Simon Faulkner
Biographic Data
| ID | 3951116 |
|---|---|
| NAME | Simon Faulkner |
| GIVEN NAMES | Simon |
| FAMILY NAME | Faulkner |
| SIGNATURE | FAULKNER S |
| AFFILIATIONS | Manchester Metropolitan University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Invasion Images and Seeing Gaza
No description provided
Introduction
This article aims to introduce the publication in English of Ruthie Ginsburg's 'Citizens' Photography: A Comparative Analysis' (2018) and Regev Nathansohn's 'Shooting Occupation: The Sociology of Visual Representation' (2007), both of which deal in different ways with the visual representation of Palestine/Israel, and specially of the Israeli occupation. The article does this by discussing the subjects of visibility and images in relation to Pale…
Right-wing populism, visual disinformation, and Brexit
The United Kingdom (UK) experienced significant political turmoil over its relationship with Europe between early 2016 and 2017. This chapter presents two case studies that each analyse a photojournalistic image that gained significant visibility in mainstream and social media during this period. A core element of disinformation as pushed by right-wing populists (including the so-called alt-right) is the reshaping of truth and who can be trusted …
Visual Culture and Decolonisation in Britain
Introduction, Simon Faulkner and Anandi Ramamurthy 'Festering Britain': the 1951 Festival of Britain, decolonisation and the representation of the Commonwealth, Jo Littler Images of industrialisation in Empire and Commonwealth during the shift to neo-colonialism Anandi Ramamurthy Late colonial exoticism: John Minton's pictures of Jamaica, 1950 - 52, Simon Faulkner Frances Newton Souza and Aubrey Williams: entwined art histories at the end of Empi…
The Most Photographed Wall in the World 1
The article addresses the photographic representation of the West Bank Wall, arguing that myriad photographs of the Wall produced for different purposes have established it as an international icon of the Israeli–Palestinian conflict/occupation. This establishment of the Wall as an icon is understood to be partly dependent upon its construction as an auratic object through photographs that emphasize its sheer materiality. Although such photograph…
Holyoake's Drumbeat Program
This article discusses the development, implementation and impact of a social development program developed by the Holyoake Institute in Western Australia for use in schools. The program DRUMBEAT uses hand drumming to engage young people in social learning that assists them in integrating more fully into mainstream school and community life. DRUMBEAT was developed in response to a range of issues that disadvantaged Indigenous youth experienced wi…
Art for Art's Sake or Selling Up
This article explores the discrepancy between the vision of the broadcast producer as a creative in pursuit of `art for art's sake' and current trends within the broadcasting sector, where large `super-indies' dominate and smaller producer-owners become rich by selling up. At a theoretical level, the article explores how representations of the producer as artist frame the historic and current policy debates, so that `liberating the creative' has …
Nostalgia in Black, White and Grey
Goldstein, Ann and Rorimer, Anne (eds). Reconsidering the Object of Art: 1965–1975
Art for Art's Sake or Selling Up
This article explores the discrepancy between the vision of the broadcast producer as a creative in pursuit of `art for art's sake' and current trends within the broadcasting sector, where large `super-indies' dominate and smaller producer-owners become rich by selling up. At a theoretical level, the article explores how representations of the producer as artist frame the historic and current policy debates, so that `liberating the creative' has …
Holyoake's Drumbeat Program
This article discusses the development, implementation and impact of a social development program developed by the Holyoake Institute in Western Australia for use in schools. The program DRUMBEAT uses hand drumming to engage young people in social learning that assists them in integrating more fully into mainstream school and community life. DRUMBEAT was developed in response to a range of issues that disadvantaged Indigenous youth experienced wi…
The Most Photographed Wall in the World 1
The article addresses the photographic representation of the West Bank Wall, arguing that myriad photographs of the Wall produced for different purposes have established it as an international icon of the Israeli–Palestinian conflict/occupation. This establishment of the Wall as an icon is understood to be partly dependent upon its construction as an auratic object through photographs that emphasize its sheer materiality. Although such photograph…
Nostalgia in Black, White and Grey
Goldstein, Ann and Rorimer, Anne (eds). Reconsidering the Object of Art: 1965–1975
Art for Art's Sake or Selling Up
This article explores the discrepancy between the vision of the broadcast producer as a creative in pursuit of `art for art's sake' and current trends within the broadcasting sector, where large `super-indies' dominate and smaller producer-owners become rich by selling up. At a theoretical level, the article explores how representations of the producer as artist frame the historic and current policy debates, so that `liberating the creative' has …
Holyoake's Drumbeat Program
This article discusses the development, implementation and impact of a social development program developed by the Holyoake Institute in Western Australia for use in schools. The program DRUMBEAT uses hand drumming to engage young people in social learning that assists them in integrating more fully into mainstream school and community life. DRUMBEAT was developed in response to a range of issues that disadvantaged Indigenous youth experienced wi…
The Most Photographed Wall in the World 1
The article addresses the photographic representation of the West Bank Wall, arguing that myriad photographs of the Wall produced for different purposes have established it as an international icon of the Israeli–Palestinian conflict/occupation. This establishment of the Wall as an icon is understood to be partly dependent upon its construction as an auratic object through photographs that emphasize its sheer materiality. Although such photograph…
Visual Culture and Decolonisation in Britain
Introduction, Simon Faulkner and Anandi Ramamurthy 'Festering Britain': the 1951 Festival of Britain, decolonisation and the representation of the Commonwealth, Jo Littler Images of industrialisation in Empire and Commonwealth during the shift to neo-colonialism Anandi Ramamurthy Late colonial exoticism: John Minton's pictures of Jamaica, 1950 - 52, Simon Faulkner Frances Newton Souza and Aubrey Williams: entwined art histories at the end of Empi…
Right-wing populism, visual disinformation, and Brexit
The United Kingdom (UK) experienced significant political turmoil over its relationship with Europe between early 2016 and 2017. This chapter presents two case studies that each analyse a photojournalistic image that gained significant visibility in mainstream and social media during this period. A core element of disinformation as pushed by right-wing populists (including the so-called alt-right) is the reshaping of truth and who can be trusted …
Invasion Images and Seeing Gaza
No description provided
Introduction
This article aims to introduce the publication in English of Ruthie Ginsburg's 'Citizens' Photography: A Comparative Analysis' (2018) and Regev Nathansohn's 'Shooting Occupation: The Sociology of Visual Representation' (2007), both of which deal in different ways with the visual representation of Palestine/Israel, and specially of the Israeli occupation. The article does this by discussing the subjects of visibility and images in relation to Pale…
Political science (5 works) · Art (4 works) · Law (4 works) · Computer Science (3 works) · Politics (3 works) · Sociology (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Economics (2 works) · Jewish and Middle Eastern Studies (2 works)