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John Freedman

Biographic Data

ID3981750
NAMEJohn Freedman
GIVEN NAMESJohn
FAMILY NAMEFreedman
SIGNATUREFREEDMAN J
AFFILIATIONS1Harvard University
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS1
WORKS AS AUTHOR15
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Necessity as the Mother of Invention

    Open Access•John Freedman•ARTICLE•TDR/The Drama Review•2025

    The failed 2020 revolution in Belarus and Russia’s full-scale invasion of Ukraine in 2022 served as catalysts for the creation of the Insulted. Belarus Worldwide Readings Project based on a play by Andrei Kureichik. The project provided the material for hundreds of performances in over 30 countries, while dozens of texts by members of Kyiv’s Theatre of Playwrights formed the core of the Worldwide Ukrainian Play Readings, a similar project that ge…

  • Contemporary Russian Drama

    John Freedman•ARTICLE•Theatre Journal•2010•Cited by: 1

    In the first half of the 1990s, many observers held the opinion that no one in Russia was writing new plays. However, as it became clear during the Liubimovka new-play festival in 1997, Russian drama was on the verge of what one East European commentator recently called "the spectacular comeback of Russian drama and theatre to the first league of European theatre." such writers as Nikolai Koliada, Aleksei Kazantsev, Elena Gremina, Ol'ga Mukhina, …

  • I Am the Machine Gunner

    Yury Klavdiev, John Freedman•ARTICLE•Theatre Journal•2010

  • The Major Plays of Nikolai Erdman

    Allison Comins-Richmond, Nikolai Erdman et al.•ARTICLE•The Slavic and East European…•1997

  • Two Plays from the New Russia

    Allison Comins-Richmond, John Freedman•ARTICLE•The Slavic and East European…•1997

  • Silence's Roar

    Lurana Donnels O''Malley, Lurana Donnels O'Malley et al.•ARTICLE•Theatre Journal•1995

  • Sovetskaia klassika 20-x-30-x godov na sovremennoi stsene

    John Freedman•ARTICLE•The Slavic and East European…•1989

  • Teatral'naia kritika

    John Freedman, A Gvozdev•ARTICLE•The Slavic and East European…•1989

  • Narrative Technique and the Art of Story-Telling in Anton Chekhov's "Little Trilogy"

    John Freedman•ARTICLE•South Atlantic Review•1988

  • Chekhov

    John Freedman, Henri Troyat et al.•ARTICLE•The Slavic and East European…•1988

  • Memory, Imagination and the Liberating Force of Literature in Sasha Sokolov's a School for Fools

    John Freedman•ARTICLE•Canadian-American Slavic Studies•1987

    J O H N F R E E D M A N MEMORY, I M A G I N A T I O N A N D T H E LIBERATING F O R C E O F L I T E R A T U R E I N SASHA SOKOLOV'S A SCHOOL FOR FOOLS* * I w i s h to acknowledge t h e c o n t r i b u t i o n m a d e to t h i s a r t i c l e b y m y colleague

  • When Russia Learned to Read

    John Freedman, Jeffrey Brooks•ARTICLE•South Atlantic Review•1987

  • The Russian Symbolist Theatre. An Anthology of Plays and Critical Texts

    John Freedman, Michaël Green•ARTICLE•The Slavic and East European…•1986

  • Temnyi genii

    John Freedman, Iurii Elagin•ARTICLE•The Slavic and East European…•1984

  • Nikolaj Erdman

    John Freedman•ARTICLE•The Slavic and East European…•1984

  • Contemporary Russian Drama

    John Freedman•ARTICLE•Theatre Journal•2010•Cited by: 1

    In the first half of the 1990s, many observers held the opinion that no one in Russia was writing new plays. However, as it became clear during the Liubimovka new-play festival in 1997, Russian drama was on the verge of what one East European commentator recently called "the spectacular comeback of Russian drama and theatre to the first league of European theatre." such writers as Nikolai Koliada, Aleksei Kazantsev, Elena Gremina, Ol'ga Mukhina, …

  • Temnyi genii

    John Freedman, Iurii Elagin•ARTICLE•The Slavic and East European…•1984

  • Nikolaj Erdman

    John Freedman•ARTICLE•The Slavic and East European…•1984

  • The Russian Symbolist Theatre. An Anthology of Plays and Critical Texts

    John Freedman, Michaël Green•ARTICLE•The Slavic and East European…•1986

  • Memory, Imagination and the Liberating Force of Literature in Sasha Sokolov's a School for Fools

    John Freedman•ARTICLE•Canadian-American Slavic Studies•1987

    J O H N F R E E D M A N MEMORY, I M A G I N A T I O N A N D T H E LIBERATING F O R C E O F L I T E R A T U R E I N SASHA SOKOLOV'S A SCHOOL FOR FOOLS* * I w i s h to acknowledge t h e c o n t r i b u t i o n m a d e to t h i s a r t i c l e b y m y colleague

  • When Russia Learned to Read

    John Freedman, Jeffrey Brooks•ARTICLE•South Atlantic Review•1987

  • Narrative Technique and the Art of Story-Telling in Anton Chekhov's "Little Trilogy"

    John Freedman•ARTICLE•South Atlantic Review•1988

  • Chekhov

    John Freedman, Henri Troyat et al.•ARTICLE•The Slavic and East European…•1988

  • Sovetskaia klassika 20-x-30-x godov na sovremennoi stsene

    John Freedman•ARTICLE•The Slavic and East European…•1989

  • Teatral'naia kritika

    John Freedman, A Gvozdev•ARTICLE•The Slavic and East European…•1989

  • Silence's Roar

    Lurana Donnels O''Malley, Lurana Donnels O'Malley et al.•ARTICLE•Theatre Journal•1995

  • The Major Plays of Nikolai Erdman

    Allison Comins-Richmond, Nikolai Erdman et al.•ARTICLE•The Slavic and East European…•1997

  • Two Plays from the New Russia

    Allison Comins-Richmond, John Freedman•ARTICLE•The Slavic and East European…•1997

  • Contemporary Russian Drama

    John Freedman•ARTICLE•Theatre Journal•2010•Cited by: 1

    In the first half of the 1990s, many observers held the opinion that no one in Russia was writing new plays. However, as it became clear during the Liubimovka new-play festival in 1997, Russian drama was on the verge of what one East European commentator recently called "the spectacular comeback of Russian drama and theatre to the first league of European theatre." such writers as Nikolai Koliada, Aleksei Kazantsev, Elena Gremina, Ol'ga Mukhina, …

  • I Am the Machine Gunner

    Yury Klavdiev, John Freedman•ARTICLE•Theatre Journal•2010

  • Necessity as the Mother of Invention

    Open Access•John Freedman•ARTICLE•TDR/The Drama Review•2025

    The failed 2020 revolution in Belarus and Russia’s full-scale invasion of Ukraine in 2022 served as catalysts for the creation of the Insulted. Belarus Worldwide Readings Project based on a play by Andrei Kureichik. The project provided the material for hundreds of performances in over 30 countries, while dozens of texts by members of Kyiv’s Theatre of Playwrights formed the core of the Worldwide Ukrainian Play Readings, a similar project that ge…

Art (9 works) · Literature (5 works) · Eastern European Communism and Reforms (4 works) · Folklore, Mythology, and Literature Studies (3 works) · History (3 works) · Linguistics and language evolution (3 works) · Biology (2 works) · Drama (2 works) · European Cultural and National Identity (2 works) · Musicology and Musical Analysis (2 works)

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