Claudia Barnett
Biographic Data
| ID | 3981631 |
|---|---|
| NAME | Claudia Barnett |
| GIVEN NAMES | Claudia |
| FAMILY NAME | Barnett |
| SIGNATURE | BARNETT C |
| AFFILIATIONS | Middle Tennessee State University |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
More Life”
An Evasion of Ontology”
September 01 2005 “An Evasion of Ontology”: Being Adrienne Kennedy Claudia Barnett Claudia Barnett Search for other works by this author on: This Site Google Scholar Author and Article Information Claudia Barnett Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2005 Massachusetts Institute of Technology2005 TDR/The Drama Review (2005) 49 (3 (187)): 157–186. https://doi.org/10.1162/1054204054742417 Cite Icon Cite Permissions Share Icon Share Faceboo…
Books
September 01 2005 Hrotsvit of Gandersheim: Contexts, Identities, Affinities, and Performances Hrotsvit of Gandersheim: Contexts, Identities, Affinities, and Performances. Edited by BrownPhyllis R. , McMillinLinda A. , and WilsonKatharina M. Claudia Barnett Claudia Barnett Professor of English at Middle Tennessee State University Search for other works by this author on: This Site Google Scholar Author and Article Information Claudia Barnett Profe…
Things of Dry Hours (review)
Painting As Performance Charlotte Salomon's Life? or Theatre
Charlotte Salomon's 1942 series of paintings, Life? or Theatre?, into which she incorporates elements of music and drama, wonders whether life and theatre are polar opposites or an engaged dialectic. Salomon anticipated the advent of performance theory by insisting on the performative qualities of her paintings. Her art exists in the unstable, ever-changing space between past and future, fact and fiction, life and death
Mrs. Dalloway and Performance Theory
Research Article| December 01 2002 Mrs. Dalloway and Performance Theory Claudia Barnett Claudia Barnett Middle Tennessee State University Search for other works by this author on: This Site Google English Language Notes (2002) 40 (2): 57–68. https://doi.org/10.1215/00138282-40.2.57 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Claudia Barnett; Mrs. Dalloway and Performance Theory. English Langua…
Three Seconds in the Key (review)
Deb Margolin is a middle-aged Jewish woman with Hodgkin's disease who watches Knicks games with her son. Her play Three Seconds in the Key is about a middle-aged Jewish woman with Hodgkin's disease who watches Knicks games with her son. Not only is the subject matter autobiographical, but Margolin also plays the woman and her son plays her son--so that one might suppose Three Seconds in the Key is entirely based on facts. But where would that lea…
Peformance Review
Reviewed by: Mr. Bundy Claudia Barnett Mr. Bundy. By Jane Martin. Actors Theatre of Louisville, Bingham Theatre. 14 March 1998. Click for larger view View full resolution Figure 1. Catherine (Stephanie Zimbalist), Cassidy (Margaret Streeter), and Robert (Mark Schulte) in the Actors Theatre of Louisville’s production of Jane Martin’s Mr. Bundy, directed by Jon Jory. Photo: Richard Trigg. Mr. Bundy shares its topical subject matter with Paula Vogel…
An American Daughter (review)
This Fundamental Challenge to Identity
This Fundamental Challenge to Identity”: Reproduction and Representation in the Drama of Adrienne Kennedy Claudia Barnett (bio) Pregnancy seems to be experienced as the radical ordeal of the splitting of the subject: redoubling up of the body, separation and coexistence of the self and an other, of nature and consciousness, of physiology and speech. This fundamental challenge to identity is then accompanied by a fantasy of totality—narcissistic c…
This Fundamental Challenge to Identity
This Fundamental Challenge to Identity”: Reproduction and Representation in the Drama of Adrienne Kennedy Claudia Barnett (bio) Pregnancy seems to be experienced as the radical ordeal of the splitting of the subject: redoubling up of the body, separation and coexistence of the self and an other, of nature and consciousness, of physiology and speech. This fundamental challenge to identity is then accompanied by a fantasy of totality—narcissistic c…
This Fundamental Challenge to Identity
This Fundamental Challenge to Identity”: Reproduction and Representation in the Drama of Adrienne Kennedy Claudia Barnett (bio) Pregnancy seems to be experienced as the radical ordeal of the splitting of the subject: redoubling up of the body, separation and coexistence of the self and an other, of nature and consciousness, of physiology and speech. This fundamental challenge to identity is then accompanied by a fantasy of totality—narcissistic c…
An American Daughter (review)
Peformance Review
Reviewed by: Mr. Bundy Claudia Barnett Mr. Bundy. By Jane Martin. Actors Theatre of Louisville, Bingham Theatre. 14 March 1998. Click for larger view View full resolution Figure 1. Catherine (Stephanie Zimbalist), Cassidy (Margaret Streeter), and Robert (Mark Schulte) in the Actors Theatre of Louisville’s production of Jane Martin’s Mr. Bundy, directed by Jon Jory. Photo: Richard Trigg. Mr. Bundy shares its topical subject matter with Paula Vogel…
Three Seconds in the Key (review)
Deb Margolin is a middle-aged Jewish woman with Hodgkin's disease who watches Knicks games with her son. Her play Three Seconds in the Key is about a middle-aged Jewish woman with Hodgkin's disease who watches Knicks games with her son. Not only is the subject matter autobiographical, but Margolin also plays the woman and her son plays her son--so that one might suppose Three Seconds in the Key is entirely based on facts. But where would that lea…
Mrs. Dalloway and Performance Theory
Research Article| December 01 2002 Mrs. Dalloway and Performance Theory Claudia Barnett Claudia Barnett Middle Tennessee State University Search for other works by this author on: This Site Google English Language Notes (2002) 40 (2): 57–68. https://doi.org/10.1215/00138282-40.2.57 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Claudia Barnett; Mrs. Dalloway and Performance Theory. English Langua…
Painting As Performance Charlotte Salomon's Life? or Theatre
Charlotte Salomon's 1942 series of paintings, Life? or Theatre?, into which she incorporates elements of music and drama, wonders whether life and theatre are polar opposites or an engaged dialectic. Salomon anticipated the advent of performance theory by insisting on the performative qualities of her paintings. Her art exists in the unstable, ever-changing space between past and future, fact and fiction, life and death
Things of Dry Hours (review)
An Evasion of Ontology”
September 01 2005 “An Evasion of Ontology”: Being Adrienne Kennedy Claudia Barnett Claudia Barnett Search for other works by this author on: This Site Google Scholar Author and Article Information Claudia Barnett Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2005 Massachusetts Institute of Technology2005 TDR/The Drama Review (2005) 49 (3 (187)): 157–186. https://doi.org/10.1162/1054204054742417 Cite Icon Cite Permissions Share Icon Share Faceboo…
Books
September 01 2005 Hrotsvit of Gandersheim: Contexts, Identities, Affinities, and Performances Hrotsvit of Gandersheim: Contexts, Identities, Affinities, and Performances. Edited by BrownPhyllis R. , McMillinLinda A. , and WilsonKatharina M. Claudia Barnett Claudia Barnett Professor of English at Middle Tennessee State University Search for other works by this author on: This Site Google Scholar Author and Article Information Claudia Barnett Profe…
More Life”
Art (9 works) · Computer Science (5 works) · Aesthetics (4 works) · Drama (4 works) · History (4 works) · Literature (4 works) · Art history (3 works) · Citation (3 works) · Cultural Studies and Interdisciplinary Research (3 works) · Download (3 works)