Nathan for You and the New Sincerity aesthetic
Bibliographic Data
| ID | 21783345 |
|---|---|
| Authors | Lucas Thompson (The University of Sydney, corresponding author) |
| Year | 2020 |
| Volume | 18 |
| Issue | 4 |
| Pages | 431-451 |
| Publication date | 2020-10-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | New Review of Film and Television Studies (JOURNAL) |
| Journal identifiers | ISSN: 1740-0309 • E-ISSN: 1740-7923 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17400309.2020.1812978 |
| OpenAlex | W3113414908 |
| Language | EN |
| References cited | 22 |
This article argues that Comedy Central’s Nathan For You enacts a sophisticated critique of reality television and offers a different way of capturing ‘reality’ on the small screen. By exaggerating the format’s countless constraints, Nathan for You discovers a way to create real and moving drama from reality television conventions. Using examples taken from across the series, the article argues that the show exemplifies the New Sincerity aesthetic that scholars in numerous other fields have found across contemporary US culture. What Fielder’s project ultimately reveals is that the most exaggerated and grotesque forms of reality-television manipulation can paradoxically open up spaces of sincere communication and feeling. The article also explores many of the formal and stylistic devices that Fielder uses across the series, building a case for a reevaluation of the series
Aesthetics · Art · Comedy · Drama · Epistemology · Feeling · Literature · Media studies · Political science · Sincerity · Sociology · Gender, Feminism, and Media · Humor Studies and Applications · Law · Media Influence and Health · Philosophy
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Reality TV
Sincerity After Communism
Expanding the Brand
Channels of Discourse, Reassembled
Philosophical investigations
Understanding media
Cruel Optimism
Emotion and sincerity in Persian discourse
Is the Presented Self Sincere? Goffman, Impression Management and the Postmodern Self
| Highly cited | No |
|---|