Asaf Bachrach
Biographic Data
| ID | 3943164 |
|---|---|
| NAME | Asaf Bachrach |
| GIVEN NAMES | Asaf |
| FAMILY NAME | Bachrach |
| SIGNATURE | BACHRACH A |
| AFFILIATIONS | Centre National de la Recherche Scientifique |
| ORCID | 0000-0003-4360-8457 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
A distributed model of collective creativity in free play
A group of children engaged in collective free play can spontaneously create new rules, learn to follow them, or find opportunities to break established ones. This rule-playing can be considered as a specific manifestation of the more general phenomenon of collective creativity. In behavioral sciences, collective creativity is often discussed as a collection of individuals each being creative. An alternative perspective views collective creativit…
MA and Togetherness ( Ittaikan ) in the Narratives of Dancers and Spectators: Sharing an Uncertain Space
The Japanese concept/character MA (間), commonly translated as “gap, interval, or the in between,” partakes in many forms of Japanese arts and daily‐life practices. In this article, we report the results of a qualitative research on the meaning or experience of MA and its relation with the feeling of togetherness in the context of contemporary dance improvisation. We interviewed performers and spectators (all professional dancers) while they watch…
[Re]moving Bodies – A Shared Diminished Reality Installation for Exploring Relational Movement
In this article we explore an epistemic approach we name dis/embodiment and introduce "Articulations," an interdisciplinary project bringing together Virtual Reality (VR) designers, cognitive scientists, dancers, anthropologists, and human-machine interaction specialists. According to Erin Manning, our sense of self and other emerges from processes of bodying and relational movement (becoming oneself by moving in relation with the world). The aim…
Perceptions sociales du « Ma » et de « l'être ensemble: À propos d’improvisations dansées
Image d’ouverture. Une improvisation en danse et musique sur le thème du ma Cet événement exploratoire a eu lieu au musée plein air de Kirishima situé à Kagoshima, au Japon. Une partie de la performance peut être visionnée ici : https://youtu.be/17huFXOZFfo. © C.I.co. Contact Improvisation Group. La communication non verbale joue un rôle crucial dans la compréhension interpersonnelle et dans la création de liens sociaux. Celles et ceux qui découv…
Linearizing Structures
The linearization of unboundedly many syntactic structures given a finite number of ordering instructions poses a compositionality problem similar to the semantic problem of determining the meanings of unboundedly many structures. We discuss this challenge and use various constructions such as Right-Node Raising that have been argued to involve multidominance-and that combine a remarkable productivity across and inside languages with a sensitivit…
Linearizing Structures
The linearization of unboundedly many syntactic structures given a finite number of ordering instructions poses a compositionality problem similar to the semantic problem of determining the meanings of unboundedly many structures. We discuss this challenge and use various constructions such as Right-Node Raising that have been argued to involve multidominance-and that combine a remarkable productivity across and inside languages with a sensitivit…
Linearizing Structures
The linearization of unboundedly many syntactic structures given a finite number of ordering instructions poses a compositionality problem similar to the semantic problem of determining the meanings of unboundedly many structures. We discuss this challenge and use various constructions such as Right-Node Raising that have been argued to involve multidominance-and that combine a remarkable productivity across and inside languages with a sensitivit…
MA and Togetherness ( Ittaikan ) in the Narratives of Dancers and Spectators: Sharing an Uncertain Space
The Japanese concept/character MA (間), commonly translated as “gap, interval, or the in between,” partakes in many forms of Japanese arts and daily‐life practices. In this article, we report the results of a qualitative research on the meaning or experience of MA and its relation with the feeling of togetherness in the context of contemporary dance improvisation. We interviewed performers and spectators (all professional dancers) while they watch…
[Re]moving Bodies – A Shared Diminished Reality Installation for Exploring Relational Movement
In this article we explore an epistemic approach we name dis/embodiment and introduce "Articulations," an interdisciplinary project bringing together Virtual Reality (VR) designers, cognitive scientists, dancers, anthropologists, and human-machine interaction specialists. According to Erin Manning, our sense of self and other emerges from processes of bodying and relational movement (becoming oneself by moving in relation with the world). The aim…
Perceptions sociales du « Ma » et de « l'être ensemble: À propos d’improvisations dansées
Image d’ouverture. Une improvisation en danse et musique sur le thème du ma Cet événement exploratoire a eu lieu au musée plein air de Kirishima situé à Kagoshima, au Japon. Une partie de la performance peut être visionnée ici : https://youtu.be/17huFXOZFfo. © C.I.co. Contact Improvisation Group. La communication non verbale joue un rôle crucial dans la compréhension interpersonnelle et dans la création de liens sociaux. Celles et ceux qui découv…
A distributed model of collective creativity in free play
A group of children engaged in collective free play can spontaneously create new rules, learn to follow them, or find opportunities to break established ones. This rule-playing can be considered as a specific manifestation of the more general phenomenon of collective creativity. In behavioral sciences, collective creativity is often discussed as a collection of individuals each being creative. An alternative perspective views collective creativit…
Action Observation and Synchronization (3 works) · Computer Science (3 works) · Psychology (3 works) · Aesthetics (2 works) · Art (2 works) · Artificial Intelligence (2 works) · Embodied and Extended Cognition (2 works) · Epistemology (2 works) · Human–computer interaction (2 works) · Improvisation (2 works)