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Randolph Lewis

Biographic Data

ID3948577
NAMERandolph Lewis
GIVEN NAMESRandolph
FAMILY NAMELewis
SIGNATURELEWIS R
AFFILIATIONSThe University of Texas at Austin
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS6
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Stay in Your Lane: The Magic of Neoliberal Proximity

    Open Access•Randolph Lewis•ARTICLE•Sociology Lens•2023

    Data sharing not applicable to this article as no datasets were generated or analysed during the current study

  • Under Surveillance: Being Watched in Modern America

    Randolph Lewis, Randolph V Lewis•BOOK•Under Surveillance•2017

    Never before has so much been known about so many. CCTV cameras, TSA scanners, NSA databases, big data marketers, predator drones, "stop and frisk" tactics, Facebook algorithms, hidden spyware, and even old-fashioned nosy neighbors—surveillance has become so ubiquitous that we take its presence for granted. While many types of surveillance are pitched as ways to make us safer, almost no one has examined the unintended consequences of living under…

  • Under Surveillance: Being Watched in Modern America

    Randolph Lewis•BOOK•Under Surveillance•2017

  • The New Navajo Cinema: Cinema and Nation in the Indigenous Southwest

    Randolph Lewis, Randolph Lewis Randolph Lewis•ARTICLE•The Velvet Light Trap•2010•Cited by: 5•References: 10

  • The Native Roots of Modern Art: Rereading the Paintings of Leon Polk Smith

    Randolph Lewis•ARTICLE•The American Indian Quarterly•2001•Cited by: 1•References: 3

    You can't explain a painting. It explains itself, if you give it a chance. Leon Polk Smith, Artdeal In 1983 Serge Guilbaut published a book with the provocative title, How New York Stole the Idea of Modern Art. No one had to open the book to know that the author thought New York had probably "stolen" the idea from somewhere in Europe - at least, no one operating from the Eurocentric perspective that has long been the "default option" for thinking…

  • Resistance to Theory: American Studies and the Challenge of Cultural Studies

    Randolph Lewis•ARTICLE•Canadian Review of American Studies•1998•References: 18

    In 1990, George Lipsitz issued an eloquent challenge to American studies scholars. Diagnosing the latest in the never-ending series of crises confronting the field, Lipsitz announced that American studies was in a "period of creative ferment and critical fragmentation."1 In this state of flux, Lipsitz identified an important opportunity: American studies scholars could revamp their approach to culture and bring "theory" into a discipline long not…

  • The New Navajo Cinema: Cinema and Nation in the Indigenous Southwest

    Randolph Lewis, Randolph Lewis Randolph Lewis•ARTICLE•The Velvet Light Trap•2010•Cited by: 5•References: 10

  • The Native Roots of Modern Art: Rereading the Paintings of Leon Polk Smith

    Randolph Lewis•ARTICLE•The American Indian Quarterly•2001•Cited by: 1•References: 3

    You can't explain a painting. It explains itself, if you give it a chance. Leon Polk Smith, Artdeal In 1983 Serge Guilbaut published a book with the provocative title, How New York Stole the Idea of Modern Art. No one had to open the book to know that the author thought New York had probably "stolen" the idea from somewhere in Europe - at least, no one operating from the Eurocentric perspective that has long been the "default option" for thinking…

  • Resistance to Theory: American Studies and the Challenge of Cultural Studies

    Randolph Lewis•ARTICLE•Canadian Review of American Studies•1998•References: 18

    In 1990, George Lipsitz issued an eloquent challenge to American studies scholars. Diagnosing the latest in the never-ending series of crises confronting the field, Lipsitz announced that American studies was in a "period of creative ferment and critical fragmentation."1 In this state of flux, Lipsitz identified an important opportunity: American studies scholars could revamp their approach to culture and bring "theory" into a discipline long not…

  • The Native Roots of Modern Art: Rereading the Paintings of Leon Polk Smith

    Randolph Lewis•ARTICLE•The American Indian Quarterly•2001•Cited by: 1•References: 3

    You can't explain a painting. It explains itself, if you give it a chance. Leon Polk Smith, Artdeal In 1983 Serge Guilbaut published a book with the provocative title, How New York Stole the Idea of Modern Art. No one had to open the book to know that the author thought New York had probably "stolen" the idea from somewhere in Europe - at least, no one operating from the Eurocentric perspective that has long been the "default option" for thinking…

  • The New Navajo Cinema: Cinema and Nation in the Indigenous Southwest

    Randolph Lewis, Randolph Lewis Randolph Lewis•ARTICLE•The Velvet Light Trap•2010•Cited by: 5•References: 10

  • Under Surveillance: Being Watched in Modern America

    Randolph Lewis, Randolph V Lewis•BOOK•Under Surveillance•2017

    Never before has so much been known about so many. CCTV cameras, TSA scanners, NSA databases, big data marketers, predator drones, "stop and frisk" tactics, Facebook algorithms, hidden spyware, and even old-fashioned nosy neighbors—surveillance has become so ubiquitous that we take its presence for granted. While many types of surveillance are pitched as ways to make us safer, almost no one has examined the unintended consequences of living under…

  • Under Surveillance: Being Watched in Modern America

    Randolph Lewis•BOOK•Under Surveillance•2017

  • Stay in Your Lane: The Magic of Neoliberal Proximity

    Open Access•Randolph Lewis•ARTICLE•Sociology Lens•2023

    Data sharing not applicable to this article as no datasets were generated or analysed during the current study

Art (2 works) · Computer Science (2 works) · Electronic surveillance (2 works) · Right of Privacy (2 works) · Social control (2 works) · Academic Freedom and Politics (1 works) · Aesthetics (1 works) · Art history (1 works) · Art History and Market Analysis (1 works) · Art, Politics, and Modernism (1 works)

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