Andrea Sabbadini
Biographic Data
| ID | 3984431 |
|---|---|
| NAME | Andrea Sabbadini |
| GIVEN NAMES | Andrea |
| FAMILY NAME | Sabbadini |
| SIGNATURE | SABBADINI A |
| AFFILIATIONS | London |
| VERIFIED | No |
| TOTAL WORKS | 22 |
| TOTAL CITATIONS | 22 |
| WORKS AS AUTHOR | 21 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 2 |
Metà prigioniero, metà alato. La disssociazione corpo‐mente in psicoanalisi [Half prisoner, half winged
The cryptic title of this important book – Half Prisoner, Half Winged – comes from painter Paul Klee: “Man is half prisoner, half winged; each of the two parts in which his being is torn, realizing
Psychoanalytic Perspectives on Virtual Intimacy and Communication in Film
Erotomania according to Lars von Trier
Introduction
Introduction: Three psychoanalytic perspectives on Pedro Almodóvar’s The Skin I Live In (2011)." The International Journal of Psychoanalysis, 93(5), p. 1291
A camera inside a monastery
College of the international journal of psychoanalysis
College of the international journal of psychoanalysis." The International Journal of Psychoanalysis, 92(2), p. 257
The International Journal of Psychoanalysis
The International Journal of Psychoanalysis." The International Journal of Psychoanalysis, 92(6), p. 1343
Between physical desire and emotional involvement
From a psychoanalytic vantage point, some of the main features of films dealing with the representation of intimate relationships can be schematically subsumed under three categories.The first cate
Le visioni di uno psicoanalista [A Psychoanalyst’s Visions]
The Truman Show
Australian director Peter Weir’s work shows a variety of thematic interests and includes such original films as The Cars That Ate Paris (1974), Picnic at Hanging Rock (1975), Witness (1985), Dead P
David Cronenberg’s Spider
David Cronenberg, the Canadian director of Spider (2002), is one of the main exponents of the science‐fictional ‘body horror’ genre of films. ‘Cronenberg’s subject’, David Thomson writes, ‘is the i
Projected Shadows
Projected Shadows presents a new collection of essays exploring films from a psychoanalytic perspective, focusing specifically on the representation of loss in European cinema. This theme is discussed in its many aspects, including: loss of hope and innocence, of youth, of consciousness, of freedom and loss through death. Many other themes familiar to psychoanalytic discourse are explored in the process, such as: Establishment and resolution of O…
Play Misty for me (1971)
Film review essay
(2003). Film review essay: ‘Not something destroyed but something that is still alive’: Amores Perros at the intersection of rescue fantasies. The International Journal of Psychoanalysis: Vol. 84, No. 3, pp. 755-764
Not something destroyed but something that is still alive
(2003). Film review essay: 'Not something destroyed but something that is still alive': Amores Perros at the intersection of rescue fantasies. The International Journal of Psychoanalysis: Vol. 84, No. 3, pp. 755-764
Colour and Music
Just Choose One
Just choose one’
Film Review Essay
Internet Discussion Review
Listening to Silence
I have examined the function of silence - its possible role and meanings - in the psychoanalytic encounter. I have argued that silence is complementary to words in general, and to analytic free-associations in particular, and that silence in the patient is often more than just the expression of his resistance. It could be useful to consider the silent space within a session as a sort of container of words -words that, for complex, over-determined…
Listening to Silence
I have examined the function of silence ‐ its possible role and meanings ‐ in the psychoanalytic encounter. I have argued that silence is complementary to words in general, and to analytic free‐associations in particular, and that silence in the patient is often more than just the expression of his resistance. It could be useful to consider the silent space within a session as a sort of container of words ‐words that, for complex, over‐determined…
The International Journal of Psychoanalysis
The International Journal of Psychoanalysis." The International Journal of Psychoanalysis, 92(6), p. 1343
Listening to Silence
I have examined the function of silence ‐ its possible role and meanings ‐ in the psychoanalytic encounter. I have argued that silence is complementary to words in general, and to analytic free‐associations in particular, and that silence in the patient is often more than just the expression of his resistance. It could be useful to consider the silent space within a session as a sort of container of words ‐words that, for complex, over‐determined…
The Truman Show
Australian director Peter Weir’s work shows a variety of thematic interests and includes such original films as The Cars That Ate Paris (1974), Picnic at Hanging Rock (1975), Witness (1985), Dead P
Metà prigioniero, metà alato. La disssociazione corpo‐mente in psicoanalisi [Half prisoner, half winged
The cryptic title of this important book – Half Prisoner, Half Winged – comes from painter Paul Klee: “Man is half prisoner, half winged; each of the two parts in which his being is torn, realizing
A camera inside a monastery
Between physical desire and emotional involvement
From a psychoanalytic vantage point, some of the main features of films dealing with the representation of intimate relationships can be schematically subsumed under three categories.The first cate
Film review essay
(2003). Film review essay: ‘Not something destroyed but something that is still alive’: Amores Perros at the intersection of rescue fantasies. The International Journal of Psychoanalysis: Vol. 84, No. 3, pp. 755-764
Not something destroyed but something that is still alive
(2003). Film review essay: 'Not something destroyed but something that is still alive': Amores Perros at the intersection of rescue fantasies. The International Journal of Psychoanalysis: Vol. 84, No. 3, pp. 755-764
Just choose one’
Film Review Essay
Listening to Silence
I have examined the function of silence - its possible role and meanings - in the psychoanalytic encounter. I have argued that silence is complementary to words in general, and to analytic free-associations in particular, and that silence in the patient is often more than just the expression of his resistance. It could be useful to consider the silent space within a session as a sort of container of words -words that, for complex, over-determined…
Listening to Silence
I have examined the function of silence ‐ its possible role and meanings ‐ in the psychoanalytic encounter. I have argued that silence is complementary to words in general, and to analytic free‐associations in particular, and that silence in the patient is often more than just the expression of his resistance. It could be useful to consider the silent space within a session as a sort of container of words ‐words that, for complex, over‐determined…
Listening to Silence
I have examined the function of silence - its possible role and meanings - in the psychoanalytic encounter. I have argued that silence is complementary to words in general, and to analytic free-associations in particular, and that silence in the patient is often more than just the expression of his resistance. It could be useful to consider the silent space within a session as a sort of container of words -words that, for complex, over-determined…
Film Review Essay
Internet Discussion Review
Just Choose One
Just choose one’
Colour and Music
Film review essay
(2003). Film review essay: ‘Not something destroyed but something that is still alive’: Amores Perros at the intersection of rescue fantasies. The International Journal of Psychoanalysis: Vol. 84, No. 3, pp. 755-764
Not something destroyed but something that is still alive
(2003). Film review essay: 'Not something destroyed but something that is still alive': Amores Perros at the intersection of rescue fantasies. The International Journal of Psychoanalysis: Vol. 84, No. 3, pp. 755-764
Play Misty for me (1971)
Projected Shadows
Projected Shadows presents a new collection of essays exploring films from a psychoanalytic perspective, focusing specifically on the representation of loss in European cinema. This theme is discussed in its many aspects, including: loss of hope and innocence, of youth, of consciousness, of freedom and loss through death. Many other themes familiar to psychoanalytic discourse are explored in the process, such as: Establishment and resolution of O…
The Truman Show
Australian director Peter Weir’s work shows a variety of thematic interests and includes such original films as The Cars That Ate Paris (1974), Picnic at Hanging Rock (1975), Witness (1985), Dead P
David Cronenberg’s Spider
David Cronenberg, the Canadian director of Spider (2002), is one of the main exponents of the science‐fictional ‘body horror’ genre of films. ‘Cronenberg’s subject’, David Thomson writes, ‘is the i
Between physical desire and emotional involvement
From a psychoanalytic vantage point, some of the main features of films dealing with the representation of intimate relationships can be schematically subsumed under three categories.The first cate
Le visioni di uno psicoanalista [A Psychoanalyst’s Visions]
A camera inside a monastery
College of the international journal of psychoanalysis
College of the international journal of psychoanalysis." The International Journal of Psychoanalysis, 92(2), p. 257
The International Journal of Psychoanalysis
The International Journal of Psychoanalysis." The International Journal of Psychoanalysis, 92(6), p. 1343
Introduction
Introduction: Three psychoanalytic perspectives on Pedro Almodóvar’s The Skin I Live In (2011)." The International Journal of Psychoanalysis, 93(5), p. 1291
Erotomania according to Lars von Trier
Metà prigioniero, metà alato. La disssociazione corpo‐mente in psicoanalisi [Half prisoner, half winged
The cryptic title of this important book – Half Prisoner, Half Winged – comes from painter Paul Klee: “Man is half prisoner, half winged; each of the two parts in which his being is torn, realizing
Psychoanalytic Perspectives on Virtual Intimacy and Communication in Film
Psychoanalysis (18 works) · Psychology (18 works) · Philosophy (8 works) · Philosophy (8 works) · Art (7 works) · Psychotherapy Techniques and Applications (7 works) · Cinema and Media Studies (3 works) · Computer Science (3 works) · Narrative Theory and Analysis (3 works) · Academic and Historical Perspectives in Psychology (2 works)