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Conniving Women and Superannuated Coquettes

Travestis and Caractères in the Early Modern French Theatre

Bibliographic Data

ID11735998
AuthorsVirginia Scott (0000-0002-4140-1922, University of Massachusetts Amherst, corresponding author)
Year2012
Volume15
Issue1
Publication date2012-07-06
Open AccessYes
TypeARTICLE
VenueEarly Theatre (JOURNAL)
Journal identifiersISSN: 1206-9078 • E-ISSN: 2293-7609
PublisherVictoria University (PUBLISHER • AU)
DOI10.12745/et.15.1.884
OpenAlexW2065455694
LanguageEN
Citations received1

In the early years of the professional French theatre, older women's rôles—the nourrice, the entremetteuse, the mère—were normally played by men en travesti. Beginning in the 1630s, according to Pierre Corneille, the nourrice was replaced by the suivante, which was played by an actress. However, the last of the travesti actors, Hubert, did not retire from the stage until 1685. Molière used male performers, including Hubert, through much of his career, but beginning in 1670 he wrote as well for a woman, Mlle La Grange, who can be identified as the first actress to play the emploi of caractères and whose entry into the troupe of the Palais Royal marks the increasing inclusion of older women's rôles in French comedy

Art · Art history · Comedy · Humanities · Performance art · Visual arts · Historical and Literary Analyses · Historical and Literary Studies

Highly citedNo

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