Lenora Champagne
Biographic Data
| ID | 3942979 |
|---|---|
| NAME | Lenora Champagne |
| GIVEN NAMES | Lenora |
| FAMILY NAME | Champagne |
| SIGNATURE | CHAMPAGNE L |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1974 |
| LATEST PUBLICATION YEAR | 1999 |
| H-INDEX | 1 |
Notes on autobiography and performance
(1999). Notes on autobiography and performance. Women & Performance: a journal of feminist theory: Vol. 10, No. 1-2, pp. 155-172
Out from Under: Texts by Women Performance Artists
This anthology contains scripts by nine American women performance artists whose works deal with social and political issues such as sexual and racial abuse, patriarchy, family values, and love. Champagne's introduction situates the artists' works within the contexts of feminism, Minimalism and Conceptual Art. Biographical notes. 42 bibl. ref
Dr. Charcot's Hysteria Shows
Performance Dynamics and the Amsterdam Werkteater
Fractured Juliet
The Amazing Decade: Women and Performance Art in America 1970-1980
Ubu Repertory Theater Publications Series
Always Starting New: Elizabeth LeCompte
Contemporary French Theatre
Avignon Festival
The Romand Popular Theatre
The Theatre Populaire Romand (Romand Popular Theatre) or TPR celebrated its fifteenth anniversary in 1976. For a professional, completely autonomous troupe whose politics and administration are independent from any control by authorities, this is a record rarely equaled in Switzerland or even in Europe. This remarkable endurance owes much to the will and determination of the troupe's director, Charles Joris, who has always established and maintai…
The Beach beneath the Paving Stones: May 1968 and French Theater
The Song of Songs of Solomon
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Political Theatre in France Since 1968
The events of May, 1968, in France spurred a re-examination of the relationship between art and politics, of the function of the artist and the role of theatre in our society. After May, 1968, with its attacks on institutions for distributing a culture that is not a “culture in action sprung from life,” theatre artists sought a way to work outside the established structure, which they felt was separate from life and whose rigidity demanded a part…
Aragon's Au Pied du Mur
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button
Out from Under: Texts by Women Performance Artists
This anthology contains scripts by nine American women performance artists whose works deal with social and political issues such as sexual and racial abuse, patriarchy, family values, and love. Champagne's introduction situates the artists' works within the contexts of feminism, Minimalism and Conceptual Art. Biographical notes. 42 bibl. ref
The Song of Songs of Solomon
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Aragon's Au Pied du Mur
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button
Political Theatre in France Since 1968
The events of May, 1968, in France spurred a re-examination of the relationship between art and politics, of the function of the artist and the role of theatre in our society. After May, 1968, with its attacks on institutions for distributing a culture that is not a “culture in action sprung from life,” theatre artists sought a way to work outside the established structure, which they felt was separate from life and whose rigidity demanded a part…
The Song of Songs of Solomon
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Avignon Festival
The Romand Popular Theatre
The Theatre Populaire Romand (Romand Popular Theatre) or TPR celebrated its fifteenth anniversary in 1976. For a professional, completely autonomous troupe whose politics and administration are independent from any control by authorities, this is a record rarely equaled in Switzerland or even in Europe. This remarkable endurance owes much to the will and determination of the troupe's director, Charles Joris, who has always established and maintai…
The Beach beneath the Paving Stones: May 1968 and French Theater
Contemporary French Theatre
Always Starting New: Elizabeth LeCompte
The Amazing Decade: Women and Performance Art in America 1970-1980
Ubu Repertory Theater Publications Series
Fractured Juliet
Performance Dynamics and the Amsterdam Werkteater
Dr. Charcot's Hysteria Shows
Out from Under: Texts by Women Performance Artists
This anthology contains scripts by nine American women performance artists whose works deal with social and political issues such as sexual and racial abuse, patriarchy, family values, and love. Champagne's introduction situates the artists' works within the contexts of feminism, Minimalism and Conceptual Art. Biographical notes. 42 bibl. ref
Notes on autobiography and performance
(1999). Notes on autobiography and performance. Women & Performance: a journal of feminist theory: Vol. 10, No. 1-2, pp. 155-172
Art (8 works) · History (5 works) · Visual arts (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Diversity and Impact of Dance (3 works) · French Historical and Cultural Studies (3 works) · History (3 works) · Psychology (3 works) · Theatre and Performance Studies (3 works)