Hwisong Cho
Biographic Data
| ID | 3978734 |
|---|---|
| NAME | Hwisong Cho |
| GIVEN NAMES | Hwisong |
| FAMILY NAME | Cho |
| SIGNATURE | CHO H |
| AFFILIATIONS | Emory University , US |
| ORCID | 0009-0000-4709-5332 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Song-mi Yi. Recording State Rites in Words and Images
Uigwe refers to books that documented various state rites that the Joseon court (1392–1910) performed throughout its dynastic history (9). When the court was to hold major ritual ceremonies, the office of superintendency was temporarily established to plan and execute the events. The officials meticulously recorded each and every step as they proceeded, putting the details together as uigwe upon their conclusion. Along with the Veritable Record o…
Typographic Hegemony and Bibliographical Monoculture
This article explores how “Western” mechanical printing figured prominently in the expansion of imperialists’ interests in turn-of-the-twentieth-century Korea as both the main technological imperative and the hegemonic discourse. Negotiating and compromising with the native practices and deep history of print in Korea, the implantation of industrial printing fundamentally transformed the country’s literary cultures and epistemology. All participa…
Scribal Practice and the Global Cultures of Colophons, 1400–1800, edited by Christopher D. Bahl and Stefan Hanß
Obliterated Materiality
The deaths of Confucian scholars in the Chosŏn period (1392–1910) gave rise to elaborate rituals through which the bereaved reframed their relationships to the deceased as well as among themselves, and which took place most explicitly in the process of producing diverse funerary texts. Created in a specific material format and aesthetic, each funerary text addressed a particular group of people enacting its respective performative functions in th…
Literary Powerhouse from the Social Margins
The communal composition and recitation of poems, as the marker of cultural distinction, constituted the central activities in the social networking of educated elites throughout premodern Korea. Poetry societies, therefore, had prospered in elite circles until the dawn of the modern period. This literary culture trickled down to nonelites during the late Chosŏn period (1392-1910). Some poetry societies of secondary status groups developed into c…
The Epistolary Brush
This article explores how new modes of writing and reading that developed in epistolary culture brought about intellectual, social, and political changes in Chosŏn society. From the sixteenth century onwards, the diverse uses of letters transformed the lifestyle and the mode of political participation of Confucian intellectuals. Letters became the main reading materials for neo-Confucian studies and self-cultivation as well as a medium for politi…
No prominent works on this page.
The Epistolary Brush
This article explores how new modes of writing and reading that developed in epistolary culture brought about intellectual, social, and political changes in Chosŏn society. From the sixteenth century onwards, the diverse uses of letters transformed the lifestyle and the mode of political participation of Confucian intellectuals. Letters became the main reading materials for neo-Confucian studies and self-cultivation as well as a medium for politi…
Literary Powerhouse from the Social Margins
The communal composition and recitation of poems, as the marker of cultural distinction, constituted the central activities in the social networking of educated elites throughout premodern Korea. Poetry societies, therefore, had prospered in elite circles until the dawn of the modern period. This literary culture trickled down to nonelites during the late Chosŏn period (1392-1910). Some poetry societies of secondary status groups developed into c…
Obliterated Materiality
The deaths of Confucian scholars in the Chosŏn period (1392–1910) gave rise to elaborate rituals through which the bereaved reframed their relationships to the deceased as well as among themselves, and which took place most explicitly in the process of producing diverse funerary texts. Created in a specific material format and aesthetic, each funerary text addressed a particular group of people enacting its respective performative functions in th…
Scribal Practice and the Global Cultures of Colophons, 1400–1800, edited by Christopher D. Bahl and Stefan Hanß
Typographic Hegemony and Bibliographical Monoculture
This article explores how “Western” mechanical printing figured prominently in the expansion of imperialists’ interests in turn-of-the-twentieth-century Korea as both the main technological imperative and the hegemonic discourse. Negotiating and compromising with the native practices and deep history of print in Korea, the implantation of industrial printing fundamentally transformed the country’s literary cultures and epistemology. All participa…
Song-mi Yi. Recording State Rites in Words and Images
Uigwe refers to books that documented various state rites that the Joseon court (1392–1910) performed throughout its dynastic history (9). When the court was to hold major ritual ceremonies, the office of superintendency was temporarily established to plan and execute the events. The officials meticulously recorded each and every step as they proceeded, putting the details together as uigwe upon their conclusion. Along with the Veritable Record o…
Art (4 works) · Chinese history and philosophy (4 works) · History (4 works) · Japanese History and Culture (4 works) · Law (4 works) · Literature (4 works) · Aesthetics (3 works) · Asian Culture and Media Studies (3 works) · Political science (3 works) · Politics (3 works)