Virginia Scott
Biographic Data
| ID | 3968758 |
|---|---|
| NAME | Virginia Scott |
| GIVEN NAMES | Virginia |
| FAMILY NAME | Scott |
| SIGNATURE | SCOTT V |
| AFFILIATIONS | University of Massachusetts Amherst |
| ORCID | 0000-0002-4140-1922 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 7 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 2 |
Conniving Women and Superannuated Coquettes
In the early years of the professional French theatre, older women's rôles—the nourrice, the entremetteuse, the mère—were normally played by men en travesti. Beginning in the 1630s, according to Pierre Corneille, the nourrice was replaced by the suivante, which was played by an actress. However, the last of the travesti actors, Hubert, did not retire from the stage until 1685. Molière used male performers, including Hubert, through much of his ca…
Australian Practice Standards nine years on
Nine years after their introduction, the Australian Social Work Practice Standards are reviewed against the five purposes of codes of practice proposed by Banks (2006). The review concludes that the Standards contributed to heightened professional identity and accountability by defining the national education curriculum and by providing a mechanism for accountability. Their utility for service users is still to be determined
Women on the Stage in Early Modern France
Focusing on actresses in France during the early modern period, Virginia Scott examines how the stereotype of the actress has been constructed. The study then moves beyond that stereotype to detail the reality of the personal and artistic lives of women on the French stage, from the almost unknown Marie Ferré - who signed a contract for 12 livres a year in 1545 to perform the 'antiquailles de Rome or other histories, moralities, farces, and acrob…
Quality of life, health status and clinical outcomes in Type 2 diabetes patients
Quality of life, health status and clinical outcomes in Type 2 diabetes patients
Asking the Customer
The present paper reports on the application of consumer participation principles in the development of social work practice standards. The Australian Association of Social Workers Practice Standards Committee consulted with 48 consumers of social work services from four different practice areas about aspects of social work practice. Participants were asked their expectations of social workers. Their responses emphasised the importance of the soc…
The Miser (review)
The Fall of Phaeton
Journal Article THE FALL OF PHAETON: THE SON OF THE SUN GOD IN THE THEATRE OF THE SUN KING Get access VIRGINIA SCOTT VIRGINIA SCOTT UNIVERSITY OF MASSACHUSETTSAMHERST Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XLVIII, Issue 2, April 1994, Pages 143–154, https://doi.org/10.1093/fs/XLVIII.2.143 Published: 01 April 1994
“Down Shore”
The Commedia Dell' Arte in Paris 1644-1697
Curriculum Planning for Social Work in Health Care
This paper describes the first stage of a study whose aim is to attempt to develop curricula for social work in health care in Australia
The Commedia Dell' Arte in Paris 1644-1697
Asking the Customer
The present paper reports on the application of consumer participation principles in the development of social work practice standards. The Australian Association of Social Workers Practice Standards Committee consulted with 48 consumers of social work services from four different practice areas about aspects of social work practice. Participants were asked their expectations of social workers. Their responses emphasised the importance of the soc…
Conniving Women and Superannuated Coquettes
In the early years of the professional French theatre, older women's rôles—the nourrice, the entremetteuse, the mère—were normally played by men en travesti. Beginning in the 1630s, according to Pierre Corneille, the nourrice was replaced by the suivante, which was played by an actress. However, the last of the travesti actors, Hubert, did not retire from the stage until 1685. Molière used male performers, including Hubert, through much of his ca…
Australian Practice Standards nine years on
Nine years after their introduction, the Australian Social Work Practice Standards are reviewed against the five purposes of codes of practice proposed by Banks (2006). The review concludes that the Standards contributed to heightened professional identity and accountability by defining the national education curriculum and by providing a mechanism for accountability. Their utility for service users is still to be determined
Curriculum Planning for Social Work in Health Care
This paper describes the first stage of a study whose aim is to attempt to develop curricula for social work in health care in Australia
“Down Shore”
The Commedia Dell' Arte in Paris 1644-1697
The Fall of Phaeton
Journal Article THE FALL OF PHAETON: THE SON OF THE SUN GOD IN THE THEATRE OF THE SUN KING Get access VIRGINIA SCOTT VIRGINIA SCOTT UNIVERSITY OF MASSACHUSETTSAMHERST Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XLVIII, Issue 2, April 1994, Pages 143–154, https://doi.org/10.1093/fs/XLVIII.2.143 Published: 01 April 1994
The Miser (review)
Quality of life, health status and clinical outcomes in Type 2 diabetes patients
Asking the Customer
The present paper reports on the application of consumer participation principles in the development of social work practice standards. The Australian Association of Social Workers Practice Standards Committee consulted with 48 consumers of social work services from four different practice areas about aspects of social work practice. Participants were asked their expectations of social workers. Their responses emphasised the importance of the soc…
Quality of life, health status and clinical outcomes in Type 2 diabetes patients
Women on the Stage in Early Modern France
Focusing on actresses in France during the early modern period, Virginia Scott examines how the stereotype of the actress has been constructed. The study then moves beyond that stereotype to detail the reality of the personal and artistic lives of women on the French stage, from the almost unknown Marie Ferré - who signed a contract for 12 livres a year in 1545 to perform the 'antiquailles de Rome or other histories, moralities, farces, and acrob…
Conniving Women and Superannuated Coquettes
In the early years of the professional French theatre, older women's rôles—the nourrice, the entremetteuse, the mère—were normally played by men en travesti. Beginning in the 1630s, according to Pierre Corneille, the nourrice was replaced by the suivante, which was played by an actress. However, the last of the travesti actors, Hubert, did not retire from the stage until 1685. Molière used male performers, including Hubert, through much of his ca…
Australian Practice Standards nine years on
Nine years after their introduction, the Australian Social Work Practice Standards are reviewed against the five purposes of codes of practice proposed by Banks (2006). The review concludes that the Standards contributed to heightened professional identity and accountability by defining the national education curriculum and by providing a mechanism for accountability. Their utility for service users is still to be determined
Art (6 works) · Political science (4 works) · Engineering (3 works) · Historical and Literary Analyses (3 works) · Historical and Literary Studies (3 works) · History (3 works) · Medicine (3 works) · Nursing (3 works) · Social Work (3 works) · Social Work Education and Practice (3 works)