Out from Under
Texts by Women Performance Artists
Bibliographic Data
| ID | 4552249 |
|---|---|
| Authors | Jon Erickson, Lenora Champagne |
| Year | 1991 |
| Volume | 43 |
| Issue | 4 |
| Pages | 545 |
| Publication date | 1991-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Theatre Journal (JOURNAL) |
| Journal identifiers | ISSN: 0192-2882 • E-ISSN: 1086-332X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3207994 |
| OpenAlex | W2109400099 |
| Language | EN |
| Citations received | 8 |
This anthology contains scripts by nine American women performance artists whose works deal with social and political issues such as sexual and racial abuse, patriarchy, family values, and love. Champagne's introduction situates the artists' works within the contexts of feminism, Minimalism and Conceptual Art. Biographical notes. 42 bibl. ref
Aesthetics · Art · Literature · Visual arts · Diversity and Impact of Dance · Theatre and Performance Studies
New women performance writers; Rose English and Holly Hughes
“Have you been saved?” Models of Identity for Maladies of the Soul
“Polymorphous perversity” in women's performance art
Creating the world waiting to be created
Between the Personal and the Universal
En)gendered (and endangered) subjects
Revisioning the Public Speaking Course
Robbie McCauley
| Unique citing works | 8 |
|---|---|
| Citations per year | 0,23 |
| Citation span | 1991 - 2003 (13) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 6 |