Gendering the revolutionary body
Theatrical costume in cultural revolution China
Bibliographic Data
| ID | 12349349 |
|---|---|
| Authors | Rosemary Roberts (The University of Queensland, corresponding author) |
| Year | 2006 |
| Volume | 30 |
| Issue | 2 |
| Pages | 141-159 |
| Publication date | 2006-05-23 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Asian Studies Review (JOURNAL) |
| Journal identifiers | ISSN: 1035-7823 • E-ISSN: 1467-8403 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/10357820600714231 |
| OpenAlex | W2077243563 |
| Language | EN |
| Citations received | 6 |
| References cited | 14 |
In recent studies of socialist Chinese culture, there has been considerable debate over the issue of whether in Maoist China, and especially during the Cultural Revolution, gender and sexuality wer
Aesthetics · Art · China · Cultural revolution · Human sexuality · Political science · Sexual revolution · Sociology · Chinese history and philosophy · Fashion and Cultural Textiles · Gender Studies · Law · Vietnamese History and Culture Studies
Four What's in a Dress? Brides in the Hui Quarter of Xi'an
Maoist Mappings of Gender
War and Popular Culture
Gender Politics in Modern China
Meanings of China's Cultural Revolution
On Their Dress They Wore a Body
Swan and Spider Eater in Problematic Memoirs of Cultural Revolution
Proletarian White and Working Bodies in Mao's China
Positive women characters in the revolutionary model works of the chinese cultural revolution
Fashioning Appearances
Picturing Power in the People's Republic of China
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,4 |
| Citation span | 2011 - 2026 (16) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 6 |