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Lucas Thompson

Biographic Data

ID3947735
NAMELucas Thompson
GIVEN NAMESLucas
FAMILY NAMEThompson
SIGNATURETHOMPSON L
AFFILIATIONSThe University of Sydney
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Private screenings

    Lucas Thompson•ARTICLE•Textual Practice•2021

    Though literary studies has developed a rich understanding of the way that certain Modernist, early-, and mid-twentieth-century writers responded to cinematic conventions in their work, and to a lesser extent postmodern novelists as well, we do not have a full account of how contemporary fiction is responding to the visual norms embedded within cinema, nor how readers intimately familiar with filmic form might be experiencing these novels. By rec…

  • Nathan for You and the New Sincerity aesthetic

    Lucas Thompson•ARTICLE•New Review of Film and Television…•2020

    This article argues that Comedy Central’s Nathan For You enacts a sophisticated critique of reality television and offers a different way of capturing ‘reality’ on the small screen. By exaggerating the format’s countless constraints, Nathan for You discovers a way to create real and moving drama from reality television conventions. Using examples taken from across the series, the article argues that the show exemplifies the New Sincerity aestheti…

  • Method Reading

    Lucas Thompson•ARTICLE•New Literary History•2019•Cited by: 1

    This article sets forth a new way of thinking about the act of reading, by developing a generative metaphor that bypasses many of the problems inherent to critique—reading as a form of spontaneous method acting. This metaphor takes literary texts as invitations to engage in a particular kind of activity, wherein the reader does not merely identify with, develop sympathies for, or even recognize themselves in a fictional character, but actually pe…

  • Freedom and the Self

    Lucas Thompson•ARTICLE•The European Legacy•2017

  • Method Reading

    Lucas Thompson•ARTICLE•New Literary History•2019•Cited by: 1

    This article sets forth a new way of thinking about the act of reading, by developing a generative metaphor that bypasses many of the problems inherent to critique—reading as a form of spontaneous method acting. This metaphor takes literary texts as invitations to engage in a particular kind of activity, wherein the reader does not merely identify with, develop sympathies for, or even recognize themselves in a fictional character, but actually pe…

  • Freedom and the Self

    Lucas Thompson•ARTICLE•The European Legacy•2017

  • Method Reading

    Lucas Thompson•ARTICLE•New Literary History•2019•Cited by: 1

    This article sets forth a new way of thinking about the act of reading, by developing a generative metaphor that bypasses many of the problems inherent to critique—reading as a form of spontaneous method acting. This metaphor takes literary texts as invitations to engage in a particular kind of activity, wherein the reader does not merely identify with, develop sympathies for, or even recognize themselves in a fictional character, but actually pe…

  • Nathan for You and the New Sincerity aesthetic

    Lucas Thompson•ARTICLE•New Review of Film and Television…•2020

    This article argues that Comedy Central’s Nathan For You enacts a sophisticated critique of reality television and offers a different way of capturing ‘reality’ on the small screen. By exaggerating the format’s countless constraints, Nathan for You discovers a way to create real and moving drama from reality television conventions. Using examples taken from across the series, the article argues that the show exemplifies the New Sincerity aestheti…

  • Private screenings

    Lucas Thompson•ARTICLE•Textual Practice•2021

    Though literary studies has developed a rich understanding of the way that certain Modernist, early-, and mid-twentieth-century writers responded to cinematic conventions in their work, and to a lesser extent postmodern novelists as well, we do not have a full account of how contemporary fiction is responding to the visual norms embedded within cinema, nor how readers intimately familiar with filmic form might be experiencing these novels. By rec…

Philosophy (3 works) · Aesthetics (2 works) · Art (2 works) · Epistemology (2 works) · Literary criticism (2 works) · Literature (2 works) · Sociology (2 works) · Artificial Intelligence (1 work) · Artificial Intelligence (1 work) · Artistic and Creative Research (1 work)

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