Ayelet Kohn
Biographic Data
| ID | 3958782 |
|---|---|
| NAME | Ayelet Kohn |
| GIVEN NAMES | Ayelet |
| FAMILY NAME | Kohn |
| SIGNATURE | KOHN A |
| AFFILIATIONS | David Yellin College of Education |
| ORCID | 0000-0002-0871-4492 |
| VERIFIED | Yes |
| TOTAL WORKS | 26 |
| TOTAL CITATIONS | 15 |
| AUTHOR COUNT | 26 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Discourse in the making: The shifting meaning of the national flag in the context of Israel’s 2023 judicial overhaul
In the wave of protests that took place in Israel in 2023 in response to the government’s proposed judicial overhaul, a notable feature was the use of the Israeli flag as a prominent symbol. The protesters, identified mainly with the liberal center-left, reclaimed the flag, which until then had been largely associated with Israel’s political right, and used it to convey their commitment to the values of “Israeliness” which, they felt, were threat…
“Paddy pointed his pseudo-liberal finger at us”: An analysis of civilian public diplomacy films following the 2023 Hamas terror attack
This study engages in multimodal semiotic analysis of six citizen-produced public diplomacy films, from a corpus of 56 films, created in wake of the October 7th Hamas terrorist attack on Southwestern Israel, following the perceived failure of official public diplomacy efforts. Utilizing multimodal semiotic analysis, this study illustrates how such films employ the richness of multimodal communicative acts, that is textual speech acts combined wit…
Politicians in a nutshell: Four-minute documentary portraits of three Israeli leaders
In 2011, a leading investigative television program in Israel launched a series of short documentaries entitled “Four Minutes,” each dedicated to an Israeli political leader. This paper focuses on three of these documentaries, dedicated to then-president Shimon Peres; then-Knesset member Tzipi Livni, who 2 years earlier had won the elections but failed to form a government, and Rabbi Ovadia Yosef, the founder of the Ultra-Orthodox Sephardi “Shas”…
Cultural translation and the immigrant artist: Zoya Cherkassky-Nnadi’s works in context
Grounded in contemporary translation studies, this article offers insights into the way translation links with multimodality and art to display the experience of migration. Its main contribution to the discipline is exploring these issues from the perspective of cultural translation – a concept that applies to the transformation of individuals and entire groups when they encounter otherness. Our case study is a selection of works by the Israeli a…
Travelling in a globalised world as an existential experience: The graphic novel in the water
This paper sets to show how a multimodal depiction of a trip to a foreign country is used to spin an existential fable adapted to our times. Our case study is the graphic novel In the Water (Ba-Mayim in Hebrew) by the Israeli poet Tehila Hakimi and the illustrator Liron Cohen, published in 2016. The novel turns upside down our expectations from such a trip by manipulating the verbal, visual and spatial dimensions of the experience. The hotel rath…
Resemblance in comments/posts interaction: Forms and functions of dialogicity
This paper studies dialogicity in posts and their comments. Focusing on political slogans in the Facebook page of Israel PM Binyamin Netanyahu, we examine the ways comments meta-represent the posts in various degrees of resemblance. Starting with the premise that comments/post interactions are dialogic in the Bakhtinian sense, we argue that comments are dialogic in yet another way, which is related to the form and degree of resemblance between th…
When the cannons roar, comics panels fall silent: On silent representations of traumatic events in Israeli comics and graphic novels
The present study examines silent panels in five Israeli graphic novels and comics that deal – directly or indirectly – with traumatic events, whether personal, national, or both. Much has been written about comics and trauma. Such studies have mainly been aimed at revealing the importance of comics in documenting, confronting, witnessing, remembering, and reporting trauma; or answering questions such as how fiction and nonfiction comics and grap…
‘It’s just a comic’ - Or is it? Addressing the past in Rutu Modan’s The Property
In this paper, we study Rutu Modan’s graphic novel, The Property (Ha-Nekhes in Hebrew), as a work which engages in a double exploration. First, we show how the story of Mica and her grandmother, who travel to Poland to reclaim a property lost in the Holocaust, is used by Modan to reflect on her medium and the artistic means it offers such as colour, speech balloons and onomatopoeic icons. Second, we analyse her self-conscious use of the toolkit o…
Self-representation of people with disabilities: “Disabling” the audience, challenging aesthetic norms and employing ironic echoing
This paper examines the contribution of multimodal strategies in challenging aspects of public discourse about people with disabilities. It looks into media texts that were created by people with disabilities, in which the topic of disability is not a metaphor or a narrative prosthesis, but a demand for recognition and a call for a sincere dialogue, using three complementary strategies: disabling the viewers, challenging dominant aesthetic norms,…
Silence: A modality of its own
Multimodality theories are based on the assumption that the process of meaning making does not operate in isolation, but usually integrates various modalities. While visual, aural, and spatial modalities are dealt with extensively, the theoretical framework of multimodality tends to overlook silence as a modality of its own. Yet, seminal studies established that silence is not a mere absence of sound or text. Insofar as the communicative dimensio…
What if a girl in the Holocaust had Instagram? Éva’s Story as a case of indirect translation
This article deals with the adaptation of a written text – the diary of 13-year-old Éva Heyman who died in the Holocaust – into a series of Instagram stories, joined to create a 50-minute film. We employ translation studies and the concept of ‘indirect translation’ to investigate this unique case in which a genre characterized by its ephemerality is used to commemorate and perpetuate the past. The project, which caused a furore because Instagram …
A multimodal analysis of a controversial Israeli political campaign ad
Israel’s April 2019 elections witnessed the use of unprecedented tactics by some politicians seeking to promote their political agenda. This study focuses on one of the most remarkable examples of these radical campaign ploys, the controversial TV ad released by the New Right party in which Ayelet Shaked, Israel’s Minister of Justice at the time, appears to be modeling a perfume labeled “Fascism.” We investigate the campaign strategy in the frame…
Props as visual arguments in the political speeches of Binyamin Netanyahu
This paper deals with objects that serve as props in political speeches, and examines their role as carriers of symbolic meaning that is constructed during a performance enacted in a political space. It focuses on the use of such objects as rhetorical arguments in three speeches by Israeli Prime Minister Binyamin Netanyahu: “the bomb speech,” “the drone-wreckage speech” and the “binder speech.” In each of these political speeches, the initial int…
Silence in a 9-panel grid: The voice of Israeliness in Asaf Hanuka’s The Realist
Asaf Hanuka’s autobiographical comic strips collected into one album, The Realist, chronicle everyday episodes in the life of a young Israeli family. The silent nature of many of the panels brings forth the gap between the idea and the praxis. We investigate silence in relation to both genre and Israeliness in order to examine what silence promotes and to what extent it serves the narrative better than sound or words when generating criticism, di…
‘Farewell Red Balloon’ – visual analysis of illustrations inspired by a children’s book
This paper deals with illustrations created as sequels to a children’s book. The visual analysis is conducted in the framework of translation and adaptation studies and attempts to find a place for sequels in this framework. It has been claimed that sequels cannot be grouped together with translations and adaptations because there is a difference between never wanting a story to end and wanting to retell the same story. However, sequels share wit…
Remediation and hypermediacy: Ezekiel’s World as a case in point
This article deals with Kovner’s graphic narrative Ezekiel’s World (2015) as a case of remediation and hypermediacy. The term ‘remediation’ refers to adaptations which involve the transformation of the original work into another medium. While some adaptations strive to eliminate the marks of the previous medium, others highlight the interplay between different media, resulting in ‘hypermediacy’. The latter approach characterizes Ezekiel’s World d…
Iconic situations: Multimodality, witnessing and collective memory
This article deals with the multimodal components of televised situations that the author calls ‘iconic’ and that revolve around a dramatic announcement or declaration delivered on camera as part of a television broadcast. She argues that, in contemporary visual culture, iconic still photographs are gradually being replaced by iconic televised situations that become established as units of memory whose repeated airings and viewings ultimately gai…
Morality, loyalty and eloquence: Conversational challenges and resources in a televised confrontational dialogue
The new dialogic, conversational nature of television broadcast news (Hamo, 2009) poses a challenge to traditional commentators, who are forced to move from an authoritative monologue to a confrontational dialogue that requires additional flexibility and conversational skills. The paper focuses on an Israeli case study which presents a confrontational dialogue in which one of the discussants is an experienced military correspondent and commentato…
The Nationalization of Holy Sites: Yishuv-Era Visual Representations of the Western Wall and Rachel's Tomb
The article studies visual representations of the burgeoning nationalization of the Western Wall and Rachel’s Tomb during the late Ottoman period and until the establishment of the State of Israel. It focuses on representations such as photographs and illustrations meant for sale and distribution to the general public; on ritual objects; on artisanal handicraft meant for hanging in the home; on practical items; and on jewelry. The visual represen…
Refugee camp narratives: The role of 'eye-witness testimony' in journalists' travel accounts
This article examines three narrative formats which Israeli journalists use to describe their tours in Palestinian refugee camps. The article aims to suggest possibilities for reporting patterns, carefully framing a sense of urgency, which attempt to form a right measure of proximity and distance from the sufferers which might motivate audiences into action. The discussion focuses on three narratives, one literary and the other an article which w…
Tourism posters in the Yishuv era: Between Zionist ideology and commercial language
This study examines the complex national messages conveyed, both verbally and visually, in Zionist commercial advertisement posters produced in the Yishuv during the 1930s and 1940s. It focuses on posters promoting tourism and vacationing in Palestine, representing the growing perception of the country as an attractive destination for modern tourism that is not only religiously motivated. The posters are examined as historical documents that shed…
Mehubarot: A Peep without a Show
The Israeli television series Mehubarot (Connected, 2009) follows five Israeli women who use their performance before the camera—through both visual and spoken texts—as a means of biographical representation which blends public and private aspects of their daily lives. This article examines the use of spoken language as a central tool for signaling sincerity and closeness on the series’ visual stage, focusing on the unique setting of Israeli soci…
Collapsing walls and the question of commemoration: Graffiti in the Israeli withdrawal, August 2005
The paper focuses on graffiti which was created by The Gaza Strip settlers during the Israeli withdrawal (August 2005), while being fully aware of the predetermined demolition of the houses by the Israeli army. The graffiti served two functions: One, concrete and short-termed, was meant for the eyes of the soldiers and the media, and was constructed as an image event. The second function was the construction of historical commemoration through ic…
Collapsing walls and the question of commemoration: Graffiti in the Israeli withdrawal, August 2005
The paper focuses on graffiti which was created by The Gaza Strip settlers during the Israeli withdrawal (August 2005), while being fully aware of the predetermined demolition of the houses by the Israeli army. The graffiti served two functions: One, concrete and short-termed, was meant for the eyes of the soldiers and the media, and was constructed as an image event. The second function was the construction of historical commemoration through ic…
Mediating touristic dangerscapes: The semiotics of state travel warnings issued to Israeli tourists
Official ‘travel warnings’ are recurrently published by the Counter-Terrorism Bureau in Israeli media, with the aim of informing potential tourists about the dangers of terrorism aimed at Israelis who travel abroad. These travel warnings, which juxtapose menacing warnings with tranquil visual representations of touristic vacationscapes, have recently gained a considerable public attention and have sprouted discussions around local tourism and ide…
Morality, loyalty and eloquence: Conversational challenges and resources in a televised confrontational dialogue
The new dialogic, conversational nature of television broadcast news (Hamo, 2009) poses a challenge to traditional commentators, who are forced to move from an authoritative monologue to a confrontational dialogue that requires additional flexibility and conversational skills. The paper focuses on an Israeli case study which presents a confrontational dialogue in which one of the discussants is an experienced military correspondent and commentato…
Let's Put our (Post)Cards on the Table
This article discusses advertisement postcards that are distributed, free of charge, at special stands in public places. In addition to their primary function (they are rarely used, thus defining them as almost `non-post' cards), the postcards serve those who take them as a collector's item, a conversation piece, a sign of belonging to a particular group (being `in') and as a component in structuring cultural and social frameworks. Taking these p…
Silence: A modality of its own
Multimodality theories are based on the assumption that the process of meaning making does not operate in isolation, but usually integrates various modalities. While visual, aural, and spatial modalities are dealt with extensively, the theoretical framework of multimodality tends to overlook silence as a modality of its own. Yet, seminal studies established that silence is not a mere absence of sound or text. Insofar as the communicative dimensio…
Refugee camp narratives: The role of 'eye-witness testimony' in journalists' travel accounts
This article examines three narrative formats which Israeli journalists use to describe their tours in Palestinian refugee camps. The article aims to suggest possibilities for reporting patterns, carefully framing a sense of urgency, which attempt to form a right measure of proximity and distance from the sufferers which might motivate audiences into action. The discussion focuses on three narratives, one literary and the other an article which w…
Mediating touristic dangerscapes: The semiotics of state travel warnings issued to Israeli tourists
Official ‘travel warnings’ are recurrently published by the Counter-Terrorism Bureau in Israeli media, with the aim of informing potential tourists about the dangers of terrorism aimed at Israelis who travel abroad. These travel warnings, which juxtapose menacing warnings with tranquil visual representations of touristic vacationscapes, have recently gained a considerable public attention and have sprouted discussions around local tourism and ide…
Silence in a 9-panel grid: The voice of Israeliness in Asaf Hanuka’s The Realist
Asaf Hanuka’s autobiographical comic strips collected into one album, The Realist, chronicle everyday episodes in the life of a young Israeli family. The silent nature of many of the panels brings forth the gap between the idea and the praxis. We investigate silence in relation to both genre and Israeliness in order to examine what silence promotes and to what extent it serves the narrative better than sound or words when generating criticism, di…
The Nationalization of Holy Sites: Yishuv-Era Visual Representations of the Western Wall and Rachel's Tomb
The article studies visual representations of the burgeoning nationalization of the Western Wall and Rachel’s Tomb during the late Ottoman period and until the establishment of the State of Israel. It focuses on representations such as photographs and illustrations meant for sale and distribution to the general public; on ritual objects; on artisanal handicraft meant for hanging in the home; on practical items; and on jewelry. The visual represen…
Tourism posters in the Yishuv era: Between Zionist ideology and commercial language
This study examines the complex national messages conveyed, both verbally and visually, in Zionist commercial advertisement posters produced in the Yishuv during the 1930s and 1940s. It focuses on posters promoting tourism and vacationing in Palestine, representing the growing perception of the country as an attractive destination for modern tourism that is not only religiously motivated. The posters are examined as historical documents that shed…
Let's Put our (Post)Cards on the Table
This article discusses advertisement postcards that are distributed, free of charge, at special stands in public places. In addition to their primary function (they are rarely used, thus defining them as almost `non-post' cards), the postcards serve those who take them as a collector's item, a conversation piece, a sign of belonging to a particular group (being `in') and as a component in structuring cultural and social frameworks. Taking these p…
Mediating touristic dangerscapes: The semiotics of state travel warnings issued to Israeli tourists
Official ‘travel warnings’ are recurrently published by the Counter-Terrorism Bureau in Israeli media, with the aim of informing potential tourists about the dangers of terrorism aimed at Israelis who travel abroad. These travel warnings, which juxtapose menacing warnings with tranquil visual representations of touristic vacationscapes, have recently gained a considerable public attention and have sprouted discussions around local tourism and ide…
Collapsing walls and the question of commemoration: Graffiti in the Israeli withdrawal, August 2005
The paper focuses on graffiti which was created by The Gaza Strip settlers during the Israeli withdrawal (August 2005), while being fully aware of the predetermined demolition of the houses by the Israeli army. The graffiti served two functions: One, concrete and short-termed, was meant for the eyes of the soldiers and the media, and was constructed as an image event. The second function was the construction of historical commemoration through ic…
Collapsing walls and the question of commemoration: Graffiti in the Israeli withdrawal, August 2005
The paper focuses on graffiti which was created by The Gaza Strip settlers during the Israeli withdrawal (August 2005), while being fully aware of the predetermined demolition of the houses by the Israeli army. The graffiti served two functions: One, concrete and short-termed, was meant for the eyes of the soldiers and the media, and was constructed as an image event. The second function was the construction of historical commemoration through ic…
Tourism posters in the Yishuv era: Between Zionist ideology and commercial language
This study examines the complex national messages conveyed, both verbally and visually, in Zionist commercial advertisement posters produced in the Yishuv during the 1930s and 1940s. It focuses on posters promoting tourism and vacationing in Palestine, representing the growing perception of the country as an attractive destination for modern tourism that is not only religiously motivated. The posters are examined as historical documents that shed…
Mehubarot: A Peep without a Show
The Israeli television series Mehubarot (Connected, 2009) follows five Israeli women who use their performance before the camera—through both visual and spoken texts—as a means of biographical representation which blends public and private aspects of their daily lives. This article examines the use of spoken language as a central tool for signaling sincerity and closeness on the series’ visual stage, focusing on the unique setting of Israeli soci…
Refugee camp narratives: The role of 'eye-witness testimony' in journalists' travel accounts
This article examines three narrative formats which Israeli journalists use to describe their tours in Palestinian refugee camps. The article aims to suggest possibilities for reporting patterns, carefully framing a sense of urgency, which attempt to form a right measure of proximity and distance from the sufferers which might motivate audiences into action. The discussion focuses on three narratives, one literary and the other an article which w…
The Nationalization of Holy Sites: Yishuv-Era Visual Representations of the Western Wall and Rachel's Tomb
The article studies visual representations of the burgeoning nationalization of the Western Wall and Rachel’s Tomb during the late Ottoman period and until the establishment of the State of Israel. It focuses on representations such as photographs and illustrations meant for sale and distribution to the general public; on ritual objects; on artisanal handicraft meant for hanging in the home; on practical items; and on jewelry. The visual represen…
‘Farewell Red Balloon’ – visual analysis of illustrations inspired by a children’s book
This paper deals with illustrations created as sequels to a children’s book. The visual analysis is conducted in the framework of translation and adaptation studies and attempts to find a place for sequels in this framework. It has been claimed that sequels cannot be grouped together with translations and adaptations because there is a difference between never wanting a story to end and wanting to retell the same story. However, sequels share wit…
Remediation and hypermediacy: Ezekiel’s World as a case in point
This article deals with Kovner’s graphic narrative Ezekiel’s World (2015) as a case of remediation and hypermediacy. The term ‘remediation’ refers to adaptations which involve the transformation of the original work into another medium. While some adaptations strive to eliminate the marks of the previous medium, others highlight the interplay between different media, resulting in ‘hypermediacy’. The latter approach characterizes Ezekiel’s World d…
Iconic situations: Multimodality, witnessing and collective memory
This article deals with the multimodal components of televised situations that the author calls ‘iconic’ and that revolve around a dramatic announcement or declaration delivered on camera as part of a television broadcast. She argues that, in contemporary visual culture, iconic still photographs are gradually being replaced by iconic televised situations that become established as units of memory whose repeated airings and viewings ultimately gai…
Morality, loyalty and eloquence: Conversational challenges and resources in a televised confrontational dialogue
The new dialogic, conversational nature of television broadcast news (Hamo, 2009) poses a challenge to traditional commentators, who are forced to move from an authoritative monologue to a confrontational dialogue that requires additional flexibility and conversational skills. The paper focuses on an Israeli case study which presents a confrontational dialogue in which one of the discussants is an experienced military correspondent and commentato…
Silence in a 9-panel grid: The voice of Israeliness in Asaf Hanuka’s The Realist
Asaf Hanuka’s autobiographical comic strips collected into one album, The Realist, chronicle everyday episodes in the life of a young Israeli family. The silent nature of many of the panels brings forth the gap between the idea and the praxis. We investigate silence in relation to both genre and Israeliness in order to examine what silence promotes and to what extent it serves the narrative better than sound or words when generating criticism, di…
What if a girl in the Holocaust had Instagram? Éva’s Story as a case of indirect translation
This article deals with the adaptation of a written text – the diary of 13-year-old Éva Heyman who died in the Holocaust – into a series of Instagram stories, joined to create a 50-minute film. We employ translation studies and the concept of ‘indirect translation’ to investigate this unique case in which a genre characterized by its ephemerality is used to commemorate and perpetuate the past. The project, which caused a furore because Instagram …
A multimodal analysis of a controversial Israeli political campaign ad
Israel’s April 2019 elections witnessed the use of unprecedented tactics by some politicians seeking to promote their political agenda. This study focuses on one of the most remarkable examples of these radical campaign ploys, the controversial TV ad released by the New Right party in which Ayelet Shaked, Israel’s Minister of Justice at the time, appears to be modeling a perfume labeled “Fascism.” We investigate the campaign strategy in the frame…
Props as visual arguments in the political speeches of Binyamin Netanyahu
This paper deals with objects that serve as props in political speeches, and examines their role as carriers of symbolic meaning that is constructed during a performance enacted in a political space. It focuses on the use of such objects as rhetorical arguments in three speeches by Israeli Prime Minister Binyamin Netanyahu: “the bomb speech,” “the drone-wreckage speech” and the “binder speech.” In each of these political speeches, the initial int…
Self-representation of people with disabilities: “Disabling” the audience, challenging aesthetic norms and employing ironic echoing
This paper examines the contribution of multimodal strategies in challenging aspects of public discourse about people with disabilities. It looks into media texts that were created by people with disabilities, in which the topic of disability is not a metaphor or a narrative prosthesis, but a demand for recognition and a call for a sincere dialogue, using three complementary strategies: disabling the viewers, challenging dominant aesthetic norms,…
Silence: A modality of its own
Multimodality theories are based on the assumption that the process of meaning making does not operate in isolation, but usually integrates various modalities. While visual, aural, and spatial modalities are dealt with extensively, the theoretical framework of multimodality tends to overlook silence as a modality of its own. Yet, seminal studies established that silence is not a mere absence of sound or text. Insofar as the communicative dimensio…
Travelling in a globalised world as an existential experience: The graphic novel in the water
This paper sets to show how a multimodal depiction of a trip to a foreign country is used to spin an existential fable adapted to our times. Our case study is the graphic novel In the Water (Ba-Mayim in Hebrew) by the Israeli poet Tehila Hakimi and the illustrator Liron Cohen, published in 2016. The novel turns upside down our expectations from such a trip by manipulating the verbal, visual and spatial dimensions of the experience. The hotel rath…
Resemblance in comments/posts interaction: Forms and functions of dialogicity
This paper studies dialogicity in posts and their comments. Focusing on political slogans in the Facebook page of Israel PM Binyamin Netanyahu, we examine the ways comments meta-represent the posts in various degrees of resemblance. Starting with the premise that comments/post interactions are dialogic in the Bakhtinian sense, we argue that comments are dialogic in yet another way, which is related to the form and degree of resemblance between th…
When the cannons roar, comics panels fall silent: On silent representations of traumatic events in Israeli comics and graphic novels
The present study examines silent panels in five Israeli graphic novels and comics that deal – directly or indirectly – with traumatic events, whether personal, national, or both. Much has been written about comics and trauma. Such studies have mainly been aimed at revealing the importance of comics in documenting, confronting, witnessing, remembering, and reporting trauma; or answering questions such as how fiction and nonfiction comics and grap…
‘It’s just a comic’ - Or is it? Addressing the past in Rutu Modan’s The Property
In this paper, we study Rutu Modan’s graphic novel, The Property (Ha-Nekhes in Hebrew), as a work which engages in a double exploration. First, we show how the story of Mica and her grandmother, who travel to Poland to reclaim a property lost in the Holocaust, is used by Modan to reflect on her medium and the artistic means it offers such as colour, speech balloons and onomatopoeic icons. Second, we analyse her self-conscious use of the toolkit o…
Politicians in a nutshell: Four-minute documentary portraits of three Israeli leaders
In 2011, a leading investigative television program in Israel launched a series of short documentaries entitled “Four Minutes,” each dedicated to an Israeli political leader. This paper focuses on three of these documentaries, dedicated to then-president Shimon Peres; then-Knesset member Tzipi Livni, who 2 years earlier had won the elections but failed to form a government, and Rabbi Ovadia Yosef, the founder of the Ultra-Orthodox Sephardi “Shas”…
Cultural translation and the immigrant artist: Zoya Cherkassky-Nnadi’s works in context
Grounded in contemporary translation studies, this article offers insights into the way translation links with multimodality and art to display the experience of migration. Its main contribution to the discipline is exploring these issues from the perspective of cultural translation – a concept that applies to the transformation of individuals and entire groups when they encounter otherness. Our case study is a selection of works by the Israeli a…
Discourse in the making: The shifting meaning of the national flag in the context of Israel’s 2023 judicial overhaul
In the wave of protests that took place in Israel in 2023 in response to the government’s proposed judicial overhaul, a notable feature was the use of the Israeli flag as a prominent symbol. The protesters, identified mainly with the liberal center-left, reclaimed the flag, which until then had been largely associated with Israel’s political right, and used it to convey their commitment to the values of “Israeliness” which, they felt, were threat…
Sociology (21 works) · Political science (19 works) · Law (18 works) · Aesthetics (16 works) · Art (16 works) · History (15 works) · Literature (12 works) · Philosophy (12 works) · Linguistics (11 works) · Psychology (11 works)