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Rosemary Roberts

Biographic Data

ID3971580
NAMERosemary Roberts
GIVEN NAMESRosemary
FAMILY NAMERoberts
SIGNATUREROBERTS R
AFFILIATIONSThe University of Queensland
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS8
AUTHOR COUNT22
EDITOR COUNT1
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Anxiety Aesthetics: Maoist Legacies in China, 1978–1985

    Rosemary Roberts•ARTICLE•The China Journal•2025

  • "The Making and Remaking of China’s “Red Classics": Politics, Aesthetics, and Mass Culture

    Rosemary Roberts, Li Li•BOOK•"The Making and Remaking of…•2018

  • "The Making and Remaking of China’s “Red Classics"

    Open Access•Rosemary Roberts, Li Li•BOOK•The making and remaking of…•2018

    This book brings together research on China’s “red classics” across the entire Maoist period through to their re-emergence in the reform era. It critically investigates the changing nature and significance of China’s “red classics” at each point of their (re/)emergence in three key areas: their socio-political and ideological import, their aesthetic significance and their function as a mass cultural phenomenon. The book is organised in two parts …

  • “Healing my Body, Healing the Land”: Healing as Sociopolitical Activism in Reclaiming Witchcraft

    Rosemary Roberts•ARTICLE•Ethnologies•2012

    Healing holds a central place in the tradition of Reclaiming Witchcraft, a branch of contemporary Paganism that unites magic and political activism. Rituals are opportunities to bring about healing and are commonly structured around a three-fold model: healing the self, healing each other and the community, and healing the earth. Through this model, practitioners engage with self-empowerment, community-building and political activism, but conflic…

  • Maoist Model Theatre: The Semiotics of Gender and Sexuality in the Chinese Cultural Revolution (1966-1976)

    Rosemary Roberts, Rosemary A Roberts•BOOK•Maoist model theatre•2010

    Here is a convincing reflection that changes our understanding of gender in Maoist culture, esp. for what critics from the 1990s onwards have termed its 'erasure' of gender and sexuality. In particular the strong heroines of the yangbanxi, or 'model works' which dominated the Cultural Revolution period, have been seen as genderless revolutionaries whose images were damaging to women. Drawing on contemporary theories ranging from literary and cult…

  • Corruption and Realism in Late Socialist China: The Return of the Political Novel . Jeffrey C. Kinkley

    Rosemary Roberts•ARTICLE•The China Journal•2007

  • Gendering the revolutionary body: Theatrical costume in cultural revolution China

    Rosemary Roberts•ARTICLE•Asian Studies Review•2006•Cited by: 5•References: 1

    In recent studies of socialist Chinese culture, there has been considerable debate over the issue of whether in Maoist China, and especially during the Cultural Revolution, gender and sexuality wer

  • Positive women characters in the revolutionary model works of the chinese cultural revolution: An argument against the theory of erasure of gender and sexuality

    Rosemary Roberts•ARTICLE•Asian Studies Review•2004•Cited by: 3•References: 2

    (2004). Positive women characters in the revolutionary model works of the chinese cultural revolution: an argument against the theory of erasure of gender and sexuality. Asian Studies Review: Vol. 28, No. 4, pp. 407-422

  • Speer, Daniel

    Rosemary Roberts, John Butt•CHAPTER•The new Grove dictionary of music…•2001

  • Publications briefly noted

    Nanette Gottlieb, Kam Louie et al.•ARTICLE•Asian Studies Review•2001

    SUEHIRO KITAGUCHI (trans. Alastair McLauchlan). An Introduction to the Buraku Issue: Questions and Answers. Richmond, Surrey: Japan Library, 1999. 213 pp. £35.00, hardcover. WANG LING‐CHI and WANG GUNGWU (eds). The Chinese Diaspora: selected Essays. Two Volumes. Singapore: Times Academic Press, 1998. Vol. 1: xiv, 287 pp. US$39.00, hardcover; Vol. 2: xii, 300 pp. US$39.00, hardcover. JOHN S. BOWMAN (ed). Columbia Chronologies of Asian History and …

  • Guest Editor's Introduction

    Rosemary Roberts•ARTICLE•Chinese Sociology & Anthropology•1997

    In recent years Chinese women's employment issues have come under considerable scrutiny from academic and government circles inside China and have attracted interest outside China as well. This is because of major changes that have been brought to women's employment by the progressive implementation of economic reforms designed to modernize China and turn it into a world power—the so-called "reform and opening up" policies that began in 1978 and …

  • Guest Editor's Introduction

    Rosemary Roberts•ARTICLE•Chinese Sociology & Anthropology•1997

    This is the second part of a double issue on Chinese women and employment in the "reform period." The first issue provided an overview of contemporary women's employment in China through a series of general articles covering the period between 1980 and the early 1990s. This second issue goes on to look at specific employment problems that affect women from particular age or social groups. Translations were selected from a mixture of academic stud…

  • Morning Sun: Interviews with Chinese Writers of the Lost Generation. Laifong Leung

    Rosemary Roberts•ARTICLE•The China Journal•1996

  • Inside a Service Trade: Studies in Contemporary Chinese Prose. Rudolph G. Wagner

    Rosemary Roberts•ARTICLE•The China Journal•1995

  • Chinese literature translation workshop

    Rosemary Roberts•ARTICLE•Asian Studies Review•1995

  • Chinese women writers and their response to Western feminism

    Rosemary Roberts•ARTICLE•Asian Studies Review•1994

  • China and Inner Asia

    Richard Wong, Edmund S K Fung et al.•ARTICLE•Asian Studies Review•1992

  • Italienische Madrigale

    Rosemary Roberts, Schutz Schutz et al.•ARTICLE•The Musical Times•1983

  • Baroque Choral: German

    Rosemary Roberts, Hammerschmidt Hammerschmidt•ARTICLE•The Musical Times•1977

  • Sacred 16th-17th-Century

    Rosemary Roberts, Michael Des Buissons et al.•ARTICLE•The Musical Times•1977

  • Speer Facsimile

    Rosemary Roberts, Daniel Speer•ARTICLE•The Musical Times•1976

  • Weckmann

    Rosemary Roberts•ARTICLE•The Musical Times•1975

  • Buxtehude Catalogue

    Rosemary Roberts, Georg Karstadt•ARTICLE•The Musical Times•1975

  • Gendering the revolutionary body: Theatrical costume in cultural revolution China

    Rosemary Roberts•ARTICLE•Asian Studies Review•2006•Cited by: 5•References: 1

    In recent studies of socialist Chinese culture, there has been considerable debate over the issue of whether in Maoist China, and especially during the Cultural Revolution, gender and sexuality wer

  • Positive women characters in the revolutionary model works of the chinese cultural revolution: An argument against the theory of erasure of gender and sexuality

    Rosemary Roberts•ARTICLE•Asian Studies Review•2004•Cited by: 3•References: 2

    (2004). Positive women characters in the revolutionary model works of the chinese cultural revolution: an argument against the theory of erasure of gender and sexuality. Asian Studies Review: Vol. 28, No. 4, pp. 407-422

  • Weckmann

    Rosemary Roberts•ARTICLE•The Musical Times•1975

  • Buxtehude Catalogue

    Rosemary Roberts, Georg Karstadt•ARTICLE•The Musical Times•1975

  • Speer Facsimile

    Rosemary Roberts, Daniel Speer•ARTICLE•The Musical Times•1976

  • Baroque Choral: German

    Rosemary Roberts, Hammerschmidt Hammerschmidt•ARTICLE•The Musical Times•1977

  • Sacred 16th-17th-Century

    Rosemary Roberts, Michael Des Buissons et al.•ARTICLE•The Musical Times•1977

  • Italienische Madrigale

    Rosemary Roberts, Schutz Schutz et al.•ARTICLE•The Musical Times•1983

  • China and Inner Asia

    Richard Wong, Edmund S K Fung et al.•ARTICLE•Asian Studies Review•1992

  • Chinese women writers and their response to Western feminism

    Rosemary Roberts•ARTICLE•Asian Studies Review•1994

  • Inside a Service Trade: Studies in Contemporary Chinese Prose. Rudolph G. Wagner

    Rosemary Roberts•ARTICLE•The China Journal•1995

  • Chinese literature translation workshop

    Rosemary Roberts•ARTICLE•Asian Studies Review•1995

  • Morning Sun: Interviews with Chinese Writers of the Lost Generation. Laifong Leung

    Rosemary Roberts•ARTICLE•The China Journal•1996

  • Guest Editor's Introduction

    Rosemary Roberts•ARTICLE•Chinese Sociology & Anthropology•1997

    In recent years Chinese women's employment issues have come under considerable scrutiny from academic and government circles inside China and have attracted interest outside China as well. This is because of major changes that have been brought to women's employment by the progressive implementation of economic reforms designed to modernize China and turn it into a world power—the so-called "reform and opening up" policies that began in 1978 and …

  • Guest Editor's Introduction

    Rosemary Roberts•ARTICLE•Chinese Sociology & Anthropology•1997

    This is the second part of a double issue on Chinese women and employment in the "reform period." The first issue provided an overview of contemporary women's employment in China through a series of general articles covering the period between 1980 and the early 1990s. This second issue goes on to look at specific employment problems that affect women from particular age or social groups. Translations were selected from a mixture of academic stud…

  • Speer, Daniel

    Rosemary Roberts, John Butt•CHAPTER•The new Grove dictionary of music…•2001

  • Publications briefly noted

    Nanette Gottlieb, Kam Louie et al.•ARTICLE•Asian Studies Review•2001

    SUEHIRO KITAGUCHI (trans. Alastair McLauchlan). An Introduction to the Buraku Issue: Questions and Answers. Richmond, Surrey: Japan Library, 1999. 213 pp. £35.00, hardcover. WANG LING‐CHI and WANG GUNGWU (eds). The Chinese Diaspora: selected Essays. Two Volumes. Singapore: Times Academic Press, 1998. Vol. 1: xiv, 287 pp. US$39.00, hardcover; Vol. 2: xii, 300 pp. US$39.00, hardcover. JOHN S. BOWMAN (ed). Columbia Chronologies of Asian History and …

  • Positive women characters in the revolutionary model works of the chinese cultural revolution: An argument against the theory of erasure of gender and sexuality

    Rosemary Roberts•ARTICLE•Asian Studies Review•2004•Cited by: 3•References: 2

    (2004). Positive women characters in the revolutionary model works of the chinese cultural revolution: an argument against the theory of erasure of gender and sexuality. Asian Studies Review: Vol. 28, No. 4, pp. 407-422

  • Gendering the revolutionary body: Theatrical costume in cultural revolution China

    Rosemary Roberts•ARTICLE•Asian Studies Review•2006•Cited by: 5•References: 1

    In recent studies of socialist Chinese culture, there has been considerable debate over the issue of whether in Maoist China, and especially during the Cultural Revolution, gender and sexuality wer

  • Corruption and Realism in Late Socialist China: The Return of the Political Novel . Jeffrey C. Kinkley

    Rosemary Roberts•ARTICLE•The China Journal•2007

  • Maoist Model Theatre: The Semiotics of Gender and Sexuality in the Chinese Cultural Revolution (1966-1976)

    Rosemary Roberts, Rosemary A Roberts•BOOK•Maoist model theatre•2010

    Here is a convincing reflection that changes our understanding of gender in Maoist culture, esp. for what critics from the 1990s onwards have termed its 'erasure' of gender and sexuality. In particular the strong heroines of the yangbanxi, or 'model works' which dominated the Cultural Revolution period, have been seen as genderless revolutionaries whose images were damaging to women. Drawing on contemporary theories ranging from literary and cult…

  • “Healing my Body, Healing the Land”: Healing as Sociopolitical Activism in Reclaiming Witchcraft

    Rosemary Roberts•ARTICLE•Ethnologies•2012

    Healing holds a central place in the tradition of Reclaiming Witchcraft, a branch of contemporary Paganism that unites magic and political activism. Rituals are opportunities to bring about healing and are commonly structured around a three-fold model: healing the self, healing each other and the community, and healing the earth. Through this model, practitioners engage with self-empowerment, community-building and political activism, but conflic…

  • "The Making and Remaking of China’s “Red Classics": Politics, Aesthetics, and Mass Culture

    Rosemary Roberts, Li Li•BOOK•"The Making and Remaking of…•2018

  • "The Making and Remaking of China’s “Red Classics"

    Open Access•Rosemary Roberts, Li Li•BOOK•The making and remaking of…•2018

    This book brings together research on China’s “red classics” across the entire Maoist period through to their re-emergence in the reform era. It critically investigates the changing nature and significance of China’s “red classics” at each point of their (re/)emergence in three key areas: their socio-political and ideological import, their aesthetic significance and their function as a mass cultural phenomenon. The book is organised in two parts …

  • Anxiety Aesthetics: Maoist Legacies in China, 1978–1985

    Rosemary Roberts•ARTICLE•The China Journal•2025

Art (14 works) · Political science (13 works) · China (12 works) · Sociology (12 works) · History (10 works) · Law (9 works) · Chinese history and philosophy (8 works) · Aesthetics (6 works) · Gender Studies (6 works) · Law (6 works)

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