Introduction
Visibility, images, Palestine/Israel
Bibliographic Data
| ID | 2175933 |
|---|---|
| Authors | Simon Faulkner (Manchester Metropolitan University, corresponding author) |
| Year | 2024 |
| Volume | 39 |
| Issue | 3 |
| Pages | 351-357 |
| Publication date | 2024-07-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Visual Studies (JOURNAL) |
| Journal identifiers | ISSN: 1472-586X • E-ISSN: 1472-5878 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/1472586x.2024.2352302 |
| OpenAlex | W4400252148 |
| Language | EN |
| Citations received | 1 |
| References cited | 15 |
This article aims to introduce the publication in English of Ruthie Ginsburg's 'Citizens' Photography: A Comparative Analysis' (2018) and Regev Nathansohn's 'Shooting Occupation: The Sociology of Visual Representation' (2007), both of which deal in different ways with the visual representation of Palestine/Israel, and specially of the Israeli occupation. The article does this by discussing the subjects of visibility and images in relation to Palestine/Israel, with a focus on how the occupied territories are seen from within the Green Line
Ancient history · Geography · Palestine · Visibility · History · Jewish and Middle Eastern Studies · Memory, Trauma, and Commemoration · Middle East Politics and Society
Security and Suspicion
Screen Shots
Israel's Holocaust and the Politics of Nationhood
The Most Photographed Wall in the World 1
Paradigm Lost
The Anthropological Rise of Palestine
Taking Pictures over Soldiers' Shoulders
A Trialogue on Nervus Rerum
The Right to Opacity
The Civil Contract of Photography
Getting by the Occupation
| Citations per year | 1 |
|---|---|
| Citation span | 2026 - 2026 (1) |
| Highly cited | No |