa05 raise questions about shifting modes of transmission and witness in the staging of performance and visual art, also key concerns considered in response to Seven Easy Pieces, 2005, Marina Abramovic's (re)performance of seminal works by Vito Acconci, Bruce Nauman, Joseph Beuys, VALIE EXPORT, and Gina Pane
Performa/(Re)Performa
March 01 2006 Performa/(Re)Performa T. Nikki Cesare, T. Nikki Cesare TDR's Critical Acts Editor, dramaturge for the International Contemporary Ensemble, and a PhD candidate in Performance Studies at Tisch School of the Arts/NYU. Search for other works by this author on: This Site Google Scholar Jenn Joy Jenn Joy Managing Editor of TDR and writes for TDR, Dance Theatre Journal, and Contemporary. Search for other works by this author on: This Site …
Like a chained man's bruise
Through an analysis of two recent productions by the New York-based new-music group the International Contemporary Ensemble, this article considers the means by which the mediated body, technologically and otherwise, enables a reimagination of the relationships between traditional theatre, contemporary music, and music theatre. A new production of Sir Peter Maxwell Davies's 1969 Eight Songs for a Mad King, in which the King's image is projected o…
Comedy, Truth, and, like, Real Shit”
Derek Ahonen, playwright, director, and founding member of the Amoralists, describes the journeys he takes his characters and audiences on in his plays, as well as the journey of the Amoralists themselves—from literally betting on their success in Las Vegas to finding an unlikely but snug niche as the well-made-playmakers on the contemporary avantgarde theatre scene
To Avant or Not to Avant
A flush of new theatre ensembles producing, for the most part, group-devised work prompts questions about the viability of the term avantgarde, the confluence of events behind the activity of this latest “bunch of experimental theatres,” and their relationship to the original “bunch” from the 1970s
Tehching Hsieh
September 01 2010 Tehching Hsieh: One Year Performance: Art Documents 1978–1999 by Tehching Hsieh, with accompanying text by Steven Shaviro T. Nikki Cesare T. Nikki Cesare Search for other works by this author on: This Site Google Scholar Author and Article Information T. Nikki Cesare Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2010 New York University and the Massachusetts Institute of Technology2010 TDR/The Drama Review (2010) 54 (3 (207)): …
Art (8 works) · Theatre and Performance Studies (7 works) · Art history (6 works) · Computer Science (6 works) · Visual arts (5 works) · Citation (4 works) · History (4 works) · History (4 works) · Icon (4 works) · Drama (3 works)